Books with title Nada the Lily

Nada the Lily is an historical novel by English writer H. Rider Haggard, published in 1892. It is said to be inspired by Haggard's time in South Africa (1875–82). It was illustrated by Charles H. M. Kerr. The novel tells the tale of the origin and early life of the hero Umslopogaas, the unacknowledged son of the great Zulu king and general Chaka, and his love for "the most beautiful of Zulu women", Nada the Lily.

Nada the Lily is an historical novel by English writer H. Rider Haggard, published in 1892. It is said to be inspired by Haggard's time in South Africa (1875–82). The novel tells the tale of the origin and early life of the hero Umslopogaas, the unacknowledged son of the great Zulu king and general Chaka, and his love for "the most beautiful of Zulu women", Nada the Lily. Chaka was a real king of the Zulus but Umslopogaas was invented by Haggard. He first appeared as an elderly but vigorous warrior in Allan Quatermain (1887). He also appears in the novel She and Allan (1921). Nada the Lily is unusual for a Victorian novel in that its entire cast of characters is South African and black. There is some anecdotal evidence that Umslopogaas might have been based on an actual person, although not as described in the book. He would have been a Swazi not a Zulu.

Nada the Lily is an historical novel by English writer H. Rider Haggard, published in 1892. It is said to be inspired by Haggard's time in South Africa (1875–82). It was illustrated by Charles H. M. Kerr.The novel tells the tale of the origin and early life of the hero Umslopogaas, the unacknowledged son of the great Zulu king and general Chaka, and his love for "the most beautiful of Zulu women", Nada the Lily. Chaka was a real king of the Zulus but Umslopogaas was invented by Haggard. He first appeared as an elderly but vigorous warrior in Allan Quatermain (1887). He also appears in the novel She and Allan (1921).

Nada the Lily is an historical novel by English writer H. Rider Haggard, published in 1892. It is said to be inspired by Haggard's time in South Africa (1875–1882).The novel tells the tale of the hero Umslopogaas, the illegitimate son of the great Zulu king and general Chaka, and his love for "the most beautiful of Zulu women", Nada the Lily. Nada the Lily is unusual for a Victorian novel in that its entire cast of characters is South African and black. Chaka was a real king of the Zulus but Umslopogaas was invented by Haggard and also features in Allan Quatermain.

"Nada the Lily" by H. Rider Haggard. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1918]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 376. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

You ask me, my father, to tell you the tale of the youth of Umslopogaas, holder of the iron Chieftainess, the axe Groan-maker, who was named Bulalio the Slaughterer, and of his love for Nada, the most beautiful of Zulu women. It is long; but you are here for many nights, and, if I live to tell it, it shall be told. Strengthen your heart, my father, for I have much to say that is sorrowful, and even now, when I think of Nada the tears creep through the horn that shuts out my old eyes from light.Do you know who I am, my father? You do not know. You think that I am an old, old witch-doctor named Zweete. So men have thought for many years, but that is not my name. Few have known it, for I have kept it locked in my breast, lest, thought I live now under the law of the White Man, and the Great Queen is my chieftainess, an assegai still might find this heart did any know my name.Look at this hand, my father—no, not that which is withered with fire; look on this right hand of mine. You see it, though I who am blind cannot. But still, within me, I see it as it was once. Ay! I see it red and strong—red with the blood of two kings. Listen, my father; bend your ear to me and listen. I am Mopo—ah! I felt you start; you start as the regiment of the Bees started when Mopo walked before their ranks, and from the assegai in his hand the blood of Chaka[5] dropped slowly to the earth. I am Mopo who slew Chaka the king. I killed him with Dingaan and Umhlangana the princes; but the wound was mine that his life crept out of, and but for me he would never have been slain. I killed him with the princes, but Dingaan, I and one other slew alone.What do you say? "Dingaan died by the Tongola."Yes, yes, he died, but not there; he died on the Ghost Mountain; he lies in the breast of the old Stone Witch who sits aloft forever waiting for the world to perish. But I also was on the Ghost Mountain. In those days my feet still could travel fast, and vengeance would not let me sleep. I travelled by day, and by night I found him. I and another, we killed him—ah! ah!Why do I tell you this? What has it to do with the loves of Umslopogaas and Nada the Lily? I will tell you. I stabbed Chaka for the sake of my sister, Baleka, the mother of Umslopogaas, and because he had murdered my wives and children. I and Umslopogaas slew Dingaan for the sake of Nada, who was my daughter.There are great names in the story, my father. Yes, many have heard the names: when the Impis roared them out as they charged in battle, I have felt the mountains shake and seen the waters quiver in their sound. But where are they now? Silence has them, and the white men write them down in books. I opened the gates of distance for the holders of the names. They passed through and they are gone beyond. I cut the strings that tied them to the world. They fell off. Ha! ha! They fell off! Perhaps they are falling still, perhaps they creep about their desolate kraals in the skins of snakes. I wish I knew the snakes that I might crush them with my heel. Yonder, beneath us, at the burying place of kings, there is a hole. In that hole lies the bones of Chaka, the king who died for Baleka. Far away in Zululand there is a cleft upon the Ghost Mountain. At the foot of that cleft lie the bones of Dingaan, the king who died for Nada. It was far to fall and he was heavy; those bones of his are broken into little pieces. I went to see them when the vultures and the jackals had done their work. And then I laughed three times and came here to die.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.