Books with title Le Morte d'Arthur Volume 2

For over 1,000 years, tales of King Arthur and his Knights of the Round Table have enthralled people, among them Henry VIII and T.E. Lawrence. Proof of the Arthurian legend's timeless appeal is the fact that scarcely a year goes by without a new adaptation. Published in 1485, Sir Thomas Malory's epic poem Le Morte d'Arthur became the standard source for future Arthurian works such as Idylls of the King by Lord Tennyson and T.H. White's The Once and Future King. With its expressive, vigorous dialogue, Le Morte d'Arthur resounds with colloquial liveliness and ceremonious dignity, the style for a 15th-century gentleman. This audio recording grips the listener with the fascinating, fateful story of Arthur's ascension to the throne as a boy, his marriage to Guenevere, the formation of the Round Table Knights, the quest for the Holy Grail, the ill-fated passion between Lancelot and Guenevere, the treachery of Arthur's illegitimate son Mordred, and the ultimate destruction of Arthur's realm. A superb story of adventure, love, honor, and betrayal, Le Morte d'Arthur is filled with dramatic power and deep, tragic irony.

Le Morte d'Arthur is an exciting, magical interpretation of the legend of King ArthurThe next elegant edition in the Knickerbocker Classic series, Le Morte d'Arthur is unabridged and complete. Originally published in 1485 by William Caxton, Sir Thomas Malory's Le Morte d'Arthur remains the most exciting and magical interpretation of the legend of King Arthur and the Knights of the Round Table.For Arthurian fans worldwide, this stunning gift edition has a cloth binding, ribbon marker, and is packaged neatly in an elegant slipcase. Featuring a new introduction and the elegant illustrations by Aubrey Beardsley (1872â?"1898), this volume of Le Morte d'Arthur is an indispensible classic for every home library.

"‘*Le Morte D'arthur*' by *Sir Thomas Malory*Le Morte d'Arthur (originally spelled Le Morte Darthur, Middle French for “the death of Arthur”) is a reworking of traditional tales by Sir Thomas Malory about the legendary King Arthur, Guinevere, Lancelot, and the Knights of the Round Table. Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). He called the full work The hoole booke of kyng Arthur & of his noble knyghtes of the rounde table, but Caxton instead titled it with Malory's name for the final section of the cycle. Modernized editions update the late Middle English spelling, update some pronouns, and repunctuate and reparagraph the text. "

The legend of King Arthur can be found in English stories and folktales as early as the sixth century. The greatest and most complete version, however, did not appear until the fifteenth century (1485), with Sir Thomas Malory's "Le Morte d'Arthur". To create the epic tale, Malory drew from many sources, most notably thirteenth-century French prose romances. He supplemented these French sources with English Arthurian materials.Malory's sources, dating from 1225-1230, are largely a selection of courtly romances about Launcelot. These stories purport to be historical accounts of King Arthur and his knights and of their quest for the Holy Grail. In addition to the French sources, Malory added material from a fourteenth century English alliterative poem, the Morte Arthur. Although it is probable that a real Arthur did exist (it is a common name), there is little actual historical basis for the stories, which are largely legend and folklore. Many scholars have attempted to prove the veracity of the work, but the attraction of Malory's work has always been the text itself, with its emphasis on courtly love, honour, virtue and devotion, magic and miracles. "Le Morte d'Arthur" was immediately popular with readers and critics and has remained so.The authorship of "Le Morte d’ Arthur" is controversial, because more than one “Thomas Malory” exists who could have written the work. Many believe the author was most probably the unusual Sir Thomas Malory of Newbold Revel. It was during his imprisonment that Malory composed, translated, and adapted his great rendering of the Arthurian material. "Le Morte d’Arthur" tells the story of King Arthur and the Knights of the Round Table. The tale begins with Arthur’s birth, his education, and his rise to the throne. It also recounts the tragic love story of Sir Lancelot and Guinevere, the destruction of the Round Table and Arthur’s mysterious disappearance or death.

Volume two of Le Morte D'Arthur, Sir Thomas Malory's powerful and elegaic version of the Arthurian legend, recounts the adventures of Sir Tristram de Liones and the treachery of Sir Mordred, and follows Sir Launcelot's quest for The Holy Grail, his fatally divided loyalties, and his great, forbidden love for the beautiful Queen Guenever. Culminating in an account of Arthur's final battle against the scheming, deceitful Mordred, this is the definitive re-telling of the Arthurian myth, weaving a story of adultery, treachery and ultimately - in its tragic finale - death. Edited and published by William Caxton in 1485, Malory's moving prose romance looks back to an idealised Medieval age of chivalry

The legends of King Arthur and his knights of the Round Table have inspired some of the greatest works of literature--from Cervantes's Don Quixote to Tennyson's Idylls of the King. Although many versions exist, Malory's stands as the classic rendition. Malory wrote the book while in Newgate Prison during the last three years of his life; it was published some fourteen years later, in 1485, by William Caxton. The tales, steeped in the magic of Merlin, the powerful cords of the chivalric code, and the age-old dramas of love and death, resound across the centuries.The stories of King Arthur, Lancelot, Queen Guenever, and Tristram and Isolde seem astonishingly moving and modern. Malory's Le Morte d'Arthur endures and inspires because it embodies mankind's deepest yearnings: for brotherhood and community; a love worth dying for; and valor, honor, and chivalry. 'Le Morte d'Arthur remains an enchanted sea for the reader to swim about in, delighting at the random beauties of fifteenth-century prose,' said Robert Graves.

THE Morte D'Arthur was finished; as the epilogue tells us; in the ninth year of Edward IV.; i.e. between March 4; 1469 and the same date in 1470. It is thus; fitly enough; the last important English book written before the introduction of printing into this country; and since no manuscript of it has come down to us it is also the first English classic for our knowledge of which we are entirely dependent on a printed text. Caxton's story of how the book was brought to him and he was induced to print it may be read farther on in his own preface. From this we learn also that he was not only the printer of the book; but to some extent its editor also; dividing Malory's work into twenty-one books; splitting up the books into chapters; by no means skilfully; and supplying the "Rubrish" or chapter-headings. It may be added that Caxton's preface contains; moreover; a brief criticism which; on the points on which it touches; is still the soundest and most sympathetic that has been written.

THE Morte D'Arthur was finished; as the epilogue tells us; in the ninth year of Edward IV.; i.e. between March 4; 1469 and the same date in 1470. It is thus; fitly enough; the last important English book written before the introduction of printing into this country; and since no manuscript of it has come down to us it is also the first English classic for our knowledge of which we are entirely dependent on a printed text. Caxton's story of how the book was brought to him and he was induced to print it may be read farther on in his own preface. From this we learn also that he was not only the printer of the book; but to some extent its editor also; dividing Malory's work into twenty-one books; splitting up the books into chapters; by no means skilfully; and supplying the "Rubrish" or chapter-headings. It may be added that Caxton's preface contains; moreover; a brief criticism which; on the points on which it touches; is still the soundest and most sympathetic that has been written.

THE Morte D'Arthur was finished; as the epilogue tells us; in the ninth year of Edward IV.; i.e. between March 4; 1469 and the same date in 1470. It is thus; fitly enough; the last important English book written before the introduction of printing into this country; and since no manuscript of it has come down to us it is also the first English classic for our knowledge of which we are entirely dependent on a printed text. Caxton's story of how the book was brought to him and he was induced to print it may be read farther on in his own preface. From this we learn also that he was not only the printer of the book; but to some extent its editor also; dividing Malory's work into twenty-one books; splitting up the books into chapters; by no means skilfully; and supplying the "Rubrish" or chapter-headings. It may be added that Caxton's preface contains; moreover; a brief criticism which; on the points on which it touches; is still the soundest and most sympathetic that has been written.