Books with title Following the North Star

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

She was born Florence Louisa Charlesworth in Limpsfield, Surrey, England, the daughter of the local Anglican rector. One of three girls, she was a sister to Maud Ballington Booth, the Salvation Army leader and co-founder of the Volunteers of America. When Florence was seven years old, the family moved to Limehouse in the London Borough of Tower Hamlets. In 1881, Florence Charlesworth married the Rev. Charles W. Barclay and honeymooned in the Holy Land, where, in Shechem, they reportedly discovered Jacob's Well, the place where, according to the Gospel of St John, Jesus met the woman of Samaria (John 4-5). Florence Barclay and her husband settled in Hertford Heath, in Hertfordshire, where she fulfilled the duties of a rector's wife. She became the mother of eight children. In her early forties health problems left her bedridden for a time and she passed the hours by writing what became her first romance novel titled The Wheels of Time. Her next novel, The Rosary, a story of undying love, was published in 1909 and its success eventually resulted in its being translated into eight languages and made into five motion pictures, also in several languages. According to the New York Times, the novel was the No.1 bestselling novel of 1910 in the United States. The enduring popularity of the book was such that more than twenty-five years later, Sunday Circle magazine serialized the story and in 1926 the prominent French playwright Alexandre Bisson adapted the book as a three-act play for the Parisian stage. Florence Barclay wrote eleven books in all, including a work of non-fiction. Her novel The Mistress of Shenstone (1910) was made into a silent film of the same title in 1921. Her short story Under the Mulberry Tree appeared in the special issue called "The Spring Romance Number" of the Ladies Home Journal of 11 May 1911.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.