Books with title Departmental Ditties and Barrack Room Ballads

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Barrack-Room Ballads are a series of songs and poems by Rudyard Kipling, dealing with the late-Victorian British Army and mostly written in a vernacular dialect. The series contains some of Kipling's most well-known work, including the poems "Gunga Din", "Tommy", "Mandalay", and "Danny Deever", helping consolidate his early fame as a poet.The first poems were published in the Scots Observer in the first half of 1890, and collected in Barrack-Room Ballads and Other Verses in 1892. Kipling later returned to the theme in a group of poems collected in The Seven Seas under the same title. A third group of vernacular Army poems from the Boer War, titled "Service Songs" and published in The Five Nations (1903), can be considered part of the Ballads, as can a number of other uncollected pieces.PoemsWhile two volumes of Kipling's poems are clearly labelled as "Barrack-Room Ballads", identifying which poems should be grouped in this way can be complex.The main collection of the Ballads was published in the 1890s, in two volumes: Barrack-Room Ballads and Other Verses (1892, the first major publishing success for Methuen) and The Seven Seas (1896), sometimes published as The Seven Seas and Further Barrack-Room Ballads. In both books, they were collected into a specific section set aside from the other poems, and can be easily identified. (Barrack-Room Ballads and Other Verses has an introductory poem ("To T.A.") in Kipling's own voice, which is strictly not part of the set but is often collected with them.)A third group of poems, published in 1903 in The Five Nations, continued the theme of military vernacular ballads; while they were titled "Service Songs", they fit well with the themes of the earlier ballads and are clearly connected.Charles Carrington produced the first comprehensive volume of the Ballads in 1973, mainly drawn from these three collections but including five additional pieces not previously collected under the title. Three of these date from the same period: an untitled vernacular poem ("My girl she gave me the go onst") taken from a short story, The Courting of Dinah Shadd, in Life's Handicap (1891); Bobs (1892 or 1898),[citation needed] a poem praising Lord Roberts; and The Absent-Minded Beggar (1899), a poem written to raise funds for the families of soldiers called up for the Boer War.The remaining two date from the First World War; Carrington considered Epitaphs of the War, written in a first-person style, and Gethsemane, also in a soldier's voice, to meet his definition. Both were published in The Years Between (1919). Kipling wrote profusely on military themes during the war, but often from a more detached perspective than the first-person vernacular he had previously adopted.Finally, there are some confusingly captioned pieces. Many of Kipling's short stories were introduced with a short fragment of poetry, sometimes from an existing poem and sometimes an incidental new piece. These were often identified "A Barrack-Room Ballad", though not all the poems they were taken from would otherwise be collected or classed this way. This includes pieces such as the introductory poem to My Lord the Elephant (from Many Inventions, 1899), later collected in Songs from Books but not identified as a Ballad. It is not clear if these were deliberately omitted by Carrington or if he explicitly chose not to include them................Joseph Rudyard Kipling (30 December 1865 – 18 January 1936) was an English journalist, short-story writer, poet, and novelist.

For the modern reader of Kipling's Barrack-Room Ballads - among the most enduringly popular poems ever published in England - some explanation of their contemporary expressions and allusions and their military context is necessary if he is to appreciate them in their full glory. John Whitehead, critic and biographer who himself served with the Indian Army in Burma, has provided this in full measure in his entertaining and scholarly Introduction and comprehensive textual Notes

For the modern reader of Kipling's Barrack-Room Ballads - among the most enduringly popular poems ever published in England - some explanation of their contemporary expressions and allusions and their military context is necessary if he is to appreciate them in their full glory. John Whitehead, critic and biographer who himself served with the Indian Army in Burma, has provided this in full measure in his entertaining and scholarly Introduction and comprehensive textual Notes.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Joseph Rudyard Kipling 30 December 1865 – 18 January 1936) was an English journalist, short-story writer, poet, and novelist. Kipling's works of fiction include The Jungle Book (1894), Kim (1901), and many short stories, including "The Man Who Would Be King" (1888). His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden" (1899), and "If—" (1910). He is regarded as a major innovator in the art of the short story; his children's books are classics of children's literature, and one critic described his work as exhibiting "a versatile and luminous narrative gift". Kipling was one of the most popular writers in the United Kingdom, in both prose and verse, in the late 19th and early 20th centuries. Henry James said: "Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known." In 1907, at the age of 42, he was awarded the Nobel Prize in Literature, making him the first English-language writer to receive the prize and its youngest recipient to date.[6] He was also sounded out for the British Poet Laureateship and on several occasions for a knighthood, both of which he declined.

Joseph Rudyard Kipling ( 30 December 1865 – 18 January 1936)was an English short-story writer, poet, and novelist chiefly remembered for his tales and poems ofBritish soldiers in India, and his tales for children. He received the Nobel Prize for Literature in 1907. He was born in Bombay, in the Bombay Presidency of British India, and was taken by his family to England when he was five years old. Kipling is best known for his works of fiction, including The Jungle Book (a collection of stories which includes "Rikki-Tikki-Tavi"), Just So Stories (1902) (1894), Kim (1901) (a tale of adventure), many short stories, including "The Man Who Would Be King" (1888); and his poems, including "Mandalay" (1890), "Gunga Din" (1890), "The White Man's Burden" (1899) and "If—" (1910). He is regarded as a major "innovator in the art of the short story"; his children's books are enduring classics of children's literature; and his best works are said to exhibit "a versatile and luminous narrative gift". -wikipedia

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.