Books with title CLEOPATRA

Sir Henry Rider Haggard, KBE (22 June 1856 – 14 May 1925) was an English writer of adventure novels set in exotic locations, predominantly Africa, and a founder of the Lost World literary genre. He was also involved in agricultural reform around the British Empire. His stories, situated at the lighter end of Victorian literature, continue to be popular and influential.

The book was first printed in 1889.The story is set in the Ptolemaic era of Ancient Egyptian history and revolves around the survival of a dynasty bloodline protected by the Priesthood of Isis. The main character Harmachis (the living descendant of the pharaoh's bloodline) is charged by the Priesthood to overthrow the supposed impostor Cleopatra, drive out the Greeks and Romans and restore Egypt to its golden era.As is the case with the majority of Haggard's works, the story draws heavily upon adventure and exotic concepts. The story, told from the point of view of the Egyptian priest Harmachis, is recounted in biblical language, being in the form of papyrus scrolls found in a tomb. Haggard's portrait of Cleopatra is quite stunning, revealing her wit, her treachery, and her overwhelming presence. All of the characters are mixtures of good and evil, and evoke both sympathy and loathing. While much of the material on ancient Egyptian ritual is overdone, the often brilliant dialogue and the fateful interactions between the principal characters make the book quite unforgettable in comparison to Haggard's better known but more conventional adventure novels. The character of Mark Antony, introduced in the later part of the book, is fleeting and lacks importance, though historically it seems that the book has some importance as the references made are based on facts about the romance between Cleopatra and Mark Antony and the fall of both from power. Cleopatra goes unrecognized in most discussions of Haggard—perhaps because of its stilted language.

The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt.Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however, to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and--after his murder--three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra's supple personality and the drama of her circumstances have been lost. In a masterly return to the classical sources, Stacy Schiff here boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order. Rich in detail, epic in scope, Schiff 's is a luminous, deeply original reconstruction of a dazzling life.

This is the epic story of the pharaoh who never was. The story of Harmachis and Cleopatra is vivid and intense, and involves love gone wrong in so many ways.With the exception of a short prologue, the entire book is given as a translation of three ancient scrolls. Here's a sentence, to give you an idea of the style: "Then in life mayst thou be wretched, and after death may Osiris refuse thee, and the judges of Amenti give judgment against thee, and Set and Sekhet torment thee, till such time as thy sin is purged and the Gods of Egypt, called by strange names, are once more worshipped in the Temples of Egypt, and the Staff of the Oppressor is broken, and the footsteps of the Foreigner are swept clean, and the thing is accomplished as thou in thy weakness shalt cause it to be done." It gives the story a certain Biblical weightiness, and isn't as intrusive as it might seem, but be prepared. That aside, it's a great character study of strong personalities against a violent historical backdrop.

THE story of Cleopatra is a story of crime. It is a narrative of the course and the consequences of unlawful love. In her strange and romantic history we see this passion portrayed with the most complete and graphic fidelity in all its influences and effects; its uncontrollable impulses, its intoxicating joys, its reckless and mad career, and the dreadful remorse and ultimate despair and ruin in which it always and inevitably ends. Cleopatra was by birth an Egyptian; by ancestry and descent she was a Greek. Thus, while Alexandria and the delta of the Nile formed the scene of the most im-portant events and incidents of her history, it was the blood of Macedon which flowed in her veins. Her character and action are marked by the genius, the courage, the originality, and the impulsiveness pertaining to the stock from which she sprung. The events of her history, on the other hand, and the peculiar character of her adventures, her sufferings, and her sins, were determined by the circumstances with which she was surrounded, and the influences which were brought to bear upon her in the soft and voluptuous clime where the scenes of her early life were laid.. Egypt has always been considered as physically the most remarkable country on the globe. It is a long and narrow valley of verdure and fruitfulness, completely insulated from the rest of the habitable world. It is more completely insulated, in fact, than any literal island could be, inasmuch as deserts are more impassable than seas. The very existence of Egypt is a most extraordinary phenomenon. If we could but soar with the wings of an eagle into the air, and look down upon the scene, so as to observe the operation of that grand and yet simple process by which this long and wonderful valley, teeming so profusely with animal and vegetable life, has been formed, and is annually revivified and renewed, in the midst of surrounding wastes of silence, desolation, and death, we should gaze upon it with never-ceasing admiration and pleasure. We have not the wings of the eagle, but the generalizations of science furnish us with a sort of substitute for them. The long series of patient, careful, and sagacious observations, which have been continued now for two thousand years, bring us results, by means of which, through our powers of mental conception, we may take a comprehensive survey of the whole scene, analo-gous, in some respects, to that which direct and actual vision would afford us, if we could look down upon it from the eagle's point of view. It is, however, so-mewhat humiliating to our pride of intellect to reflect that long-continued philosophical investigations and learned scientific research are, in such a case as this, after all, in some sense, only a sort of substitute for wings. A human mind connected with a pair of eagle's wings would have solved the mystery of Egypt in a week; whereas science, philosophy, and research, confined to the surface of the ground, have been occupied for twenty centuries in accomplishing the undertaking.

The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt.Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however, to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and--after his murder--three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra's supple personality and the drama of her circumstances have been lost. In a masterly return to the classical sources, Stacy Schiff here boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order. Rich in detail, epic in scope, Schiff 's is a luminous, deeply original reconstruction of a dazzling life.

This innovative, fully illustrated, and factually accurate novel tells the story of the legendary Egyptian queen. At ten years old, a young girl named Nefret becomes a handmaid to Cleopatra, the last queen of Egypt. It is through her eyes, as a servant in Cleopatra's court, that the history of this powerful ruler unfolds. In Nefret's diary, readers will observe Cleopatra's struggle to become a pharaoh and her relentless determination to rule Egypt well. A reference chapter provides accurate historical and cultural context.