Books with title Andrew Jackson, Southerner

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Excerpt from Andrew JacksonHe was angry, as he was quite frequently, few men could meet his look with composure. When he was in good humor, however, as he usually was when he dealt with his friends, or with women or children, his eyes could be very kindly, and his grim lips could part in a smile that was extremely attractive.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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In Lafayette Square, which fronts the White House at Washington, there is an equestrian statue of a very thin, long-headed old man whose most striking physical characteristics are the firm chin and lips and the bristling, upright hair. The piece is not a great work of art, but it gives one a strong impression of determination, if not of pugnacity. Sculptors have not the means to represent the human eye, else this impression might have been made stronger; for the old gentleman whose warlike aspect is here reproduced had a glance like a hawk's. He had, moreover, a habit of gazing fixedly at any one who attracted his attention. When he was angry, as he was quite frequently, few men could meet his look with composure. When he was in good humor, however, as he usually was when he dealt with his friends, or with women or children, his eyes could be very kindly, and his grim lips could part in a smile that was extremely attractive.

In Lafayette Square, which fronts the White House at Washington, there is an equestrian statue of a very thin, long-headed old man whose most striking physical characteristics are the firm chin and lips and the bristling, upright hair. The piece is not a great work of art, but it gives one a strong impression of determination, if not of pugnacity. Sculptors have not the means to represent the human eye, else this impression might have been made stronger; for the old gentleman whose warlike aspect is here reproduced had a glance like a hawk's. He had, moreover, a habit of gazing fixedly at any one who attracted his attention. When he was angry, as he was quite frequently, few men could meet his look with composure. When he was in good humor, however, as he usually was when he dealt with his friends, or with women or children, his eyes could be very kindly, and his grim lips could part in a smile that was extremely attractive. Not far away is the Treasury building. Were the horseman alive, by merely turning his head he could see its outline through the trees. There is a tradition in Washington that when this old man lived in the White House, and Congress voted to erect a new Treasury building, the old one being burned, there was some question of the exact spot on which it should stand. The question was put to him when he happened to be walking near the western end of Pennsylvania Avenue. He struck his cane on the ground and said shortly, "Put it here, sir,"—and there it stands. Whether or not the story is true, it is characteristic of the man and in keeping with the history of his times; for when Andrew Jackson was President most things were done at Washington just as he ordered them to be done. His friends declared that this was so because in most things his will stood for the will of the American people; his enemies, that they were done for no good reason whatever, but only because a despot commanded his slaves to do them.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.