Books with title Alcatraz

The west wind came over the Eagles, gathered purity from the evergreenslopes of the mountains, blew across the foothills and league widefields, and came at length to the stallion with a touch of coolness andenchanting scents of far-off things. Just as his head went up, just asthe breeze lifted mane and tail, Marianne Jordan halted her pony anddrew in her breath with pleasure. For she had caught from the chestnutin the corral one flash of perfection and those far-seeing eyes calledto mind the Arab belief. Says the Sheik: "I have raised my mare from a foal, and out of love forme she will lay down her life; but when I come out to her in themorning, when I feed her and give her water, she still looks beyond meand across the desert. She is waiting for the coming of a real man, she is waiting for the coming of a true master out of the horizon!"

Alcatraz by Max Brand, 1922. Frederick Schiller Faust (1892 - 1944) grew up in central California, and later worked as a cowhand on one of the many ranches of the San Joaquin Valley. Faust attended the University of California, Berkeley, where he began to write for student publications, poetry magazines, and newspapers. Failing to graduate, Faust joined the Canadian Army in 1915, but deserted the next year and moved to New York City. In the 1920s, Faust wrote extensively for pulp magazines, especially Street & Smith’s Western Story Magazine, a weekly for which he would write over a million words a year under various pen names, often seeing two serials and a short novel published in a single issue. Many of his stories would later inspire films. He created the Western character Destry, featured in several cinematic versions of Destry Rides Again, and his character Dr. Kildare was adapted to motion pictures, radio, television, and comic books.

With a keener interest, for she had seen a great deal of merciless riding since she came West and it always angered her. The cowpunchers used "hoss-flesh" rather than horses, a distinction that made her hot. If a horse were not good enough to be loved it was not good enough to be ridden. That was one of her maxims. She stepped closer to the window. Certainly that pony had been cruelly handled for the little grey gelding swayed in rhythm with his panting; from his belly sweat dripped steadily into the dust and the reins had chafed his neck to a lather. Marianne flashed into indignation and that, of course, made her scrutinize the rider more narrowly. He was perfect of that type of cowboy which she detested most: handsome, lithe, childishly vain in his dress. About his sombrero ran a heavy width of gold-braid; his shirt was blue silk; his bandana was red; his boots were shop-made beauties, soft and flexible; and on his heels glittered.

The west wind came over the Eagles, gathered purity from the evergreen slopes of the mountains, blew across the foothills and league wide fields, and came at length to the stallion with a touch of coolness and enchanting scents of far-off things. Just as his head went up, just as the breeze lifted mane and tail, Marianne Jordan halted her pony and drew in her breath with pleasure. For she had caught from the chestnut in the corral one flash of perfection and those far-seeing eyes called to mind the Arab belief.

Frederick Schiller Faust (1892 – 1944) was an American author known primarily for his thoughtful and literary Westerns under the pen name Max Brand. His other pseudonyms include George Owen Baxter, Evan Evans, George Evans, David Manning, John Frederick, Peter Morland, George Challis, and Frederick Frost. In the 1920s, Faust wrote extensively for pulp magazines, especially Street & Smith’s Western Story Magazine, a weekly for which he would write over a million words a year under various pen names, often seeing two serials and a short novel published in a single issue.

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