Books in Scribner Storybook Classics series

Cinderella is constantly teased by her evil stepmother and stepsisters. They make her do all the chores when her father is away. Then, when everyone in the city is invited to the Prince's palace for a royal ball, no one thinks of inviting Cinderella! As she watches her stepsisters leave for the dance, she wishes she could go too. Suddenly, a kindly old woman appears out of nowhere and promises to make Cinderella's dreams come true.

The three little pigs aren't so little anymore, so Mama Pig tells them it's time they go out into the world on their own. It's a dark and scary night in the forest, but they each manage to build a house. One is made of straw, one is made of wood, and one is made of strong bricks. The three little pigs feel safe in their cozy new homes, until a hungry wolf comes for a visit.

Snow White is forced to run away from home when her evil stepmother grows jealous of her beauty. The girl wanders alone through the dark forest and soon spots a curious little house. When she knocks at the door, seven little dwarves welcome her in! Snow White lives happily with them for a time. Then, one day, the evil stepmother learns about the girl's new home. She has evil plans for her stepdaughter.

The exemplary novel of the Jazz Age, F. Scott Fitzgeralds' third book, The Great Gatsby (1925), stands as the supreme achievement of his career. T. S. Eliot read it three times and saw it as the "first step" American fiction had taken since Henry James; H. L. Mencken praised "the charm and beauty of the writing," as well as Fitzgerald's sharp social sense; and Thomas Wolfe hailed it as Fitzgerald's "best work" thus far. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when, The New York Times remarked, "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s that resonates with the power of myth. A novel of lyrical beauty yet brutal realism, of magic, romance, and mysticism, The Great Gatsby is one of the great classics of twentieth-century literature. This is the definitive, textually accurate edition of The Great Gatsby, edited by Matthew J. Bruccoli and authorized by the estate of F. Scott Fitzgerald. The first edition of The Great Gatsby contained many errors resulting from Fitzgerald's extensive revisions and a rushed production schedule, and subsequent editions introduced further departures from the author's intentions. This critical edition draws on the manuscript and surviving proofs of the novel, along with Fitzgerald's later revisions and corrections, to restore the text to its original form. It is The Great Gatsby as Fitzgerald intended it.

Written during the dark hours immediately before and during the Second World War, C. S. Lewis's Space Trilogy, of which Out of the Silent Planet is the first volume, stands alongside such works as Albert Camus's The Plague and George Orwell's 1984 as a timely parable that has become timeless, beloved by succeeding generations as much for the sheer wonder of its storytelling as for the significance of the moral concerns. For the trilogy's central figure, C. S. Lewis created perhaps the most memorable character of his career, the brilliant, clear-eyed, and fiercely brave philologist Dr. Elwin Ransom. Appropriately, Lewis modeled Dr. Ransom after his dear friend J. R. R. Tolkien, for in the scope of its imaginative achievement and the totality of its vision of not one but two imaginary worlds, the Space Trilogy is rivaled in this century only by Tolkien's trilogy The Lord of the Rings. Readers who fall in love with Lewis's fantasy series The Chronicles of Namia as children unfailingly cherish his Space Trilogy as adults; it, too, brings to life strange and magical realms in which epic battles are fought between the forces of light and those of darkness. But in the many layers of its allegory, and the sophistication and piercing brilliance of its insights into the human condition, it occupies a place among the English language's most extraordinary works for any age, and for all time. Out of the Silent Planet introduces Dr. Ransom and chronicles his abduction by a megalomaniacal physicist and his accomplice via space ship to the planet Malacandra. The two men are in need of a human sacrifice and Dr. Ransom would seem to fit the bill. Dr. Ransom escapes upon landing, though, and goes on the run, a stranger in a land that, like Jonathan Swift's Lilliput, is enchanting in its difference from Earth and instructive in its similarity.