Books published by publisher Pen and Sword Military

Attila the Hun is a household name. Rising to the Hunnic kingship around 434, he dominated European history for the next two decades. Attila bullied and manipulated both halves of the Roman empire, forcing successive emperors to make tribute payments or face invasion. Ian Hughes recounts Attila's rise to power, attempting to untangle his character and motivations so far as the imperfect sources allow. A major theme is how the two halves of the empire finally united against Attila, prompting his fateful decision to invade Gaul and his subsequent defeat at the Battle of the Catalaunian Plain in 451.Integral to the narrative is analysis of the history of the rise of the Hunnic Empire; the reasons for the Huns' military success; relations between the Huns and the two halves of the Roman Empire; Attila’s rise to sole power; and Attila’s doomed attempt to bring both halves of the Roman Empire under his dominion.

Naval power played a vital role in the Peloponnesian War. The conflict pitted Athens against a powerful coalition including the preeminent land power of the day, Sparta. Only Athens’ superior fleet, her ‘wooden walls’, by protecting her vital supply routes allowed her to survive. It also allowed the strategic freedom of movement to strike back where she chose, most famously at Sphacteria, where a Spartan force was cut off and forced to surrender.Athens’ initial tactical superiority was demonstrated at the Battle of Chalcis, where her ships literally ran rings round the opposition but this gap closed as her enemies adapted. The great amphibious expedition to Sicily was a watershed, a strategic blunder compounded by tactical errors which brought defeat and irreplaceable losses. Although Athens continued to win victories at sea, at Arginusae for example, her naval strength had been severely weakened while the Spartans built up their fleets with Persian subsidies. It was another naval defeat, at Aegispotomi (405 BC) that finally sealed Athens’ fate. Marc De Santis narrates these stirring events while analyzing the technical, tactical and strategic aspects of the war at sea.

The battles and sieges of the Classical world have been a rich source of inspiration to film makers since the beginning of cinema and the 60s and 70s saw the golden age of the ‘swords and sandals’ epic, with films such as Spartacus. Ridley Scott’s Gladiator led a modern revival that has continued with the release of films like 300, The Eagle and Centurion and HBO’s mini-series Rome. While Hollywood interpretations of Classical battle continue to spark interest in ancient warfare, to casual viewers and serious enthusiasts alike they also spark a host of questions about authenticity. What does Hollywood get right and wrong about weapons, organization, tactics and the experience of combat? Did the Spartans really fight clad only in their underpants and did the Persians have mysterious, silver-masked assassins in their armies? This original book discusses the merits of battle scenes in selected movies and along the way gives the reader an interesting overview of ancient battle. It should appeal to the serious student of ancient warfare, movie buffs and everyone in between.

It is over fifty years since the critics of the day acclaimed The Wooden Horse as a superbly told story of the most ingenious and daring escape of the Second World War. Millions of readers agreed, and the book became a modern classic. This revised and expanded edition tells the tale. The escape itself was conceived on classical lines. The Greeks built a wooden horse and by means of it got into the city of Troy; in 1943 two British officers built a wooden horse and by means of it got out of a German prison camp. Together with a third companion, they were the only British prisoners ever to escape and reach England from this camp, though many tried. It was Stalag Luft III, designed especially to hold the Germans’ most prized captives – Allied aircrew – and considered to be escape-proof. The break from the camp itself is only part of the story. Once outside the wire the escapers were still faced with the problem of getting out of Germany. Fugitives in the midst of a watchful enemy population, they had many close shaves when disaster threatened to overwhelm them – adventures which the reader shares to the full.The fantastic nature of this enterprise, the patience, determination and endurance, above all the steel nerve it demanded from an undernourished physique, are rendered the more impressive by the manner of the telling. The characters are so surely drawn that they could not but be real. Throughout the book runs a vein of humour which alone made those days bearable. Thewarmth of human companionship born of privation, fear and a common purpose is vividly portrayed.

For two weeks in August 1936, Nazi Germany achieved an astonishing propaganda coup when it staged the Olympic Games in Berlin. Hiding their anti-semitism and plans for territorial expansion, the Nazis exploited the Olympic ideal, dazzling visiting spectators and journalists alike with an image of a peaceful, tolerant Germany. In Hitler's Olympics, Anton Rippon tells the story of those remarkable Games, the first to overtly use the Olympic festival for political purposes. His account, which is illustrated with almost 200 rare photographs of the event, looks at how the rise of the Nazis affected German sportsmen and women in the early 1930s. And it reveals how the rest of the world allowed the Berlin Olympics to go ahead despite the knowledge that Nazi Germany was a police state.

Republished to coincide with the new ITV film, My Boy Jack? starring Daniel Radcliffe, this is the full account of the tragic life of John 'Jack' Kipling. On 27th September 1915 John Kipling, the only son of Britain's best loved poet, disappeared during the Battle of Loos. The body lay undiscovered for 77 years. Then, in a most unusual move, the Commonwealth War Graves Commission (CWGC) re-marked the grave of an unknown Lieutenant of the Irish Guards, as that of John Kipling. There is considerable evidence that John's grave has been wrongly identified and for the first time in this book, the authors name the soldier they believe is buried in 'John's grave'. This is the first biography of John's short life, analysing the devastating effect it had on his famous father's work.

In the fall of 1944, Allied commanders planned to land airborne divisions in an attempt to capture a series of bridges behind German lines, including the "bridge too far" at Arnhem. Geoffrey Powell, himself a veteran of the Arnhem operation, drew on conversations with many other survivors of the battle to write one of the most dramatic of all accounts of the battleWhen the book was first published in 1976 under a pseudonym, it was at once recognized as one of the finest evocations of an infantryman's war ever written.

A history of the First World War told through hundreds of letters exchanged by ordinary British soldiers and their families. Letters from the Trenches reveals what people really thought and felt during the conflict and covers all social classes and groups – from officers to conscripts, servicewomen to conscientious objectors. Jacqueline Wadsworth skilfully uses the letters to tell the human story of the First World War – what mattered to Britain’s soldiers, sailors and airmen and their feelings about the war; how the conflict changed people; and how life continued on the Home Front.Voices within the book include Sergeant John Adams, 9th Royal Irish Fusiliers, who wrote in May 1917:'For the day we get our letter from home is a red Letter day in the history of the soldier out here. It is the only way we can hear what is going on. The slender thread between us and the homeland.'Private Stanley Goodhead, of the Manchester Pals Battalion, wrote home in 1916:'I came out of the trenches last night after being in 4 days. You have no idea what 4 days in the trenches means...The whole time I was in I had only about 2 hours sleep and that was in snatches on the firing step. What dugouts there are, are flooded with mud and water up to the knees and the rats hold swimming galas in them...We are literally caked with brown mud and it is in all our food, tea etc.'

With comprehensive captions and text, this superb book is the latest in the bestselling Images of War Series and the second installment of the Author’s pictorial history of the German Panzers in the Second World War. The Panzer III saw almost continuous action from the annexation of Czechoslakia, the invasion of Poland and then France and the Low countries, in North Africa, Italy, the Eastern Front and, finally, the retreat back into Germany. Between 1936 and 1945, many thousands of Panzer III’s were built. It quickly demonstrated its superiority on the battlefield and, for most of the war, remained a match for its opponents’ heavy tanks.The superb collection of images shows how these formidable tanks were adapted and up-gunned to face the ever-increasing enemy threat. The expert commentary describes how the Germans carefully utilized all available reserves and resources into building numerous production variants and how they coped on the battlefield. This is a splendid description of the one of the Nazis’ foremost fighting machines and a worthy successor volume to the acclaimed Panzer IV at War.

Naval power played a vital role in the Peloponnesian War. The conflict pitted Athens against a powerful coalition including the preeminent land power of the day, Sparta. Only Athens’ superior fleet, her ‘wooden walls’, by protecting her vital supply routes allowed her to survive. It also allowed the strategic freedom of movement to strike back where she chose, most famously at Sphacteria, where a Spartan force was cut off and forced to surrender.Athens’ initial tactical superiority was demonstrated at the Battle of Chalcis, where her ships literally ran rings round the opposition but this gap closed as her enemies adapted. The great amphibious expedition to Sicily was a watershed, a strategic blunder compounded by tactical errors which brought defeat and irreplaceable losses. Although Athens continued to win victories at sea, at Arginusae for example, her naval strength had been severely weakened while the Spartans built up their fleets with Persian subsidies. It was another naval defeat, at Aegispotomi (405 BC) that finally sealed Athens’ fate. Marc De Santis narrates these stirring events while analyzing the technical, tactical and strategic aspects of the war at sea.

Poland was re-created as an independent nation at the end of the First World War, but it soon faced problems as Nazi Germany set about expanding its control on Europe. The Wehrmacht’s attack on 1 September 1939 was followed by a Red Army invasion two weeks later.The people of Poland were then subjected to a terrifying campaign of murder, imprisonment and enslavement which only increased as the war dragged on. Polish Catholics faced violence and deportation as they adapted to the draconian laws implemented by the German authorities. Meanwhile, the Polish Jews were forced into ghettos while the plans for the Final Solution were implemented. They then faced annihilation in the Holocaust, code named Operation Reinhard.Despite the dangers, many Poles joined the underground war against their oppressors, while those who escaped sought to fight for their nation’s freedom from abroad. They sent intelligence to the west, attacked German installations, carried out assassinations and rose up to confront their enemy, all against impossible odds. The advance of the Red Army brought new problems, as the Soviet's dreaded NKVD introduced its own form of terror, hunting down anyone who fought for an independent nation.The story concludes with Poland’s experience behind the Iron Curtain, ending with the return of democracy by 1991.

The battles and sieges of the Classical world have been a rich source of inspiration to film makers since the beginning of cinema and the 60s and 70s saw the golden age of the 'swords and sandals' epic, with films such as Spartacus. Ridley Scott's Gladiator led a modern revival that has continued with the release of films like 300, The Eagle and Centurion and HBO's mini-series Rome. While Hollywood interpetations of Classical battle continue to spark interest in ancient warfare, to casual viewers and serious enthusiasts alike they also spark a host of questions about authenticity. What does Hollywood get right and wrong about weapons, organization, tactics and the experience of combat? Did the Spartans really fight clad only in their underpants and did the Persians have mysterious, silver-masked assassins in their armies? This original book discusses the merits of battle scenes in selected movies and along the way gives the reader an interesting overview of ancient battle. It should appeal to the serious student of ancient warfare, movie buffs and everyone in between.