Books published by publisher Pantheon Bookx

In 1886, Teresa Jordan's great-grandfather J.L. Jordan left Maryland for the West. It was on Wyoming's Iron Mountain that the Jordan ranch began and survived for nearly a hundred years. Riding the White Horse Home is Teresa Jordan's story of four generations of her family's devotion to the land, a devotion that required at once physical courage and psychic endurance. She celebrates the strength and character of the women of her family - her mother, grandmother, and great-aunts; the men - her father, grandfather, and great-grandfather; and the ranch hands - the hay crew, cooks, and cowboys.With reverence and grace, Teresa Jordan uses the history of her family to mirror the demise of a quintessential American way of life. This is not only Teresa Jordan's family history, it is every Western family's story: it is the story of the American West.Teresa Jordan writes of her family and of finding her place within its history with warmth, sincerity, and pride. It is only after she leaves Wyoming that she begins to understand the women of her history - some who were shoehorned into the only lives they could imagine, others who found ways to create the lives they wanted - and to discover where she belongs.Teresa Jordan's essays in Riding the White Horse Home are eloquent homage to her history and to ours as well.

As we approach the twenty-first century, biracialism and biculturalism are becoming increasingly common. Skin color and place of birth are no longer reliable signifiers of one's identity or origin. Simple questions like What are you? and Where are you from? aren't answered--they are discussed.How do you measure someone's race or culture? Half this, quarter that, born here, raised there. What name do you give that? These eighteen essays, joined by a shared sense of duality, address both the difficulties of not fitting into and the benefits of being part of two worlds. Danzy Senna parodies the media's fascination with biracials in a futuristic piece about the mulatto millennium. Garrett Hongo writes about watching his mixed-race children play in a sea of blond hair and white faces, realizing that suburban Oregon might swallow up their unique racial identity. Francisco Goldman shares his frustration with having constantly to explain himself in terms of his Latino and Jewish roots. Malcolm Gladwell understands that being biracial frees him from racial discrimination but also holds him hostage to questions of racial difference. For Indira Ganesan, India and its memory are evoked by the aromas of foods.Through the lens of personal experience, these essays offer a broader spectrum of meaning for race and culture. And in the process, they map a new ethnic terrain that transcends racial and cultural division.

Gathered here is a beguiling selection of folktales from Zimbabwe and Botswana as retold by the best-selling author of The No. 1 Ladies' Detective Agency. This treasury contains most of the stories previously collected in Children of Wax and seven new tales from the Setswana-speaking people of Botswana. A girl discovers that her young husband might actually be a lion in disguise, but not before they have two sons who might actually be cubs . . . When a child made of wax follows his curiosity outside into the heat of daylight and melts, his siblings shape him into a bird with feathers made of leaves that enable him to fly into the light . . . Talking hyenas, milk-giving birds, clever cannibals who nonetheless get their comeuppance, and mysterious forces that reside in the landscape—these wonderful fables bring us the wealth, the variety, and the particular magic of traditional African lore.

From the author of How Proust Can Change Your Life, a delightful, truly consoling work that proves that philosophy can be a supreme source of help for our most painful everyday problems.Perhaps only Alain de Botton could uncover practical wisdom in the writings of some of the greatest thinkers of all time. But uncover he does, and the result is an unexpected book of both solace and humor. Dividing his work into six sections -- each highlighting a different psychic ailment and the appropriate philosopher -- de Botton offers consolation for unpopularity from Socrates, for not having enough money from Epicurus, for frustration from Seneca, for inadequacy from Montaigne, and for a broken heart from Schopenhauer (the darkest of thinkers and yet, paradoxically, the most cheering). Consolation for envy -- and, of course, the final word on consolation -- comes from Nietzsche: "Not everything which makes us feel better is good for us."This wonderfully engaging book will, however, make us feel better in a good way, with equal measures of wit and wisdom.

In this latest installment of the beloved and best-selling No. 1 Ladies’ Detective Agency series, Precious Ramotswe and Grace Makutsi help a young woman on a quest to find someone from her past.Changes are afoot at the No. 1 Ladies’ Detective Agency, where Mma Makutsi, who has recently been promoted to co-director, has been encouraging Mma Ramotswe to update to more modern office practices. However, an unusual case will require both of them to turn their attention firmly to the past. A young Canadian woman who spent her early childhood in Botswana requests the agency’s help in recovering important pieces of her life there. With only a faded photograph—and, of course, some good old-fashioned detective skills—to guide them, Precious and Grace set out to locate the house that the woman used to live in and the caretaker who looked after her many years ago. But when the journey takes an unexpected turn, they are forced to consider whether some lost things may be better off unfound.Busy as she is with this challenging investigation, Mma Ramotswe can always be relied on to come to the aid of her friends—who seem to have a special knack for landing in hot water. Mr. Polopetsi, an occasional assistant at the agency, has made an ill-advised business decision that may lead to serious trouble. And next door at Tlokweng Road Speedy Motors, Fanwell, the junior mechanic, has become helplessly attached to a stray dog who proves to be a bigger responsibility than he can handle. With Mma Makutsi by her side, Mma Ramotswe dispenses help and sympathy with the graciousness and warmth for which she is so well known, and everyone is led to surprising insights into the healing power of compassion, forgiveness, and new beginnings.

From one of Granta’s Best Young British Novelists, a stunningly insightful, emotionally powerful new novel about an outsider haunted by an inescapable past: a story of loneliness and survival, guilt and loss, and the power of forgiveness. Jake Whyte is living on her own in an old farmhouse on a craggy British island, a place of ceaseless rain and battering wind. Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wants it to be. But every few nights something—or someone—picks off one of the sheep and sounds a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, and rumors of an obscure, formidable beast. And there is also Jake’s past, hidden thousands of miles away and years ago, held in the silences about her family and the scars that stripe her back—a past that threatens to break into the present. With exceptional artistry and empathy, All the Birds, Singing reveals an isolated life in all its struggles and stubborn hopes, unexpected beauty, and hard-won redemption.This eBook edition includes a Reading Group Guide.

This here be the first ever “graphical novel book” by Craig Thompson. It was winnning a Harvey Award, no less. It documentates the once upon a time in our fishing village town and a short turtle lad name of Chunky, last name Rice.Mister Chunky Rice be living in the same rooming house likewise myself, only that boy be restless. Looking for something. And he puts hisself on my brother Chuck’s ship and boats out to sea to find it. Only he be departin’ from his bestest of all friends, his deer mouse, I mean, mouse deer chum Dandel.Now why in a whirl would someone leave beyond a buddy? Just what be that turtle lad searchings for? I said you best read the book to find out. Merle said, “Doot doot.”

This collection of tales opens up a magical world far from our customary haunts. Ghost stories, romances, fables, and heroic sagas: the forms are familiar, but the characters we meet surprise us at every turn. For those who know and love the tales of the Grimms and Andersen, the universal themes of fairy tale literature emerge in these classic stories, but with a sophistication that is uniquely Chinese and altogether entrancing.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

In this final collection of Anne Morrow Lindbergh’s letters and journals, we mark Mrs. Lindbergh’s progress as she navigated a remarkable life and a remarkable century with enthusiasm and delight, humor and wit, sorrow and bewilderment, but above all devoted to finding the essential truth in life’s experiences through a hard-won spirituality and a passion for literature. Between the inevitable squalls of life with her beloved but elusive husband, the aviator Charles A. Lindbergh, she shepherded their five children through whooping cough, horned toads, fiancés, the Vietnam War, and their own personal tragedies. She researched and wrote books and articles on issues ranging from the condition of Europe after World War II to the meaning of marriage to the launch of Apollo 8. She published one of the most beloved books of inspiration of all time, Gift from the Sea. She left penetrating accounts of meetings with such luminaries as John and Jacqueline Kennedy, Thornton Wilder, Enrico Fermi, Leland and Slim Hayward, and the Frank Lloyd Wrights. And she found time to compose extraordinarily insightful and moving letters of consolation to friends and to others whose losses touched her deeply. Against Wind and Tide makes us privy to the demons that plagued this fairy-tale bride, and introduces us to some of the people—men as well as women—who provided solace as she braved the tides of time and aging, war and politics, birth and death. Here is an eloquent and often startling collection of writings from one of the most admired women of our time. (With 8 pages of black-and-white photographs.)

***NATIONAL BEST SELLER***A vivid, surprising portrait of the civic and economic reinvention taking place in America, town by town and generally out of view of the national media. A realistically positive and provocative view of the country between its coasts. For the last five years, James and Deborah Fallows have been traveling across America in a single-engine prop airplane. Visiting dozens of towns, they have met hundreds of civic leaders, workers, immigrants, educators, environmentalists, artists, public servants, librarians, business people, city planners, students, and entrepreneurs to take the pulse and understand the prospects of places that usually draw notice only after a disaster or during a political campaign. The America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but itis also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better. Our Towns is the story of their journey—and an account of a country busy remaking itself.

For more than ten years, Robert Bergman—a brilliant artist who has purposefully withheld himself from the mainstream—traveled by car with two friends, for months at a time, throughout the Rust Belt (Chicago, Detroit, Pittsburgh, Gary) and the East Coast, taking color pictures of everyday people who moved him profoundly. Even as he used a simple 35-mm camera, amateur film, no tripod, and no special lighting, his was a monumental, Whitmanesque project: to document the physical appearance and spirit of Americans, and to gauge the climate of our times. A Kind of Rapture, which is certain to be a classic work of photography, brings together the first selection from Bergman’s epic enterprise. Having taken, developed, and printed his own pictures since the age of five, Bergman has now, for A Kind of Rapture, created his own color separations, using high-resolution digital equipment, in an effort to exercise more control over the quality of reproduction than photographers have ever had. Bergman and his colleagues have helped define a new paradigm for art-book publishing—each and every image in this book is extraordinary for its fidelity to the artistic sensibility that informs its original print.With an introduction by Toni Morrison and an Afterword by Meyer Schapiro