Books published by publisher New York: Modern Library

This Modern Library Paperback Classics edition combines the two most important African American slave narratives into one volume.Frederick Douglass's Narrative, first published in 1845, is an enlightening and incendiary text. Born into slavery, Douglass became the preeminent spokesman for his people during his life; his narrative is an unparalleled account of the dehumanizing effects of slavery and Douglass's own triumph over it. Like Douglass, Harriet Jacobs was born into slavery, and in 1861 she published Incidents in the Life of a Slave Girl, now recognized as the most comprehensive antebellum slave narrative written by a woman. Jacobs's account broke the silence on the exploitation of African American female slaves, and it remains crucial reading. These narratives illuminate and inform each other. This edition includes an incisive Introduction by Kwame Anthony Appiah and extensive annotations.

In 336 b.c. Philip of Macedonia was assassinated and his twenty-year-old son, Alexander, inherited his kingdom. Immediately quelling rebellion, Alexander extended his father’s empire through-out the Middle East and into parts of Asia, fulfilling the soothsayer Aristander’s prediction that the new king “should perform acts so important and glorious as would make the poets and musicians of future ages labour and sweat to describe and celebrate him.” The Life of Alexander the Great is one of the first surviving attempts to memorialize the achievements of this legendary king, remembered today as the greatest military genius of all time. This exclusive Modern Library edition, excerpted from Plutarch’s Lives, is a riveting tale of honor, power, scandal, and bravery written by the most eminent biographer of the ancient world.

“Like swordplay itself, By the Sword is elegant, accurate, romantic, and full of brio—the definitive study, hugely readable, of man’s most deadly art.”—Simon WinchesterWith a new Preface by the authorNapoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who as a schoolboy would practice fencing with Bess—his future wife— when the two of them returned home from school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children. By the Sword is an epic history of sword fighting—a science, an art, and, for many, a religion that began at the dawn of civilization in ancient Egypt and has been an obsession for mankind ever since. With wit and insight, Richard Cohen gives us an engrossing history of the world via the sword.Praise for By the Sword“Touché! While scrupulous and informed about its subject, Richard Cohen’s book is about more than swordplay. It reads at times like an alternative social history of the West.”—Sebastian Faulks “In writing By the Sword, [Cohen] has shown that he is as skilled with the pen as he is with the sword.”—The New York Times “Irresistible . . . extraordinary . . . vivid and hugely enjoyable.”—The Economist “A virtual encyclopedia on the subject of sword fighting.”—San Francisco Chronicle “Literate, learned, and, beg pardon, razor-sharp . . . a pleasure for practitioners, and a rewarding entertainment for the armchair swashbuckler.”—Kirkus Reviews (starred review)

The book that established Thomas Carlyle’s reputation when first published in 1837, this spectacular historical masterpiece has since been accepted as the standard work on the subject. It combines a shrewd insight into character, a vivid realization of the picturesque, and a singular ability to bring the past to blazing life, making it a reading experience as thrilling as any novel. As John D. Rosenberg observes in his Introduction, The French Revolution is “one of the grand poems of [Carlyle’s] century, yet its poetry consists in being everywhere scrupulously rooted in historical fact.”This Modern Library Paperback Classics edition, complete and unabridged, is unavailable anywhere else.

In 1951 John Wyndham published his novel The Day of the Triffids to moderate acclaim. Fifty-two years later, this horrifying story is a science fiction classic, touted by The Times (London) as having “all the reality of a vividly realized nightmare.”Bill Masen, bandages over his wounded eyes, misses the most spectacular meteorite shower England has ever seen. Removing his bandages the next morning, he finds masses of sightless people wandering the city. He soon meets Josella, another lucky person who has retained her sight, and together they leave the city, aware that the safe, familiar world they knew a mere twenty-four hours before is gone forever.But to survive in this post-apocalyptic world, one must survive the Triffids, strange plants that years before began appearing all over the world. The Triffids can grow to over seven feet tall, pull their roots from the ground to walk, and kill a man with one quick lash of their poisonous stingers. With society in shambles, they are now poised to prey on humankind. Wyndham chillingly anticipates bio-warfare and mass destruction, fifty years before their realization, in this prescient account of Cold War paranoia.

Selected by the Modern Library as one of the 100 best novels of all timeFrom the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, As I Lay Dying, Light in August, Absalom, Absalom!, and Selected Short StoriesThe Sound and the Fury, first published in 1929, is perhaps William Faulkner’s greatest book. It was immediately praised for its innovative narrative technique, and comparisons were made with Joyce and Dostoyevsky, but it did not receive popular acclaim until the late forties, shortly before Faulkner received the Nobel Prize for Literature. The novel reveals the story of the disintegration of the Compson family, doomed inhabitants of Faulkner’s mythical Yoknapatawpha County, through the interior monologues of the idiot Benjy and his brothers, Quentin and Jason. Featuring a new Foreword by Marilynne Robinson, this edition follows the text corrected in 1984 by Faulkner expert Noel Polk and corresponds as closely as possible to the author’s original intentions. Included also is the Appendix that Faulkner wrote for The Portable Faulkner in 1946, which he called the “key to the whole book.”

G. K. Chesterton’s Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man’s frailties–gained during his years listening to confessions–Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as “The Blue Cross,” “The Secret Garden,” and “The Paradise of Thieves.” As P. D. James writes in her Introduction, “We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”

David Halberstam’s masterpiece, the defining history of the making of the Vietnam tragedy, with a new Foreword by Senator John McCain."A rich, entertaining, and profound reading experience.”—The New York Times Using portraits of America’ s flawed policy makers and accounts of the forces that drove them, The Best and the Brightest reckons magnificently with the most important abiding question of our country’ s recent history: Why did America become mired in Vietnam, and why did we lose? As the definitive single-volume answer to that question, this enthralling book has never been superseded. It is an American classic.Praise for The Best and the Brightest“The most comprehensive saga of how America became involved in Vietnam. . . . It is also the Iliad of the American empire and the Odyssey of this nation’s search for its idealistic soul. The Best and the Brightest is almost like watching an Alfred Hitchcock thriller.”—The Boston Globe“Deeply moving . . . We cannot help but feel the compelling power of this narrative. . . . Dramatic and tragic, a chain of events overwhelming in their force, a distant war embodying illusions and myths, terror and violence, confusions and courage, blindness, pride, and arrogance.”—Los Angeles Times“A fascinating tale of folly and self-deception . . . [An] absorbing, detailed, and devastatingly caustic tale of Washington in the days of the Caesars.”—The Washington Post Book World“Seductively readable . . . It is a staggeringly ambitious undertaking that is fully matched by Halberstam’s performance. . . . This is in all ways an admirable and necessary book.”—Newsweek“A story every American should read.”—St. Louis Post-Dispatch

NEW YORK TIMES BESTSELLER • Maya Angelou’s classic memoirs have had an enduring impact on American literature and culture. Her life story is told in the documentary film And Still I Rise, as seen on PBS’s American Masters.This Modern Library edition contains I Know Why the Caged Bird Sings, Gather Together in My Name, Singin’ and Swingin’ and Gettin’ Merry Like Christmas, The Heart of a Woman, All God’s Children Need Traveling Shoes, and A Song Flung Up to Heaven. When I Know Why the Caged Bird Sings was published to widespread acclaim in 1969, Maya Angelou garnered the attention of an international audience with the triumphs and tragedies of her childhood in the American South. This soul-baring memoir launched a six-book epic spanning the sweep of the author’s incredible life. Now, for the first time, all six celebrated and bestselling autobiographies are available in this handsome one-volume edition. Dedicated fans and newcomers alike can follow the continually absorbing chronicle of Angelou’s life: her formative childhood in Stamps, Arkansas; the birth of her son, Guy, at the end of World War II; her adventures traveling abroad with the famed cast of Porgy and Bess; her experience living in a black expatriate “colony” in Ghana; her intense involvement with the civil rights movement, including her association with Dr. Martin Luther King, Jr., and Malcolm X; and, finally, the beginning of her writing career. The Collected Autobiographies of Maya Angelou traces the best and worst of the American experience in an achingly personal way. Angelou has chronicled her remarkable journey and inspired people of every generation and nationality to embrace life with commitment and passion.

Selected by the Modern Library as one of the 100 best novels of all timeFrom the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, The Sound and the Fury, Light in August, Absalom, Absalom!, and Selected Short StoriesOne of William Faulkner’s finest novels, As I Lay Dying, originally published in 1930, remains a captivating and stylistically innovative work. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren’s family sets out to fulfill her last wish: to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. Told through multiple voices, As I Lay Dying vividly brings to life Faulkner’s imaginary South, one of literature’s great invented landscapes, and is replete with the poignant, impoverished, violent, and hypnotically fascinating characters that were his trademark. Along with a new Foreword by E. L. Doctorow, this edition reproduces the corrected text of As I Lay Dying as established in 1985 by Faulkner expert Noel Polk.

The story and characters in Victor Hugo's The Hunchback of Notre-Dame  have resonated with succeeding generations since its publication in 1831. It has tempted filmmakers, and most recently animators, who have exploited its dramatic content to good effect but have inevitably lost some of the grays that make the original text so compelling.   From Victor Hugo's flamboyant imagination came Quasimodo, the grotesque bell ringer; La Esmeralda, the sensuous gypsy dancer; and the haunted archdeacon Claude Frollo. Hugo set his epic tale in the Paris of 1482 under Louis XI and meticulously re-created the day-to-day life of its highest and lowest inhabitants. Written at a time of perennial political upheaval in France, The Hunchback of Notre-Dame  is the product of an emerging democratic sensibility and prefigures the teeming masterpiece Les Misérables, which Hugo would write thirty years later.   He made the cathedral the centerpiece of the novel and called it Notre-Dame de Paris. (It received its popular English title at the time of its second translation in 1833.) Hugo wrote that his inspiration came from a carving of the word "fatality" in Greek that he had found in the cathedral. The inscription had been eradicated by the time the book was published, and Hugo feared that Notre-Dame's Gothic splendor might soon be lost to the contemporary fad for tearing down old buildings. Notre-Dame has survived as one of the great monuments of Paris, and Hugo's novel is a fitting celebration of it, a popular classic that is proving to be just as enduring.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.Jacket paintings: (front) detail from Notre Dame  by Paul Lecomte, courtesy of David David Gallery/SuperStock; (spine) Victor Hugo, 1833, by Louis Boulanger of Giraudon/Art Resource, N.Y.