Books published by publisher Library of America

This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Library of America presents a classic novel of the Harlem Renaissance: Wallace Thurman's anguished, provocative look at prejudice and exclusion in Jazz Age Harlem.The Blacker the Berry (1929), Wallace Thurman’s debut novel, broke new ground as an exploration of issues of “colorism,” intra-racial prejudice, and internalized racism in African American life. Its protagonist, the young Emma Lou Morgan, is simply “too dark” for a world in which every kind of advancement seems to require a light complexion. Seeking acceptance and opportunity, she moves––much like the dark-skinned young Thurman had, four years before the novel’s publication––from Idaho to California to New York. Harlem, the “city of surprises,” is in many ways the novel’s true subject, its low-down, licentious streets, glittering cabarets, and variegated cast of characters offering a rich backdrop for Emma Lou’s ambivalent, picaresque progress.

In one volume, four novels by "the real Fitzgerald": scintillating, sexually frank tales of the desperate pursuit of pleasure and status in Jazz Age America.Here in one volume are four gripping novels about the anxious pursuit of pleasure and status in the Jazz Age by the writer who has been called “the real Fitzgerald.” In the brilliant debut Appointment in Samarra (1934), the life of car dealer Julian English unravels with stunning swiftness after he throws a highball in another man’s face. Butterfield 8 (1935), based on the notorious case of the drowned socialite Starr Faithfull, is the still-shocking story of one young woman’s defiant recklessness amid the desperate revels of Prohibition-era Manhattan. The long out-of-print Hope of Heaven (1938) shifts the scene to Los Angeles for a noirish tale of ill-fated love. And Pal Joey (1940), inspiration for the enduring Rodgers & Hart musical, presents O’Hara’s perhaps most memorable character, a sleazy nightclub emcee whose wised-up talk highlights O’Hara’s matchless ear for the American language. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A neglected classic offers an unflinching depiction of the physical and psychological cost of modern warfare.For his 1923 novel Through the Wheat Thomas Boyd drew on his own experiences with the Marines at Belleau Wood, Soissons, and St. Mihiel to tell the story of William Hicks, an infantryman fighting in France in 1918. Hicks endures hunger, thirst, cold, heat, and fatigue as his platoon advances through dense woods and open fields in the face of hidden machine guns and sudden artillery bombardments, experiencing alternating states of fear, nausea, fury, and apathy until he becomes “impervious to the demands of the dead and the living.” When it was first published, Through the Wheat was hailed by F. Scott Fitzgerald as “the best war book since The Red Badge of Courage,” and by Edmund Wilson as “probably the most authentic novel yet written by an American about war”; fifty years later, James Dickey praised it as “a war book of the most striking and moving kind.”

HARLEM RENAISSANCE: Five Novels of the 1920s leads off with Jean Toomer's Cane (1923), a unique fusion of fiction, poetry, and drama rooted in Toomer's experiences as a teacher in Georgia. Toomer's masterpiece was followed within a few years by a cluster of novels exploring black experience and the dilemmas of black identity in a variety of modes and from different angles. Claude McKay's Home to Harlem (1928), whose freewheeling, impressionistic, bawdy kaleidoscope of Jazz Age nightlife made it a best seller, traces the picaresque adventures of Jake, a World War I veteran, within and beyond Harlem. Nella Larsen's Quicksand (1928), the poignant, nuanced psychological portrait of a woman caught between the two worlds of her mixed Scandinavian and African American heritage; Jessie Redmon Fauset's Plum Bun (1928), the richly detailed account of a young art student's struggles to advance her career in a society full of obstacles both overt and insidiously concealed; and Wallace Thurman's The Blacker the Berry (1929), with its anguished, provocative look at prejudice and exclusion as it tells of a new arrival in Harlem searching for love, each in its distinct way testifies to the enduring power of the Harlem ferment.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Beginning with “Gimpel the Fool,” the story that brought Isaac Bashevis Singer to prominence in America in the 1950s, this Library of America volume is the first of three gathering most of Singer’s short fiction. These stories were published in English in the versions he called his “second originals,” translations that he supervised and on which he himself often collaborated, revising his Yiddish texts as he worked.Born in 1904 into a family of rabbis, Singer grew up in a devout household in Warsaw’s Jewish quarter, but he also spent time in the villages and market towns of eastern Poland, most notably Bilgoray, where he took refuge with his mother and brother during World War I. He had firsthand exposure to forms of Jewish folk culture that were destroyed by the Nazis, and many of his works testify to the richness of that annihilated world. In his stories set in Poland, Singer drew upon vernacular traditions for tales imbued with a wild, sometimes mischievous, often disturbing supernaturalism that was an outgrowth of local storytelling but containing dark undercurrents born of his own concerns and obsessions. At the same time, his skeptical but never dismissive engagement with religion and spirituality—and the opposing forces of secularism—enabled him to take part in the creative ferment of Jewish modernism but also distance himself from its politics and literary methods.In addition to “Gimpel the Fool,” this volume—drawn from Singer’s first four English-language collections of stories originally published in the 1950s and 1960s—contains some of Singer’s most beloved tales: “The Spinoza of Market Street,” “The Gentleman from Cracow,” “Taibele and Her Demon,” and “Yentl the Yeshiva Boy,” the basis of a hit Broadway play and the film Yentl.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

At the outset of what he called "the greatest, the gaudiest spree in history," F. Scott Fitzgerald wrote the works that brought him instant fame, mastering the glittering aphoristic prose and keen social observation that would distinguish all his writing. This Library of America volume brings together four volumes that collectively offer the fullest literary expression of one of the most fascinating eras in American life.This Side of Paradise (1920) gave Fitzgerald the early success that defined and haunted him for the rest of his career. Offering in its Princeton chapters the most enduring portrait of college life in American literature, this lyrical novel records the ardent and often confused longings of its hero's struggles to find love and to formulate a philosophy of life.Flappers and Philosophers (1920), a collection of accomplished short stories, includes such classics as "Dalyrimple Goes Wrong," "Bernice Bobs Her Hair," and "The Ice Palace."Fitzgerald continues his dissection of a self-destructive era in his second novel, The Beautiful and Damned (1922), as the self-styled aristocrat Anthony Patch and his beautiful wife, Gloria, are cut off from an inheritance and forced to endure the excruciating dwindling of their fortune. Here New York City, playground for the pleasure-loving Patches and brutal mirror of their dissipation, is portrayed more vividly than anywhere else in Fitzgerald's work.Tales of the Jazz Age (1922), his second collection of stories, includes the novella "May Day," featuring interlocking tales of debutantes, soldiers, and socialists brought together in the uncertain aftermath of World War I, and "A Diamond as Big as the Ritz," a fable in which the excesses of the Jazz Age take the hallucinatory form of a palace of unfathomable opulence hidden deep in the Montana Rockies.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

One of the truly legendary figures of American history, the soldier, explorer, and colonist Captain John Smith was a vivid and prolific chronicler of the beginnings of English settlement in the New World. This Library of America volume brings together seven of his works, along with sixteeen additional narratives by other writers, that recount firsthand the tragic, harrowing, and dramatic events of the settlement of Roanoke and Jamestown.A founder of Jamestown in 1607, Smith exhibited the courage, determination, and leadership that all proved crucial to its survival. A True Relation tells of the colony’s perilous first year, while The Proceedings and The Generall Historie continue the story of its struggle to survive and prosper. A Description of New England and New Englands Trials describes Smith’s exploration of the northern coast and the prospects for its settlement. In The True Travels Smith recalls his adventures as a soldier in Eastern Europe and his amazing escape from Turkish slavery. Advertisements for the Unexperienced Planters, his last book, is a critical examination of the successes and failures of the English colonial enterprise. Written in a consistently lively style, Smith’s works are filled with suspense, astonishment, and keen observations of American Indian cultures and New World landscapes.The 16 additional narratives include accounts of the “Lost Colony” of Roanoke, the horrific “starving time” at Jamestown, and a shipwreck off Bermuda. Amplifying and sometimes challenging Smith’s version of events, these narratives capture the fear and fascination of early encounters with the Indians; the brutality, desperation, and ingenuity of settlers facing extreme hardship; the complex interplay of feuds and rivalries, both between the English and the Powhatan Indians and within the colony itself; and the enduring story of Pocahontas, who came to occupy a unique place between two cultures. Included in the volume are forty-four pages of contemporary drawings, fifteen of them full-color illustrations by John White.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In 1997 The Library of America's Crime Novels: American Noir gathered, in two volumes, eleven classic works of the 1930s, 40s, and 50s--among them David Goodis's moody and intensely lyrical masterpiece Down There, adapted by François Truffaut for his 1960 film Shoot the Piano Player. Now, The Library of America and editor Robert Polito team up again to celebrate the full scope of Goodis's signature style with this landmark volume collecting five great novels from the height of his career. Goodis (1917-1967) was a Philadelphia- born pulp expressionist who brought a jazzy style to his spare, passionate novels of mean streets and doomed protagonists: an innocent man railroaded for his wife's murder (Dark Passage); an artist whose life turns nightmarish because of a cache of stolen money (Nightfall); a dockworker seeking to comprehend his sister's brutal death (The Moon in the Gutter); a petty criminal derailed by irresistible passion (The Burglar); and a famous crooner scarred by violence and descending into dereliction (Street of No Return). Long a cult favorite, Goodis now takes his place alongside Raymond Chandler and Dashiell Hammett in the pantheon of classic American crime writers.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Originally published from 1932 to 1943, Laura Ingalls Wilder’s Little House books are classics of children’s literature, beloved by millions. But readers who last enjoyed them as children may be astonished at the quiet poetry of Wilder’s prose and the force and poignancy of her portrait of the lives of American pioneers. Now The Library of America and editor Caroline Fraser present a definitive boxed set that affirms Wilder’s place in the American canon, reintroducing these enduring works to readers young and old. Here, for the first time in two collectible hardcover volumes, are all eight Little House novels—brilliant narratives of the early life of Laura Ingalls and her family as they grow up with the country in the woods, on the plains, and finally in the small towns of the advancing American frontier—plus the posthumous novella The First Four Years, which recounts the early years of the author’s marriage to Almanzo Wilder. As a special feature, four rare autobiographical pieces address the need for historical accuracy in children’s literature, reveal real life events not included in the novels, and answer the inevitable question: what happened next?Contains:VOLUME ONELittle House in the Big WoodsFarmer Boy Little House on the Prairie On the Banks of Plum CreekLibrary of America volume #229VOLUME TWO By the Shores of Silver LakeThe Long Winter Little Town on the PrairieThese Happy Golden Years The First Four YearsLibrary of America volume #230Each volume features deluxe three-part bindings, a newly-researched chronology of Laura Ingalls Wilder’s life and career, and helpful notes. The volumes are also available separately with standard Library of America series bindings and jackets.

The Civil War's greatest general as you've never seen him before, in a revealing collection of letters to his wife Julia introduced by Ron Chernow.Ulysses S. Grant is justly celebrated as the author of one of the finest military autobiographies ever written, yet many readers of his Personal Memoirs are unaware that during his army years Grant wrote hundreds of intimate and revealing letters to his wife, Julia Dent Grant. Presented with an introduction by acclaimed biographer Ron Chernow, My Dearest Julia collects more than eighty of these letters, beginning with their engagement in 1844 and ending with the Union victory in 1865. They record Grant's first experience under fire in Mexico ("There is no great sport in having bullets flying about one in evry direction but I find they have less horror when among them than when in anticipation"), the aching homesickness that led him to resign from the peacetime army, and his rapid rise to high command during the Civil War. Often written in haste, sometimes within the sound of gunfire, his wartime letters vividly capture the immediacy and uncertainty of the conflict. Grant initially hoped for an early conclusion to the fighting, but then came to accept that the war would have no easy end. "The world has never seen so bloody or so protracted a battle as the one being fought," he wrote from Spotsylvania in 1864, "and I hope never will again."

For the Whitman bicentennial, a delightful keepsake edition of the incomparable wisdom of America's greatest poet, distilled from his fascinating late-in-life conversations with Horace Traubel.Toward the end of his life, Walt Whitman was visited almost daily at his home in Camden, New Jersey, by the young poet and social reformer Horace Traubel. After each visit, Traubel meticulously recorded their conversation, transcribing with such sensitivity that Whitman’s friend John Burroughs remarked that he felt he could almost hear the poet breathing. In Walt Whitman Speaks, acclaimed author Brenda Wineapple draws from Traubel’s extensive interviews an extraordinary gathering of Whitman’s observations that conveys the core of his ethos and vision. Here is Whitman the sage, champion of expansiveness and human freedom. Here, too, is the poet’s more personal side—his vivid memories of Thoreau, Emerson, and Lincoln, his literary judgments on writers such as Shakespeare, Goethe, and Tolstoy, and his expressions of hope in the democratic promise of the nation he loved. The result is a keepsake edition to touch the soul, capturing the distilled wisdom of America’s greatest poet.