Other editions of book New Grub Street

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

New Grub Street (1891), George Gissing's most highly regarded novel, is the story of men and women forced to make their living by writing. Their daily lives and broken dreams, made and marred by the rigors of urban life and the demands of the fledgling mass communications industry, are presented with vivid realism and unsentimental sympathy. Its telling juxtaposition of the writing careers of the clever and malicious Jaspar Milvain and the honest and struggling Edward Reardon quickly made New Grub Street into a classic work of late Victorian fiction. "His naturalism has an excoriating veracity; relentless in its judgements but fine as well in its attention to detail ... I have never learnt so much from a novel about the actual day-to-day life texture of life in late 19th-century London." -Janet Daley, The Times “Gissing's masterpiece about London literary life in the 1880's…. a strong empathy with almost all his characters, especially the women, broadened and deepened by a grasp of the way ideas shape experience and social forces overwhelm the individual. Gissing was willing to risk suffering, to face private pain and social pain, poverty and its quiet humiliations….. Almost all his novels are about a single subject: the cost of poverty and social isolation to people of intelligence and sensitivity. They're full of thin-skinned novelists in garrets; bright, passionate, unmarriageable young women; lower-middle-class intellectuals torn with hatred and sympathy for the poor and hatred and envy for the rich -- victims of a perverse, money-soaked social order that they can neither enter nor reject. Orwell said, ‘Gissing's novels are a protest against the form of self-torture that goes by the name of respectability,’ but the protest is muted by the fact that Gissing himself partly craved respectability. He might have been a socialist if he'd had more money; instead, the vision is of endurance and defeat. ‘New Grub Street’ carries it to almost unbearable intensity.” -George Packer; The New York Times “The most impressive of Gissing’s books . . . England has produced very few better novelists.” —George Orwell

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The story's two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects and a shy, cerebral man and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world."The most impressive of Gissing's books . . . England has produced very few better novelists." -- George Orwell

As the Milvains sat down to breakfast the clock of Wattleborough parish church struck eight; it was two miles away, but the strokes were borne very distinctly on the west wind this autumn morning. Jasper, listening before he cracked an egg, remarked with cheerfulness: 'There's a man being hanged in London at this moment.' 'Surely it isn't necessary to let us know that,' said his sister Maud, coldly. 'And in such a tone, too!' protested his sister Dora. 'Who is it?' inquired Mrs Milvain, looking at her son with pained forehead. 'I don't know. It happened to catch my eye in the paper yesterday that someone was to be hanged at Newgate this morning. There's a certain satisfaction in reflecting that it is not oneself.' 'That's your selfish way of looking at things,' said Maud.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.