Darkwater: Voices from within the Veil
W.E. B. Du Bois
Paperback
(CreateSpace Independent Publishing Platform, May 22, 2014)
Darkwater - Voices from within the Veil. W.E.B. DU BOIS Darkwater: Voices From Within the Veil is a literary work by W.E.B. Du Bois. Published in 1920, the text incorporates autobiographical information as well as essays, spirituals, and poems that were all written by Du Bois himself. Several of its essays are personal in nature, with obvious emotional rhetoric. The style maintains a religious tone and his spirituality is a common thread in many of the individual essays. Described in varying tones of black and brown, a Christ-like figure of racial hope is prevalent, signifying the coming moment of racial confrontation and eventual salvation. This figure is one which Du Bois characterizes as the bearer of eternal freedom from discrimination, poverty, and from the color line itself. The stories within Darkwater also revolve around discontent with the way that democracy was viewed and handled among people of different ethnic, racial, and social groups. The chapter structure of Darkwater follows a consistent pattern of a narrative section and a poetic section, both within one chapter. The narrative sections are frequently autobiographical or are otherwise works of speculative fiction. In this text Du Bois compiles previously written works from The Atlantic, the Independent, The Crisis, and The Journal of Race Development. In his chapter called "The Damnation of Women," Du Bois seeks to elevate women by acknowledging their labor in the home, the workplace and the black church. The chapter has been described as one of the first proto-feminist analyses by a male intellectual. In the chapter, Du Bois gives the black mother even more glorification for her role as child bearer. He calls for women to seek a life of economic independence, and argues that women have a right to control their own bodies and reproductive choices. Yet in his description of women he often describes their physical traits first such as his description of journalist Mary Shadd Cary whom Du Bois described as a "ravishing dream-born beauty." I believe in God, who made of one blood all nations that on earth do dwell. I believe that all men, black and brown and white, are brothers, varying through time and opportunity, in form and gift and feature, but differing in no essential particular, and alike in soul and the possibility of infinite development. Especially do I believe in the Negro Race: in the beauty of its genius, the sweetness of its soul, and its strength in that meekness which shall yet inherit this turbulent earth. I believe in Pride of race and lineage and self: in pride of self so deep as to scorn injustice to other selves; in pride of lineage so great as to despise no man's father; in pride of race so chivalrous as neither to offer bastardy to the weak nor beg wedlock of the strong, knowing that men may be brothers in Christ, even though they be not brothers-in-law. I believe in Service--humble, reverent service, from the blackening of boots to the whitening of souls; for Work is Heaven, Idleness Hell, and Wage is the "Well done!" of the Master, who summoned all them that labor and are heavy laden, making no distinction between the black, sweating cotton hands of Georgia and the first families of Virginia, since all distinction not based on deed is devilish and not divine. I believe in the Devil and his angels, who wantonly work to narrow the opportunity of struggling human beings, especially if they be black; who spit in the faces of the fallen, strike them that cannot strike again, believe the worst and work to prove it, hating the image which their Maker stamped on a brother's soul.