Other editions of book Fathers and Sons

One of the most controversial Russian novels ever written, Fathers and Sons dramatizes the volcanic social conflicts that divided Russia just before the revolution, pitting peasants against masters, traditionalists against intellectuals, and fathers against sons. It is also a timeless depiction of the ongoing clash between generations. When a young graduate returns home, he is accompanied-much to his father and uncle's discomfort-by a strange friend who does not acknowledge any authority and does not accept any principle on faith. Bazarov is a nihilist, representing the new class of youthful radical intelligentsia that would come to overthrow the Russian aristocracy and its values. Uncouth and forthright in his opinions, Turgenev's hero is nonetheless susceptible to love and, by that fact, doomed to unhappiness.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

Fathers and Sons is a classic Russian novel by the great Russian bard, Ivan Turgenev. It is among the most moving volumes in the history of literature. Arkady Kirsanov has just graduated from the University of Petersburg and returns with a friend, Bazarov, to his father's modest estate in an outlying province of Russia. His father, Nikolai, gladly receives the two young men at his estate, called Maryino, but Nikolai's brother, Pavel, soon becomes upset by the strange new philosophy called "nihilism" which the young men, especially Bazarov, advocate. Nikolai, initially delighted to have his son return home, slowly begins to feel uneasy, and a certain awkwardness in his regard, as it emerges that Arkady's views, much influenced by Bazarov, are radical and make his own beliefs feel dated. Nikolai has always tried to stay as current as possible, by doing things such as visiting his son at school so the two can stay as close as they are, but this in Nikolai's eyes has failed. To complicate this, the father has taken a servant, Fenechka, into his house to live with him and has already had a son by her. Arkady however is not troubled by the relationship: to the contrary, he openly celebrates the addition of a younger brother. The two young men stay over at Maryino for some weeks, then decide to visit a relative of Arkady's in a neighboring province. There, they observe the local gentry and meet Madame Anna Sergevna Odintsova, an elegant woman of independent means, who cuts a seductively different figure from the pretentious or humdrum types of her surrounding provincial society of gentry. Both are attracted to her, and she, intrigued by Bazarov's singular manner, invites them to spend a few days at her estate, Nikolskoe. While Bazarov at first feels nothing for Anna, Arkady falls head over heels in love with her. At Nikolskoe, they also meet Katya, Anna Sergevna's sister. Although they remain for only a short period, both characters undergo significant change: their relationship with each other is especially affected, as Arkady has begun to find himself and drift from the position of Bazarov's follower. Bazarov in particular finds falling in love distressing because it runs against his nihilist beliefs. Eventually, prompted by Odintsova's own cautious expressions of attraction to him, he announces that he loves her. She does not respond overtly to his declaration, though she too is deeply drawn to Bazarov while finding his dismissal of feelings and the aesthetic side of existence troublesome. While Anna does have some feelings toward Bazarov, they are not akin toward love and Anna cannot open herself to him because she does not see the possibility of a good future with him. After his avowal of love, and her failure to make a similar declaration, Bazarov proceeds to his parents' home, and Arkady decides to accompany him. At Bazarov's home, they are received enthusiastically by his parents, and the traditional moeurs of both father and mother, who adulate their son, are portrayed with a nostalgic, idealistic description of humble people and their fast-disappearing world of simple values and virtues. Bazarov's social cynicism, invariably on display with outsiders, is still quite clear as he settles back into his own family's ambiance. Interrupting his father as he speaks to Arkady, he proves rather abrupt and still the powerful center of attention despite being around his parents. Arkady, who has delighted Bazarov's father by assuring him that his son has a brilliant future in store, in turn reproves his friend for his brusqueness. Later, Bazarov almost comes to blows with Arkady after the latter makes a joke about fighting over Bazarov's cynicism. This once again shows the distance and changes within Arkady and Bazarov's relationship, as Arkady becomes more defiant against

One of the most controversial Russian novels ever written, Fathers and Sons dramatizes the volcanic social conflicts that divided Russia just before the revolution, pitting peasants against masters, traditionalists against intellectuals, and fathers against sons. It is also a timeless depiction of the ongoing clash between generations. When a young graduate returns home, he is accompanied--much to his father and uncle's discomfort--by a strange friend who does not acknowledge any authority and does not accept any principle on faith. Bazarov is a nihilist, representing the new class of youthful radical intelligentsia that would come to overthrow the Russian aristocracy and its values. Uncouth and forthright in his opinions, Turgenev's hero is nonetheless susceptible to love and, by that fact, doomed to unhappiness.

When Arkady Petrovich comes home from college, his father finds his eager, naïve son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away traditional values of contemporary Russian society. Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could also sympathize with Arkady's fascination with its nihilist hero, whose story vividly captures the hopes and regrets of a changing Russia. Fathers and Sons is a brilliant work that captures the tension that existed among generations and class in the prerevolutionary era in Russia. This version of Fathers and Sons is the translation by Constance Garnett.