Other editions of book Uncle Vanya

Uncle Vanya is a tragicomedy by the Russian playwright Anton Chekhov published in 1899. Its first major performance was in 1900 under the direction of Konstantin Stanislavski.Uncle Vanya is unique among Chekhov's major plays because it is essentially an extensive reworking of a play published a decade earlier, The Wood Demon. By elucidating the specific revisions Chekhov made during the revision process, including reducing the cast-list from almost two-dozen down to a lean nine, changing the climactic suicide of the The Wood Demon into the famous failed homicide of Uncle Vanya, and altering the original happy ending into a more problematic, less final resolution, critics such as Donald Rayfield, Richard Gilman, and Eric Bentley have sought to chart the development of Chekhov's dramaturgical method through the 1890s.Uncle Vanya was published in 1899, but it is difficult to determine when the work was originally finished, or when the revision process took place. Rayfield cites recent scholarship suggesting Chekhov revisited The Wood Demon during his trip to the island of Sakhalin, a prison colony in Eastern Russia, in 1891. (Quote from wikipedia.org)About the AuthorAnton Pavlovich Chekhov (January 29 1860 - July 15 1904) was a Russian short-story writer and playwright. His playwriting career produced four classics, while his best short stories are held in high esteem by writers and critics. Chekhov practiced as a doctor throughout most of his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress".Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced U

‘Uncle Vanya’ is a play by the Russian playwright Anton Chekhov. It was first published in 1897 and received its Moscow première in 1899 in a production by the Moscow Art Theatre, under the direction of Konstantin Stanislavski. The play portrays the visit of an elderly professor and his glamorous, much younger second wife, Yeléna, to the rural estate that supports their urban lifestyle. Two friends, Vanya, brother of the Professor's late first wife, who has long managed the estate, and Astrov, the local Doctor, both fall under Yelena's spell, while bemoaning the ennui of their provincial existence. Sonya, the Professor's daughter by his first wife, who has worked with Vanya to keep the estate going, meanwhile suffers from the awareness of her own lack of beauty and from her unrequited feelings for Dr. Astrov. Matters are brought to a crisis when the Professor announces his intention to sell the estate, Vanya and Sonya's home and raison d'être, with a view to investing the proceeds to achieve a higher income for himself and his wife.

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A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking.