Other editions of book Jean of the Lazy a

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Jean of the LazyLite Avery, riding toward home just when the shad ows were beginning to grow long behind him, won dered if Jean would be back by the time he reached the ranch. He hoped so, with a vague distaste at finding the place empty of her cheerful presence. He looked at his watch; it was nearly four o'clock. She ought to be home by half-past four or five, anyway. He glanced sidelong at Jim and quietly slackened his pace a little. Jim was telling one of those long, rambling tales of the little happenings of a narrow life, and Lite was supposed to be listening instead of thinking about when Jean would return home. Jim believed he was listen ing, and drove home the point of his story.Yes, sir, them' s his very words. Art Osgood heard him. He'll do it, too, take it from me; Crofty is shore riled up this time.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Bertha Muzzy Bower/ Mrs. Sinclair/ Mrs. Cowan (1871-1940) was an author of western fiction. Among her works are: Chip, of the Flying U (1904), The Happy Family (1907), The Range Dwellers (1907), The Lure of the Dim Trails (1907), The Long Shadow (1909), The Lonesome Trail and Other Stories (1909), Good Indian (1912), Lonesome Land (1912), The Gringos (1913), The Uphill Climb (1913), Flying U Ranch (1914), Jean of the Lazy A (1915), The Flying U's Last Stand (1915), The Heritage of the Sioux (1916), The Phantom Herd (1916), The Lookout Man (1917), Starr, of the Desert (1917), Skyrider (1918), Cabin Fever (1918), The Thunder Bird (1919), The Quirt (1920), Cow-Country (1921), Casey Ryan (1921), The Trail of the White Mule (1922), The Parrowan Bonanza (1923), The Voice at Johnnywater (1923), The Bellehelen Mine (1924), The Eagle's Wing (1924), Meadowlark Basin (1925), Desert Brew (1925), and Van Patten (1926).

Without going into a deep, psychological discussion of the elements in men's souls that breed events, we may say with truth that the Lazy A ranch was as other ranches in the smooth tenor of its life until one day in June, when the finger of fate wrote bold and black across the face of it the word that blotted out prosperity, content, warm family ties,--all those things that go to make life worth while. Jean, sixteen and a range girl to the last fiber of her being, had gotten up early that morning and had washed the dishes and swept, and had shaken the rugs of the little living-room most vigorously. On her knees, with stiff brush and much soapy water, she had scrubbed the kitchen floor until the boards dried white as kitchen floors may be. She had baked a loaf of gingerbread, that came from the oven with a most delectable odor, and had wrapped it in a clean cloth to cool on the kitchen table. Her dad and Lite Avery would show cause for the baking of it when they sat down, fresh washed and ravenous, to their supper that evening. I mention Jean and her scrubbed kitchen and the gingerbread by way of proving how the Lazy A went unwarned and unsuspecting to the very brink of its disaster.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Bertha Muzzy Sinclair or Sinclair-Cowan, née Muzzy (November 15, 1871 – July 23, 1940), best known by her pseudonym B. M. Bower, was an American author who wrote novels, fictional short stories, and screenplays about the American Old West. Her works, featuring cowboys and cows of the Flying U Ranch in Montana, reflected "an interest in ranch life, the use of working cowboys as main characters (even in romantic plots), the occasional appearance of eastern types for the sake of contrast, a sense of western geography as simultaneously harsh and grand, and a good deal of factual attention to such matters as cattle branding and bronc busting." She was married three times: to Clayton Bower in 1890, to Bertrand William Sinclair (also a Western author) in 1905, and to Robert Elsworth Cowan in 1921. However, she chose to publish under the name Bower.Early lifeBorn Bertha Muzzy in Otter Tail County, Minnesota, to Washington Muzzy and Eunice Miner Muzzy, Bower moved with her family to a dryland homestead near Great Falls, Montana, in 1889. That fall, just before her eighteenth birthday, she began teaching school in nearby Milligan Valley. The school was a small, hastily converted log outbuilding, and she taught twelve pupils. Her experiences as a teacher informed the characters of schoolma'ams who appear frequently in her in the writings, notably in The North Wind Do Blow (1937), in which a young, eastern-born schoolma'am teaches her first term in central Montana. After one term as a schoolteacher, Bower returned to her family's homestead.Writing careerBower began writing to "save my sanity" after moving to Big Sandy with her first husband. Seeking financial independence from Clayton, she began sending stories to publishers in 1900. She regularly wrote new material while continuing to send out her old stories once a month. Bower published her first short story, "Strike of the Dishpan Brigade," locally in 1901. Her first short story to be published nationally, "Ghost in the Red Shirt," appeared in Lippincott’s Magazine in 1904.Later that year, Bower published her first Western novel, Chip of the Flying U, as a serial in Popular Magazine by Street & Smith. The book introduced readers to the fictional Flying U Ranch and the "Happy Family" of cowboys who lived there. The story line centers on a cowboy named Chip and his relationship with Dr. Della Whitmore, a self-reliant doctor from the East who "can shoot a coyote, laugh off a hazing, doctor a horse, and turn cowboys into pediatric orderlies." Their relationship begins coldly when Della takes credit for a painting done by Chip. But they fall in love after Della restores credit to Chip and after Chip rescues Della from a runaway horse. The book was so popular that it was re-released in hardcover in 1906 with three watercolor illustrations by famed painter Charlie Russell. Chip of the Flying U rocketed Bower to fame, and she wrote an entire series of novels set at the Flying U Ranch.Bower went on to write 57 Western novels. She died in July 1940 in Los Angeles, California, at the age of 68. By the time of her death, her books had sold more than two million copies, not counting her many short stories and articles.According to Elmer Kelton, Bower's sales dropped when it was revealed that she was female.