Other editions of book Howard Pyle's Book of Pirates

But with ``Blackbeard'' it is different, for in him we have a real, ranting, raging, roaring pirate per se -- one who really did bury treasure, who made more than one captain walk the plank, and who committed more private murders than he could number on the fingers of both hands; one who fills, and will continue to fill, the place to which he has been assigned for generations, and who may be depended upon to hold his place in the confidence of others for generations to come.

Pirates, Buccaneers, Marooners, those cruel but picturesque sea wolves who once infested the Spanish Main, all live in present-day conceptions in great degree as drawn by the pen and pencil of Howard Pyle….It is improbable that anyone else will ever bring his combination of interest and talent to the depiction of these old-time Pirates, any more than there could be a second Remington to paint the now extinct Indians and gun-fighters of the Great West.

Pirates, Buccaneers, Marooners, those cruel but picturesque sea wolves who once infested the Spanish Main, all live in present-day conceptions in great degree as drawn by the pen and pencil of Howard Pyle. Pyle, artist-author, living in the latter half of the nineteenth century and the first decade of the twentieth, had the fine faculty of transposing himself into any chosen period of history and making its people flesh and blood again - not just historical puppets. His characters were sketched with both words and picture; with both words and picture he ranks as a master, with a rich personality which makes his work individual and attractive in either medium.

Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator and author, primarily of books for young people. A native of Wilmington, Delaware, he spent the last year of his life in Florence, Italy. In 1894 he began teaching illustration at the Drexel Institute of Art, Science and Industry (now Drexel University). After 1900, he founded his own school of art and illustration, named the Howard Pyle School of Illustration Art. The scholar Henry C. Pitz later used the term Brandywine School for the illustration artists and Wyeth family artists of the Brandywine region, several of whom had studied with Pyle. Highly readable, magnificently illustrated tales recount the rip-roaring adventures of swashbuckling pirates and buccaneers of the Spanish Main. Includes "The Ghost of Captain Brand," "Tom Chist and the Treasure Box," "Jack Ballister's Fortunes," "The Ruby of Kishmoor," and other tales.

This work as a part of the knowledge base of civilization was reproduced from the original artifact, and remains as true to the original work as possible. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.JUST above the northwestern shore of the old island of Hispaniola—the Santo Domingo of our day—and separated from it only by a narrow channel of some five or six miles in width, lies a queer little hunch of an island, known, because of a distant resemblance to that animal, as the Tortuga de Mar, or sea turtle.

Just above the northwestern shore of the old island of Hispaniola–the Santo Domingo of our day–and separated from it only by a narrow channel of some five or six miles in width, lies a queer little hunch of an island, known, because of a distant resemblance to that animal, as the Tortuga de Mar, or sea turtle. It is not more than twenty miles in length by perhaps seven or eight in breadth; it is only a little spot of land, and as you look at it upon the map a pin’s head would almost cover it; yet from that spot, as from a center of inflammation, a burning fire of human wickedness and ruthlessness and lust overran the world, and spread terror and death throughout the Spanish West Indies, from St. Augustine to the island of Trinidad, and from Panama to the coasts of Peru.About the middle of the seventeenth century certain French adventurers set out from the fortified island of St. Christopher in longboats and hoys, directing their course to the westward, there to discover new islands. Sighting Hispaniola “with abundance of joy,” they landed, and went into the country, where they found great quantities of wild cattle, horses, and swine.