Other editions of book Twenty Years After - The Romances of Alexander Dumas

Twenty Years After by Alexandre Dumas. This title is #2 of the D'Artagnan Romance Series. Plot: The novel follows events in France during the Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers. Alexandre Dumas, also known as Alexandre Dumas, père, was a French writer, best known for his historical novels of high adventure. Translated into nearly 100 languages, these have made him one of the most widely read French authors in history.

Twenty Years After (1845), the sequel to The Three Musketeers, is a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and stratagems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Twenty Years After (1845), the sequel to The Three Musketeers, is a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil. The only edition in print, David Coward sets both the author and his exciting tale in their historical and cultural contexts.

Why buy our paperbacks? Printed in USA on High Quality Paper Standard Font size of 10 for all books Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee Unabridged (100% Original content) BEWARE OF LOW-QUALITY SELLERS Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. About Twenty Years After By Alexandre Dumas Twenty Years After is a novel by Alexandre Dumas, first serialized from January to August, 1845. A book of the D'Artagnan Romances, it is a sequel to The Three Musketeers and precedes The Vicomte de Bragelonne (which includes the sub-plot, Man in the Iron Mask). The novel follows events in France during the Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent royalty. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

{Size: 14.34 x 22.59 cms} Lang: - English, Pages 374. Reprinted in 2016 with the help of original edition published long back .This book is Printed in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots.If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible). Hope you will like it and give your comments and suggestions.

Twenty Years After is a sequel to The Three Musketeers and precedes The Vicomte de Bragelonne. It follows events in France during La Fronde, the childhood reign of Louis XIV, and in England near the end of the English Civil War. The musketeers are valiant and just in their efforts to protect Louis XIV and the doomed Charles I from their attackers. The d'Artagnan series includes; The Three Musketeers, Twenty Years, The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere and The Man in the Iron Mask. Alexandre Dumas was a French writer whose works have been translated into nearly 100 languages. His historical novels include The Count of Monte Cristo, The Three Musketeers, The Corsican Brothers, and The Man in the Iron Mask.

In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights. Any one who happened at that moment to contemplate that red simar--the gorgeous robe of office--and the rich lace, or who gazed on that pale brow, bent in anxious meditation, might, in the solitude of that apartment, combined with the silence of the ante-chambers and the measured paces of the guards upon the landing-place, have fancied that the shade of Cardinal Richelieu lingered still in his accustomed haunt. It was, alas! the ghost of former greatness. France enfeebled, the authority of her sovereign contemned, her nobles returning to their former turbulence and insolence, her enemies within her frontiers--all proved the great Richelieu no longer in existence. In truth, that the red simar which occupied the wonted place was his no longer, was still more strikingly obvious from the isolation which seemed, as we have observed, more appropriate to a phantom than a living creature--from the corridors deserted by courtiers, and courts crowded with guards--from that spirit of bitter ridicule, which, arising from the streets below, penetrated through the very casements of the room, which resounded with the murmurs of a whole city leagued against the minister; as well as from the distant and incessant sounds of guns firing--let off, happily, without other end or aim, except to show to the guards, the Swiss troops and the military who surrounded the Palais Royal, that the people were possessed of arms. The shade of Richelieu was Mazarin. Now Mazarin was alone and defenceless, as he well knew. "Foreigner!" he ejaculated, "Italian! that is their mean yet mighty byword of reproach--the watchword with which they assassinated, hanged, and made away with Concini; and if I gave them their way they would assassinate, hang, and make away with me in the same manner, although they have nothing to complain of except a tax or two now and then. Idiots! ignorant of their real enemies, they do not perceive that it is not the Italian who speaks French badly, but those who can say fine things to them in the purest Parisian accent, who are their real foes.