Other editions of book The Master Builder

First performed in 1892, this psychological drama is one of the great Norwegian playwright's most symbolic and lyrical works. The drama explores the insecurities of an aging architect, Solness, Halvard who suspects that his creative powers have diminished with age. Solness finds strength of purpose in his involvement with Hilda — his muse, inspiration, and ardent believer in his greatness — but their association leads to a conflict between heroic myth and complicated reality.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1905]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 386. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A plainly-furnished work-room in the house of HALVARD SOLNESS. Folding doors on the left lead out to the hall. On the right is the door leading to the inner rooms of the house. At the back is an open door into the draughtsmen's office. In front, on the left, a desk with books, papers and writing materials. Further back than the folding door, a stove. In the right- hand corner, a sofa, a table, and one or two chairs. On the table a water-bottle and glass. A smaller table, with a rocking-chair and arm-chair, in front on the right. Lighted lamps, with shades, on the table in the draughtmen's office, on the table in the corner, and on the desk. In the draughtsmen's office sit KNUT BROVIK and his son RAGNAR, occupied with plans and calculations. At the desk in the outer office stands KAIA FOSLI, writing in the ledger. KNUT BROVICK is a spare old man with white hair and beard. He wears a rather threadbare but well-brushed black coat, with spectacles, and a somewhat discoloured white neckcloth. RAGNAR BROVIK is a well-dressed, light-haired man in his thirties, with a slight stoop. KAIA FOSLI is a slightly built girl, a little over twenty, carefully dressed, and delicate-looking. She has a green shade over her eyes.—All three go on working for some time in silence.

Halvard Solness is a middle-aged master builder of a small town in Norway who has become a successful architect of some distinction and local reputation. One day while having a visit from his friend Doctor Herdal, Solness is visited by Hilda Wangel, a young woman of 23, whom Doctor Herdal recognizes from a recent trip that he had taken. The doctor leaves, Solness is alone with Hilda, and she reminds him that they are not strangers – they have previously met in her home town 10 years ago when she was 13 years old. When Solness does not respond immediately, she reminds him that at one point during their encounter he had made advances to her, had offered her a romantic interlude, and promised her "a kingdom", all of which she believed. He denies this. She gradually convinces him, however, that she can assist him with his household duties, and so he takes her into his home. Solness is also the manager of an architectural office in which he employs Knut Brovik, his son Ragnar Brovik, and Kaia Fosli. Kaia and Ragnar are romantically linked, and Ragnar has ambitions to become promoted in his architectural vocation, which Solness is reluctant to grant or support. Solness also has a complicated relationship with his wife Aline, and the two are revealed to have lost children some years ago as a result of a fire. During this time, Solness builds a closer tie with Hilda while she is in his home, and she supports his architectural vocation and new projects. During the construction of his most recent project which includes a towering steeple, Hilda learns that Solness suffers from acrophobia, a morbid fear of extreme heights, but nonetheless she encourages him to climb the steeple to the top at the public opening of the newly completed building. Solness, inspired by her words, achieves the top of the tower, when he suddenly loses his footing and crashes to his death on the ground before the spectators who have arrived for the opening of the new building. Among the spectators standing aghast at the sight, only Hilda comes forward as if in silent triumph. She waves her shawl and cries out with wild intensity. “My—my Master Builder!”

One of the Norwegian playwright’s most mysterious, symbolic, and lyrical dramas explores the life of architect Halvard Solness, once ruthlessly ambitious, but who, in his later years, not only feels threatened by the younger generation but also fears the decay of his own creativity. A tragic end for one of the most fascinating characters in modern drama.HALVARD SOLNESS comes in through the hall door. He is a man no longer young, but healthy and vigorous, with close–cut curly hair, dark moustache and dark thick eyebrows. He wears a greyish–green buttoned jacket with an upstanding collar and broad lapels. On his head he wears a soft grey felt hat, and he has one or two light portfolios under his arm.[Near the door, points towards the draughtsmen's office, and asks in a whisper:] Are they gone?KAIA.[Softly, shaking her] No.[She takes the shade off her eyes. SOLNESS crosses the room, throws his hat on a chair, places the portfolios on the table by the sofa, and approaches the desk again. KAIA goes on writing without intermission, but seems nervous and uneasy.

The Master Builder by Henrik Ibsen - Halvard Solness is a middle-aged Master Builder from a small town in Norway who has become a skilled architect of some distinction.. One day while having a visit from his friend Doctor Herdal, Solness is visited by Hilde Wangel, a young woman of twenty-four from another town whom the doctor recognizes from a recent trip. Any profits made from the sale of this book will go towards supporting the Freeriver Community project, a project that aims to support community and encourage well-being. To learn more about the Freeriver Community project please visit the website- www.freerivercommunity.com

A plainly-furnished work-room in the house of HALVARD SOLNESS. Folding doors on the left lead out to the hall. On the right is the door leading to the inner rooms of the house. At the back is an open door into the draughtsmen's office. In front, on the left, a desk with books, papers and writing materials. Further back than the folding door, a stove. In the right- hand corner, a sofa, a table, and one or two chairs. On the table a water-bottle and glass. A smaller table, with a rocking-chair and arm-chair, in front on the right. Lighted lamps, with shades, on the table in the draughtmen's office, on the table in the corner, and on the desk. In the draughtsmen's office sit KNUT BROVIK and his son RAGNAR, occupied with plans and calculations. At the desk in the outer office stands KAIA FOSLI, writing in the ledger. KNUT BROVICK is a spare old man with white hair and beard. He wears a rather threadbare but well-brushed black coat, with spectacles, and a somewhat discoloured white neckcloth. RAGNAR BROVIK is a well-dressed, light-haired man in his thirties, with a slight stoop. KAIA FOSLI is a slightly built girl, a little over twenty, carefully dressed, and delicate-looking. She has a green shade over her eyes.—All three go on working for some time in silence.

Written in 1892, later in Ibsen's life, "The Master Builder," or "Bygmester Solness," is a 3-act play that explores the conflicted thoughts and feelings of the hardened and powerful artist Halvard Solness. He is an older architect who painstakingly worked his way to professional distinction at the cost of his personal life. As he reflects on his career, Halvard is frustrated with his ambition and dreams of achieving genuine satisfaction in his life. At the same time, he fears being surpassed by a younger generation of talent, including by his own son, a younger member of the firm. A symbolic and semi-autobiographical play, "The Master Builder" portrays a creative man's confusion and downfall.

Written in 1892, later in Ibsen's life, "The Master Builder," or "Bygmester Solness," is a 3-act play that explores the conflicted thoughts and feelings of the hardened and powerful artist Halvard Solness. He is an older architect who painstakingly worked his way to professional distinction at the cost of his personal life. As he reflects on his career, Halvard is frustrated with his ambition and dreams of achieving genuine satisfaction in his life. At the same time, he fears being surpassed by a younger generation of talent, including by his own son, a younger member of the firm. A symbolic and semi-autobiographical play, "The Master Builder" portrays a creative man's confusion and downfall.