Other editions of book A Miscellany of Men

Covering topics ranging from literature to philosophy, history to social criticism, this is a snapshot of thought on 20th-century Europe (and the world) by one of Europe's sharpest wits and ablest pens. With chapter titles ranging from "The Miser and His Friends" to "The Red Reactionary," from "The Separatist and Sacred Things" to "The New Theologian" and "The Romantic in the Rain," this volume includes 39 brief sketches of individuals, each one of whom illustrates an aspect of contemporary society. Social, historical, and religious thought all figure prominently in this book, making it of great use in any study of the literary, religious, and social aspects of early 20th-century England and Europe generally. It will be of interest to students and scholars of the essay in English literature. It is a fine introduction to Chesterton's social criticism, which remains unique for its willingness to criticize some of the uncomfortable truths about capitalism without straying toward an inhuman bureaucratic socialism.

Gilbert Keith Chesterton, (29 May 1874 – 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox." Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out Gilbert Keith Chesterton was among the world's most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox. It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using "personal types" as illustration. It would only be bewildering, if there was not these common threads: First that these types still exist, and the same faulty reasoning applies to issues of our day, and second, that underlying all of this is a firm and reasoned defense of democracy in a sense very close to that of the American Founding Fathers

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Rightly or wrongly, it is certain that a man both liberal and chivalric, can and very often does feel a dis-ease and distrust touching those political women we call Suffragettes. Like most other popular sentiments, it is generally wrongly stated even when it is rightly felt. One part of it can be put most shortly thus: that when a woman puts up her fists to a man she is putting herself in the only posture in which he is not afraid of her. He can be afraid of her speech and still more of her silence; but force reminds him of a rusted but very real weapon of which he has grown ashamed. But these crude summaries are never quite accurate in any matter of the instincts. For the things which are the simplest so long as they are undisputed invariably become the subtlest when once they are disputed: which was what Joubert meant, I suppose, when he said, "It is not hard to believe in God if one does not define Him." When the evil instincts of old Foulon made him say of the poor, "Let them eat grass," the good and Christian instincts of the poor made them hang him on a lamppost with his mouth stuffed full of that vegetation. But if a modern vegetarian aristocrat were to say to the poor, "But why don't you like grass?" their intelligences would be much more taxed to find such an appropriate repartee. And this matter of the functions of the sexes is primarily a matter of the instincts; sex and breathing are about the only two things that generally work best when they are least worried about. That, I suppose, is why the same sophisticated age that has poisoned the world with Feminism is also polluting it with Breathing Exercises. We plunge at once into a forest of false analogies and bad blundering history; while almost any man or woman left to themselves would know at least that sex is quite different from anything else in the world.

A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using "personal types" as illustration. It would only be bewildering, if there was not these common threads: First that these types still exist, and the same faulty reasoning applies to issues of our day, and second, that underlying all of this is a firm and reasoned defense of democracy in a sense very close to that of the American Founding Fathers.

"A Miscellany of Men" by G. K. Chesterton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.