Other editions of book Heretics

G. K. Chesterton, the "Prince of Paradox," is at his witty best in this collection of twenty essays and articles from the turn of the twentieth century. Focusing on "heretics" — those who pride themselves on their superiority to conservative views — Chesterton appraises prominent figures who fall into that category from the literary and art worlds. Luminaries such as Rudyard Kipling, George Bernard Shaw, H. G. Wells, and James McNeill Whistler come under the author's scrutiny, where they meet with equal measures of his characteristic wisdom and good humor.In addition to incisive assessments of well-known individuals ("Mr. Rudyard Kipling and Making the World Small" and "Mr. H. G. Wells and the Giants"), these essays contain observations on the wider world. "On Sandals and Simplicity," "Science and the Savages," "On Certain Modern Writers and the Institution of the Family," "On Smart Novelists and the Smart Set," and "Slum Novelists and the Slums" reflect the main themes of Chesterton's life's work. Heretics roused the ire of some critics for censuring contemporary philosophies without providing alternatives; the author responded a few years later with a companion volume, Orthodoxy (also available from St. Dismas Catholic Classics). Sardonic, jolly, and generous, both books are vintage Chesterton.---------------------------------------------------St. Dismas Catholic Classic editions are all new translations, filled with numerous vivid illustrations and are offered at very reasonable prices in order to make these books readily available to the faithful.

Heretics is the companion volume to the previously published Orthodoxy in Hendrickson's Christian Classics series. In Heretics G. K. Chesterton unmasks the heresies of contemporary thinking by exposing the faulty thinking of popular notions, especially apparent in the arts. An often overlooked book that contains some of Chesterton's strongest writing, the author takes on the "heresies" of modern thought, such as negativism, relativism, neo-paganism, puritanism, aestheticism, and individualism. The book includes one of his best essays: "On Certain Modern Writers and the Institution of Family." This 1905 collection of articles focuses on the era's "heretics" those who pride themselves on their superiority to conservative views. Chesterton's companion volume to Orthodoxy asseses such artists and writers as Kipling, Shaw, Wells, and Whistler with the author's characteristic wisdom and good humor. Chesterton was one of the spiritual influences on C. S. Lewis. Readers who appreciate the writings of Lewis will want to explore the writings of those who influenced him, including Chesterton. Heretics is now available from Hendrickson in a re-typeset and redesigned version as a welcome addition to the successful Christian Classics series. Hendrickson Christian ClassicsEvery Christian library needs the classics--the timeless books that have spoken powerfully to generations of believers. Hendrickson Christian Classics allows readers to build an essential classics library in affordable modern editions. Each volume is freshly typeset for reading comfort, while thoughtful new introductions place each in historical and spiritual context. Attractive, classically bound covers look great together on the shelf. Best of all, value pricing makes this series easy to own. Planned to span the spectrum of Christian wisdom through the ages, Hendrickson Christian Classics set a new standard for quality and value.

What Is the Modern Meaning of Heresy?“A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.” - G.K. Chesterton, HereticsWith his unique brilliance, G.K. Chesterton is on a mission in Heretics to disband the trends of the early 20th century. He dismisses the notion of ‘art for art’s sake’ and gives his opinion on many religious matters. He also covers at length the ‘heretics’ of his time like Rudyard Kipling, Bernard Shaw and H.G. Wells. Is anybody safe from Chesterton’s scrutiny?,This book has been professionally formatted for e-readers and contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. For more great book club picks, check out : http://amzn.to/1A7cKKl Find all our our books for Kindle here: http://amzn.to/1PooxLl Sign up for the Xist Publishing Newsletter here.

Heretics is the companion volume to the previously published Orthodoxy in Hendrickson's Christian Classics series. In Heretics G. K. Chesterton unmasks the heresies of contemporary thinking by exposing the faulty thinking of popular notions, especially apparent in the arts. An often overlooked book that contains some of Chesterton's strongest writing, the author takes on the "heresies" of modern thought, such as negativism, relativism, neo-paganism, puritanism, aestheticism, and individualism. The book includes one of his best essays: "On Certain Modern Writers and the Institution of Family." This 1905 collection of articles focuses on the era's "heretics" those who pride themselves on their superiority to conservative views. Chesterton's companion volume to Orthodoxy asseses such artists and writers as Kipling, Shaw, Wells, and Whistler with the author's characteristic wisdom and good humor. Chesterton was one of the spiritual influences on C. S. Lewis. Readers who appreciate the writings of Lewis will want to explore the writings of those who influenced him, including Chesterton. Heretics is now available from Hendrickson in a re-typeset and redesigned version as a welcome addition to the successful Christian Classics series. Hendrickson Christian ClassicsEvery Christian library needs the classics--the timeless books that have spoken powerfully to generations of believers. Hendrickson Christian Classics allows readers to build an essential classics library in affordable modern editions. Each volume is freshly typeset for reading comfort, while thoughtful new introductions place each in historical and spiritual context. Attractive, classically bound covers look great together on the shelf. Best of all, value pricing makes this series easy to own. Planned to span the spectrum of Christian wisdom through the ages, Hendrickson Christian Classics set a new standard for quality and value.

Heretics belongs to yet another area of literature at which Chesterton excelled. A fun-loving and gregarious man, he was nevertheless troubled in his adolescence by thoughts of suicide. In Christianity he found the answers to the dilemmas and paradoxes he saw in life. Other books in that same series include his 1908 Orthodoxy (written in response to attacks on this book) and his 1925 The Everlasting Man. Orthodoxy is also available as electronic text.

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors.G. K. Chesterton, the "Prince of Paradox," is at his witty best in this collection of twenty essays and articles from the turn of the twentieth century. Focusing on "heretics" — those who pride themselves on their superiority to conservative views — Chesterton appraises prominent figures who fall into that category from the literary and art worlds. Luminaries such as Rudyard Kipling, George Bernard Shaw, H. G. Wells, and James McNeill Whistler come under the author's scrutiny, where they meet with equal measures of his characteristic wisdom and good humor.In addition to incisive assessments of well-known individuals ("Mr. Rudyard Kipling and Making the World Small" and "Mr. H. G. Wells and the Giants"), these essays contain observations on the wider world.

In Heretics, Gilbert K. Chesterton rails against what he sees as wrong with society. He points out how society has gone astray and how life and spiritually could be brought back into focus. It is foolish, generally speaking, for a philosopher to set fire to another philosopher in Smithfield Market because they do not agree in their theory of the universe. That was done very frequently in the last decadence of the Middle Ages, and it failed altogether in its object. But there is one thing that is infinitely more absurd and unpractical than burning a man for his philosophy. This is the habit of saying that his philosophy does not matter, and this is done universally in the twentieth century, in the decadence of the great revolutionary period.- G. K. Chesterton

Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox". In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law--all these like sheep had gone astray. The man was proud of being orthodox, was proud of being right. If he stood alone in a howling wilderness he was more than a man; he was a church. He was the centre of the universe; it was round him that the stars swung. All the tortures torn out of forgotten hells could not make him admit that he was heretical. But a few modern phrases have made him boast of it. He says, with a conscious laugh, "I suppose I am very heretical," and looks round for applause. The word "heresy" not only means no longer being wrong; it practically means being clear-headed and courageous. The word "orthodoxy" not only no longer means being right; it practically means being wrong. All this can mean one thing, and one thing only. It means that people care less for whether they are philosophically right. For obviously a man ought to confess himself crazy before he confesses himself heretical. The Bohemian, with a red tie, ought to pique himself on his orthodoxy. The dynamiter, laying a bomb, ought to feel that, whatever else he is, at least he is orthodox. -- Gilbert K. Chesterson

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout Heretics by G. K. ChestertonHeretics is a collection of 20 essays originally published by G.K. Chesterton in 1905. In his first essay, Chesterton describes his understanding of the words Orthodox and Heretic as they apply to, and have changed in, the modern period. Chesterton argues that in modernity, "The word 'orthodoxy' not only no longer means being right; it practically means being wrong". He continues to write that society no longer tolerates a man’s life philosophy or religion, yet is increasingly absorbed in "art for art’s sake". Chesterton identifies this trend to replace ideological substance with vagueness and criticizes popular writers, public figures, politicians, and the like for proclaiming a gospel of silence when moral and philosophical direction is needed. Quotes: "A hundred years ago our affairs for good or evil were wielded triumphantly by rhetoricians. Now our affairs are hopelessly muddled by strong, silent men". "I do not say that there are no stronger men than these; but will any one say that there are any men stronger than those men of old who were dominated by their philosophy and steeped in their religion? Whether bondage be better than freedom may be discussed. But that their bondage came to more than our freedom it will be difficult for any one to deny"."Blasphemy is an artistic effect, because blasphemy depends upon a philosophical conviction. Blasphemy depends upon belief and is fading with it. If any one doubts this, let him sit down seriously and try to think blasphemous thoughts about Thor. I think his family will find him at the end of the day in a state of some exhaustion"."In the fifteenth century men cross-examined and tormented a man because he preached some immoral attitude; in the nineteenth century we feted and flattered Oscar Wilde because he preached such an attitude, and then broke his heart in penal servitude

G. K. Chesterton exposes the fallacies undergirding popular notions, particularly in the arts. An often overlooked book that contains some of Chesterton’s strongest writing, the author focuses on the era’s “heretics”: those who pride themselves on their superiority to conservative views, assessing such artists and writers as Kipling, Shaw, Wells, and Whistler with characteristic wisdom and good humor. Chesterton's confident and clever prose impressed and influenced later writers such as C.S. Lewis, whose readership will want to explore Chesterton's deft dismantling of the heresies of modern thought.