Other editions of book Adrift in New York

Adrift in New York involves the disappearance of a son from the household of his wealthy father, John Linden. The boy has been kidnapped by the villainous Curtis Waring, John Linden's nephew, who hopes to inherit the family fortune. Grown up, the youngster lives a precarious life on the streets of New York. When Linden's ward Florence rejects the unwanted attentions of Waring, she is disinherited, forced to live in a tenement and work in a sweatshop . . . until it is discovered that the young man who befriends her is, in reality, Linden's long-lost son.

"Set in 19th century New York, this is the story of a wealthy old man who adopts his orphaned nephew and niece after his own four year old son mysteriously disappears. However, under a smooth exterior, the nephew is a conniving and avaricious villain who wants to grab all the old man's wealth for himself. This is also the story of a young boy, who doesn't know he's the sole heir to a fabulous fortune, but grows up homeless in the streets of New York. The villainous nephew proposes marriage to his cousin with a view to grabbing the entire inheritance. The story takes several twists and turns before it reaches its unexpected conclusion.Adrift in New York was published in 1900. It is one of the 135 novels written by Horatio Alger Jr., an extremely prolific writer of young adult literature. Most of his books were centered on boys in poor circumstances who rise above them through hard work, honesty, courage and determination. Another important theme in all his books is how a stroke of luck or a fortuitous meeting with a rich, older philanthropist changes the life of his young hero.Alger was born in a relatively well to do family with strong roots in the Church. His ancestors were early New England settlers who were among the founding fathers of America. Alger Sr. was a Unitarian minister who hoped that his son would follow him into the ministry, but financial troubles soon compelled young Horatio to abandon these plans. He finished school and went up to Harvard, where he did extremely well academically. By this time he had begun writing and was submitting poems and short pieces to local newspapers and magazines. After college, he returned home with few work prospects. Circumstances forced him to take up an editing job which he hated. In less than a year, he left to begin teaching at a boys' boarding school. He continued writing novels, which were told from a woman's point of view. He drifted between different careers, and finally retired to New York, where he wrote his first bestseller, Ragged Dick. A life of relative ease and wealth began and he adopted several street boys whom he guided into successful careers. He continued to write almost formulaic novels centered round the rags-to-riches theme.Adrift in New York was extremely popular in its time, like most of Alger's novels. At one time, Alger's fame rivaled that of Mark Twain's in the American imagination. Though hardly known or read now, Alger's novels are interesting and make a very pleasant read."

If you’ve ever used the phrase “rags to riches,” you owe that to Horatio Alger, Jr. (1832-1899), who popularized the idea through his fictional writings that also served as a theme for the way America viewed itself as a country. Alger’s works about poor boys rising to better living conditions through hard work, determination, courage, honesty, and morals was popular with both adults and younger readers. Alger’s writings happened to correspond with America’s Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War. His lifelong theme of rags to riches continued to gain popularity but has gradually lessened since the 1920s. Still, readers today often come across Ragged Dick and stories like it in school.

Horatio Alger was a man who lived with a terrible secret -- a secret dark and troubling -- something shameful, in fact. As a young man, that secret took hold of his life, and he left the life and the life's work he had made for himself in Boston, to take up residence among the poor in New York City. Ensconced there, he worked among the poor -- and took to writing tales of their success. His novels captured the imagination of a nation bursting with a new wave of immigrants who'd come to our shores -- come to the very port of New York City that was Alger's new home. He used the wealth that came to him to help the poor folks who he loved, and took his secret to the grave. It escaped from there, of course. You can find it if you look a bit. But for the purpose of this fine novel of the rise to riches, it will remain unstated . . .

Book Excerptsaloon, sells papers in the evenings, and makes himself generally useful.""Has he any education?""Well, I haven't sent him to boarding school or college," answered Tim. "He don't know no Greek, or Latin, or mathematics--phew, that's a hard word. You didn't tell me you wanted him made a scholar of.""I didn't. I wanted never to see or hear from him again. What made you bring him back to New York?""Couldn't keep away, governor. I got homesick, I did. There ain't but one Bowery in the world, and I hankered after that----""Didn't I pay you money to keep away, Tim Bolton?""I don't deny it; but what's three thousand dollars? Why, the kid's cost me more than that. I've had the care of him for fourteen years, and it's only about two hundred a year.""You have broken your promise to me!" said Curtis, sternly."There's worse things than breaking your promise," retorted Bolton.Scarcely had he spoken than a change came over his face, and he stared open-

“I have made two wills. Both are in yonder secretary. By the first the property is bequeathed to you and Florence. By the second and later, it goes to my lost boy in the event of his recovery. Of course, you and Florence are not forgotten, but the bulk of the property goes to Harvey.” “I sincerely wish the boy might be restored to you,” said Curtis; but his tone belied his words. “Believe me, the loss of the property would affect me little, if you could be made happy by realizing your warmest desire; but, uncle, I think it only the part of a friend to point out to you, as I have already done, the baselessness of any such expectation.” “It may be as you say, Curtis,” said his uncle, with a sigh. “If I were thoroughly convinced of it, I would destroy the later will, and leave my property absolutely to you and Florence.”

Adrift in New York or Tom and Florence Braving the World by Horatio Alger, Jr. John Linden is a very wealthy man. The people who should inherit his property are his nephew, Curtis Waring, his niece Florence Linden, and his long lost son - if alive. John thinks it would be best if Florence and Curtis were married, and makes it a requirement if Florence wishes to have any of the property. A boy named Dodger was sent to steal one of the wills of John Linden so that Curtis would inherit all the property. But Florence prevents Dodger from stealing, and they become friends

Adrift in New York Chapter I. The Missing Heir. "Uncle, you are not looking well to-night." "I'm not well, Florence. I sometimes doubt if I shall ever be any better." "Surely, uncle, you cannot mean----" "Yes, my child, I have reason to believe that I am nearing the end." "I cannot bear to hear you speak so, uncle," said Florence Linden, in irrepressible agitation. "You are not an old man. You are but fifty-four." "True, Florence, but it is not years only that make a man old. Two great sorrows have embittered my life. First, the death of my dearly beloved wife, and next, the loss of my boy, Harvey." "It is long since I have heard you refer to my cousin's loss. I thought you had become reconciled--no, I do not mean that,--I thought your regret might be less poignant." "I have not permitted myself to speak of it, but I have never ceased to think of it day and night." John Linden paused sadly, then resumed: "If he had died, I might, as you say, have become reconciled; but he was abducted at the age of four by a revengeful servant whom I had discharged from my employment. Heaven knows whether he is living or dead, but it is impressed upon my mind that he still lives, it may be in misery, it may be as a criminal, while I, his unhappy father, live on in luxury which I cannot enjoy, with no one to care for me----" Florence Linden sank impulsively on her knees beside her uncle's chair.

“UNCLE, you are not looking well to-night.” “I’m not well, Florence. I sometimes doubt if I shall ever be any better.” “Surely, uncle, you cannot mean——” “Yes, my child, I have reason to believe that I am nearing the end.” “I cannot bear to hear you speak so, uncle,” said Florence Linden, in irrepressible agitation. “You are not an old man. You are but fifty-four.” “True, Florence, but it is not years only that make a man old. Two great sorrows have embittered my life. First, the death of my dearly beloved wife, and next, the loss of my boy, Harvey.” “It is long since I have heard you refer to my cousin’s loss. I thought you had become reconciled—no, I do not mean that,—I thought your regret might be less poignant.” “I have not permitted myself to speak of it, but I have never ceased to think of it day and night.”