Other editions of book Le Morte D'Arthur -Vol. 1-

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Le Morte d'Arthur (spelled Le Morte Darthur in the first printing and also in some modern editions, Middle French for la mort d'Arthur, "the death of Arthur") is Sir Thomas Malory's compilation of some French and English Arthurian romances. The book contains some of Malory's own original material (the Gareth story) and retells the older stories in light of Malory's own views and interpretations. First published in 1485 by William Caxton, Le Morte d'Arthur is perhaps the best-known work of English-language Arthurian literature today. Many modern Arthurian writers have used Malory as their source, including T. H. White for his popular The Once and Future King. (Quote from wikipedia.org)About the AuthorThomas Malory (1405 - 1471)Sir Thomas Malory (c. 1405 - March 14, 1471) was an English writer, the author or compiler of Le Morte d'Arthur. The antiquary John Leland (1506-1552) believed him to be Welsh, but most modern scholarship assumes that he was Sir Thomas Malory of Newbold Revel in Warwickshire. The surname appears in various spellings, including Maillorie, Mallory, Mallery, and Maleore. The name comes from the Old French adjective maleure (from Latin male auguratus) meaning ill-omened or unfortunate.Few facts are certain in Malory's history. He was probably born sometime around 1405 (though some scholars have suggested an earlier date). He died in March of 1471, less than two years after completing his lengthy book. Twice elected to a seat in Parliament, he also accrued an long list of criminal charges during the 1450s, including burglary, rape, sheep stealing, and attempting to ambush the Duke of Buckingham. He escaped from jail on two occasions, once by fighting his way out with a variety of weapons and by swimming a moat. Malory was imprisoned at several l

This monumental work made the Arthurian cycle available for the first time in English. Malory took a body of legends from Celtic folklore that had been adapted into French literature, gave them an English perspective, and produced a work which ever since has had tremendous influence upon literature. The story begins with King Uther Pendragon's use of enchantment to lay with Igraine, Duchess of Cornwall. Arthur is conceived and taken away in secret, returning as a young man to claim the throne by pulling the sword Excalibur from the stone. In retelling the story of Arthur's rule of Britain, Malory intertwines the romances of Guinevere and Lancelot, Tristan and Isolde, and Lancelot and Elaine. Sir Galahad's appearance at Camelot begins the quest for the Holy Grail. Finally, Camelot is brought down by the conflict between King Arthur and his natural son, Mordred.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

Sir Thomas Malory, a knight of the fifteenth century, collected and compiled all the legends and songs surrounding the pre-Christian Welsh chieftain Arthur into a fascinating, rambling prose narrative, Le Morte Darthur (The Death of Arthur). Since then, it has inspired numerous authors and artists while becoming the principal source for today's notions of chivalry and the Knights of the Round Table. This book is a must-read for anyone with even a remote interest in Arthurian lore. Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Le Morte D'arthur, Vol. 1Thus far of Malory's name: we now come to his work, which, as already mentioned, was finished in 1469. It was, however, not printed till 1485, when its publication was under taken by Caxton. Then followed two editions by Wynkyn de Worde in 1498 and 1529, and before the middle of the seven teenth century four more editions appeared: all these seven were in black letter. The eighteenth century appears to have been content with what the three previous ones had done for the text of Malory; but the nineteenth century has already seen it edited no less than six times, notably by Southey, Wright, Sir E. Strachey, and H. Oskar Sommer. Dr. Sommer's edition is comprised in three stately volumes, published in London by David Nutt: the first volume, consisting of the Text, appeared in 1889; then followed a volume of Introduction in 1890, and one of Studies on the Sources in 1891. This edition marks an era in the history of the Morte Darthur, seeing that special pains have been taken to make it reproduce the Caxton original, which is not known to exist in more than two copies, one of which is not quite perfect. This latter copy belongs to the Althorp Library, while the other, the perfect copy, once belonged to the Harleian Library. As regards its later history, we are told that it was purchased by the Earl of Jersey for his library at Osterley Park, and that in 1885 it became the property of a citizen of the United States, Mrs. Abby E. Pope of Brooklyn.l Lastly, I must add that no trace of Malory's own manuscript has ever been found.The question of the sources of Malory's work is no new one.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Le Morte d'Arthur (originally spelled Le Morte Darthur, Middle French for "the death of Arthur") is a compilation by Sir Thomas Malory of Romance tales about the legendary King Arthur, Guinevere, Lancelot, and the Knights of the Round Table. The book interprets existing French and English stories about these figures, with some of Malory's own original material