Other editions of book Northanger Abbey; Persuasion 1930

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Northanger Abbey was the first of Jane Austen's novels to be completed for publication, in 1803, but published after her death, at the end of 1817. The novel is a satire of the Gothic novels popular at the time of its first writing in 1798–99. The heroine, Catherine, thinks life is like a Gothic novel, but her real experiences bring her down to earth as an ordinary young woman. Austen first titled it Susan, when she sold it in 1803 for £10 to a London bookseller, Crosby & Co., who decided against publishing. In the spring of 1816, the bookseller sold it back to the novelist's brother, Henry Austen, for the same sum, as the bookseller did not know that the writer was by then the author of four popular novels. She further revised the novel in 1816-1817, with the intention of having it published. The lead character's name was changed from Susan to Catherine, and Austen changed the working title to Catherine. Austen died in July 1817. Her brother Henry renamed the novel and arranged for publication of Northanger Abbey in late December 1817 (1818 given on the title page), as the first two volumes of a four-volume set, the other two volumes being the more recently completed Austen novel, Persuasion, with a preface for the first time publicly identifying Jane Austen as the author of all her novels. Neither novel was published under the working title Jane Austen used. Aside from first being published together, the two novels are not linked, and later editions were published as separate novels.... Persuasion is the last novel fully completed by Jane Austen. It was published at the end of 1817, six months after her death. The story concerns Anne Elliot, a young Englishwoman of 27 years, whose family is moving to lower their expenses and get out of debt, at the same time as the wars come to an end, putting sailors on shore. They rent their home to an Admiral and his wife. The wife’s brother, Navy Captain Frederick Wentworth, had been engaged to Anne in 1806, and now they meet again, both single and unattached, after no contact in more than seven years. This sets the scene for many humorous encounters as well as a second, well-considered chance at love and marriage for Anne Elliot in her second "bloom".... Hugh Thomson (1 June 1860 – 7 May 1920) was an Irish Illustrator born at Coleraine near Derry.[1] He is best known for his pen-and-ink illustrations of works by authors such as Jane Austen, Charles Dickens, and J. M. Barrie.... Henry Austin Dobson (18 January 1840 – 2 September 1921), commonly Austin Dobson, was an English poet and essayist....

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Few people realize that Jane Austen invented the horror spoof in 1818 with her first completed novel ‘Northanger Abbey.’ The story’s heroine is a Gothic novel-obsessed young woman who sees intrigue and mystery everywhere. Visiting Bath with her friend Mrs. Allen, an older but flighty, irresponsible woman, Catherine Morland falls in love with Henry Tilney, a young clergyman. Believing her to be wealthy, Henry’s father invites Catherine to Northanger Abbey, the Tilney home. Greatly influenced by her reading of Mrs. Radcliffe’s novel Mysteries of Udolpho, Catherine sees Nightmare Abbey as a house of nightmarish mysteries. But is it just her imagination or is there something more sinister lurking in the ancient cloisters? The novel gives Austen an opportunity to satirize the Radcliffe school of Romantic mystery and to explore a favorite theme of feminine self-delusion.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.