Other editions of book The singing mouse stories

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The Singing Mouse Stories THE LAND OF THE SINGING MOUSE This is my room. I live here; and my friends come here sometimes, such as I have left. There is little to offer them, but they are welcome to what there is. There is the table. There is the fire. There are not any keys. That is my coat upon the wall. It is worn, a little. The barrels of the old gun are worn; and the stock of the rifle, broken in the mountains long ago, is mended but rudely; and the tip of the old rod is broken, and the silk is fraying in the lashings, and upon the hand-grasp the cord is loose. The silver cord will loosen and break in the best of men in time; wherefore, I beseech you, mock not at these belongings, though your own may far surpass them. You are welcome to anything there is here.... But the Singing Mouse will not come out, not while you are here. True, after you have gone, after the fire has burned down and the room is all still--usually near midnight, as I sit and muse alone over the dead or dying fire--true, then the Singing Mouse comes out and asks for its bit of bread; and then it folds its tiny paws and sits up, and turning its bright red eye upon me, half in power and half in beseeching, as of some fading memory of the past--why, it sings, I say to you; it sings! And I listen.... During such singing the fire blazes up. The walls are rich in art. My rod is new and trig. There is work, but there is no worry.... I am rich, rich! I have the Singing Mouse. And so strange, so wondrous, so real are the things it sings; so bewitching is the song, so sweeter than that of any siren's; so broad and fine are the countries; so strong and true are the friendships; so brave and kind are the men I meet--so beautiful the whole world of the Singing Mouse, that when it is over, a

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Emerson Hough (1857-1923) was an American author, best known for writing western stories. Hough graduated from the University of Iowa with a law degree. He moved to White Oaks, New Mexico, and practiced law there but eventually turned to literary work by taking camping trips and writing about them for publication. He is best known as a novelist, writing The Mississippi Bubble (1902) as well as The Covered Wagon (1922). Hough was also a conservationist, and was the catalyst behind a law passed by the U. S. Congress to protect the buffalo in Yellowstone National Park. His other works include The Singing Mouse Stories (1895), The Girl at the Halfway House (1900), The Law of the Land (1904), Heart's Desire (1905), The Way of a Man (1907), 54- 40 or Fight (1909), The Purchase Price (1910), The Man Next Door (1917), The Passing of the Frontier (1918) and The Sagebrusher (1919).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.