Other editions of book Mrs. Caudle's curtain lectures

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Douglas William Jerrold (London 3 January 1803 - 8 June 1857) was an English dramatist and writer. Jerrold's father, Samuel Jerrold, was an actor and lessee of the little theatre of Wilsby near Cranbrook in Kent. In 1807 Douglas moved to Sheerness, where he spent his childhood. He occasionally took a child part on the stage, but his father's profession held little attraction for him. In December 1813 he joined the guardship Namur, where he had Jane Austen's brother Francis as captain, and served as a midshipman until the peace of 1815. He saw nothing of the war save a number of wounded soldiers from Waterloo, but he retained an affection for the sea. The peace of 1815 ruined Jerrold's father; on 1 January 1816 he took his family to London, where Douglas began work as a printer's apprentice, and in 1819 he became a compositor in the printing-office of the Sunday Monitor. Several short papers and copies of verses by him had already appeared in the sixpenny magazines, and a criticism of the opera Der Freischütz was admired by the editor, who requested further contributions. Thus Jerrold became a professional journalist. Jerrold's figure was small and spare, and in later years bowed almost to deformity. His features were strongly marked and expressive, from the thin humorous lips to the keen blue eyes, gleaming from beneath the shaggy eyebrows. He was brisk and active, with the careless bluffness of a sailor. Open and sincere, he concealed neither his anger nor his pleasure; to his sailor's frankness all polite duplicity was distasteful. The cynical side of his nature he kept for his writings; in private life his hand was always open. In politics Jerrold was a Liberal, and he gave eager sympathy to Lajos Kossuth, Giuseppe Mazzini and Louis Blanc. In social politics especially he took an eager part; he never tired of declaiming against the horrors of war, the luxury of bishops, or the iniquity of capital punishment. Douglas Jerrold is now perhaps better known from his reputation as a brilliant wit in conversation than from his writings. As a dramatist he was very popular, though his plays have not kept the stage. He dealt with rather humbler forms of social world than had commonly been represented on the boards. He was one of the first and certainly one of the most successful of the men who in defence of the native English drama endeavoured to stem the tide of translation from the French, which threatened early in the 19th century to drown original native talent. His skill in construction and his mastery of epigram and brilliant dialogue are well exemplified in his comedy, Time Works Wonders (Haymarket, 26 April 1845). The tales and sketches which form the bulk of Jerrold's collected works vary much in skill and interest; but, although there are evident traces of their having been composed from week to week, they are always marked by keen satirical observation and pungent wit.

First serialized in Punch magazine in 1845, and officially published in book form in 1846, Mrs. Caudle's Curtain Lectures presents a collection of 37 lectures delivered by Mrs. Caudle to her husband as a means of reproach for his trivial infractions. Also, the author marvelously incorporates typical elements responsible for disagreements between spouses including the antipathetic mother-in-law, the ne’er-do-well friends, and the jealous outbursts.Jerrold’s charming piece of satire introduces the Victorian married couple, Mr. Job Caudle, a small shop owner, and his martinet wife. Aware that her husband is much too busy during the day to absorb her wisdom and convictions, Mrs. Caudle patiently waits till nightfall, when the pair is united in the comfort of their bed, to share her thoughts with him. Unable to escape her verbal attacks, Mr. Caudle must bravely endure her overreactions over his innocent deeds. Furthermore, Mrs. Caudle possesses the power to exaggerate situations and formulate inflated outcomes that will supposedly bring havoc to their family. Needless to say, Mrs. Caudle seems to fuss about her husband’s every move, as she fiercely brings attention to his innocent faults including money-lending, late night outings with friends, and a suspicious friendship with a certain woman. However, after thirty years of marriage, his wife dies and leaves him all alone in the night, but despite her physical absence, her voice still freshly lingers in his mind. As a result, he feels the need to write down her lectures each night and keep their nocturnal tradition alive.Interestingly, Mrs. Caudle's Curtain Lectures evokes a feeling of déjà vu, as Mrs. Caudle presents an archetypal model of the nagging and protective wife, whose husband is left defenseless against her scolding. A delightful set of heartfelt matrimonial discourse, Mrs. Caudle’s bedroom lectures are sure to raise a laugh with her comical, yet charmingly realistic portrayal of a Victorian wife, as she fulfills the authoritative role as Mr. Caudle’s lawfully wedded wife.

Excerpt from Mrs. Caudle's Curtain LecturesWell, things are come to a pretty pass This is the first night I ever made my supper off roast beef without pickles. But who is to afford pickles when folks are always lending five pounds?About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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First serialized in Punch magazine in 1845, and officially published in book form in 1846, Mrs. Caudle's Curtain Lectures presents a collection of 37 lectures delivered by Mrs. Caudle to her husband as a means of reproach for his trivial infractions. Also, the author marvelously incorporates typical elements responsible for disagreements between spouses including the antipathetic mother-in-law, the ne’er-do-well friends, and the jealous outbursts.Jerrold’s charming piece of satire introduces the Victorian married couple, Mr. Job Caudle, a small shop owner, and his martinet wife. Aware that her husband is much too busy during the day to absorb her wisdom and convictions, Mrs. Caudle patiently waits till nightfall, when the pair is united in the comfort of their bed, to share her thoughts with him. Unable to escape her verbal attacks, Mr. Caudle must bravely endure her overreactions over his innocent deeds. Furthermore, Mrs. Caudle possesses the power to exaggerate situations and formulate inflated outcomes that will supposedly bring havoc to their family. Needless to say, Mrs. Caudle seems to fuss about her husband’s every move, as she fiercely brings attention to his innocent faults including money-lending, late night outings with friends, and a suspicious friendship with a certain woman. However, after thirty years of marriage, his wife dies and leaves him all alone in the night, but despite her physical absence, her voice still freshly lingers in his mind. As a result, he feels the need to write down her lectures each night and keep their nocturnal tradition alive.Interestingly, Mrs. Caudle's Curtain Lectures evokes a feeling of déjà vu, as Mrs. Caudle presents an archetypal model of the nagging and protective wife, whose husband is left defenseless against her scolding. A delightful set of heartfelt matrimonial discourse, Mrs. Caudle’s bedroom lectures are sure to raise a laugh with her comical, yet charmingly realistic portrayal of a Victorian wife, as she fulfills the authoritative role as Mr. Caudle’s lawfully wedded wife.

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