Other editions of book Doors of the Night

Billy Kane paused for an instant in the doorway of the room before him, as his dark, steady eyes travelled over the appointments in a sort of measured approval such as a connoisseur who knew his art might bestow upon a canvas in which he found no flaw. The apartment was quite in keeping with everything else that pertained to the palatial residence in that upper Fifth Avenue section of New York. The indirect lighting fell soft and mellow upon the priceless Oriental rug, the massive desk of dark, carved wood, the wide, inviting leatherupholstered chairs, the heavy portières that filled the window spaces and hung before the doors, the bookshelves that lined the walls almost ceiling high and that were of the same dark, polished wood as the desk and chairs. There was luxury here, and wealth; but it was luxury without ostentation, and wealth that typified only good taste and refinement.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Doors Of The Night<author> Frank Lucius Packard<publisher> Burt, 1922

Billy Kane paused for an instant in the doorway of the room before him, as his dark, steady eyes travelled over the appointments in a sort of measured approval such as a connoisseur who knew his art might bestow upon a canvas in which he found no flaw. The apartment was quite in keeping with everything else that pertained to the palatial residence in that upper Fifth Avenue section of New York. The indirect lighting fell soft and mellow upon the priceless Oriental rug, the massive desk of dark, carved wood, the wide, inviting leatherupholstered chairs, the heavy portières that filled the window spaces and hung before the doors, the bookshelves that lined the walls almost ceiling high and that were of the same dark, polished wood as the desk and chairs. There was luxury here, and wealth; but it was luxury without ostentation, and wealth that typified only good taste and refinement.

Things don't look good for Billy Kane when his millionaire employer David Ellsworth is found murdered and robbed. All evidences suggest that he is the one who did it, and those circumstances dictate that he must go in hiding. As Billy wonders further in New York's criminal underground, he gets mistaken for a notorious Buddy Morgan, known as The Rat, one of the bosses of the underworld. Seizing on the unlikely opportunity to clear his name Billy decides to pit the underworld in a fight on the side of justice against the police. Frank Lucius Packard (1877-1942) was a Canadian novelist best known for his Jimmie Dale mystery series. As a young man he worked as a civil engineer for the Canadian Pacific Railway. His experiences working on the railroad led to his writing a series of railroad stories and novels. Packard also wrote number of mystery novels, the most famous of which featured a character called Jimmie Dale, a wealthy playboy by day and a fearless crime fighter by night. Jimmie Dale novels brought the idea of a costume and mask for hero's secret identity, and also established the concept of a hero's secret hideout or lair.