Other editions of book Alice Sit-By-The-Fire

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EXTRACT: One would like to peep covertly into Amy’s diary (octavo, with the word ‘Amy’ in gold letters wandering across the soft brown leather covers, as if it was a long word and, in Amy’s opinion, rather a dear). To take such a liberty, and allow the reader to look over our shoulders, as they often invite you to do in novels (which, however, are much more coquettish things than plays) would be very helpful to us; we should learn at once what sort of girl Amy is, and why to-day finds her washing her hair. We should also get proof or otherwise, that we are interpreting her aright; for it is our desire not to record our feelings about Amy, but merely Amy’s feelings about herself; not to tell what we think happened, but what Amy thought happened. The book, to be sure, is padlocked, but we happen to know where it is kept. (In the lower drawer of that hand-painted escritoire.) Sometimes in the night Amy, waking up, wonders whether she did lock her diary, and steals downstairs in white to make sure. On these occasions she undoubtedly lingers among the pages, re-reading the peculiarly delightful bit she wrote yesterday; so we could peep over her shoulder, while the reader peeps over ours. Then why don’t we do it? Is it because this would be a form of eavesdropping, and that we cannot be sure our hands are clean enough to turn the pages of a young girl’s thoughts? It cannot be that, because the novelists do it. It is because in a play we must tell nothing that is not revealed by the spoken words; you must find out all you want to know from them; there is no weather even in plays nowadays except in melodrama; the novelist can have sixteen chapters about the hero’s grandparents, but we cannot even say he had any unless he says it himself. There can be no rummaging in the past for us to show what sort of people our characters are; we are allowed only to present them as they toe the mark; then the handkerchief falls, and off they go. James Matthew Barrie, better known under the signature of J. M. Barrie (Kirriemuir, May 9, 1860 - London, 19 June 1937), 1st Baronet, is a writer and Scottish playwright, famous for creating the character of Peter Pan. During his years of study in Glasgow, James Barrie makes friends (Stuart Gordon, Welwood Anderson), he discovers Shakespeare and the theater and up a troupe of amateurs with his comrades. He entered the University of Edinburgh in 1878, which showed four years later with a Master of Arts (MA). He worked as a reporter for the Journal of Nottingham there he contracted the habit of smoking the pipe that exalt in My Lady Nicotine in 1890. He moved to London in his account in 1885 and collaborates with various newspapers. He noted in 1889 by the publication of a collection of chronicles, The Eleven of Edinburgh. In 1890 Barrie made a small room, The Phantom of Ibsen, who ridicules the Norwegian playwright popular on the London stage. His novel, The little minister some success in 1891 and in 1892 our young author Conan Doyle met with whom he becomes friends. His play, A professor's love story, also met with great success and in 1894 he married the same year, the actress Mary Ansell, but the marriage will fail. Childless, the couple divorced in 1909 at the request of the wife (who took a lover) and against the will of the writer who opposes separation. J. M. Barrie was a menu and slender man, small. It has sometimes emphasized his almost childlike approach (like his hero Peter who will not grow). It is assumed that this unusual character was asexual and it was one of the reasons for divorce (see Peter Pan Syndrome). In 1897, in Kensington Park, James Barrie meets the Llewelyn Davies children (George, Jack and Peter) for which he imagines the adventures of Peter Pan. Our author binds to parents, Sylvia, daughter of writer George du Maurier, and Arthur, respected lawyer.

J M Barrie was a Scottish novelist and dramatist best known for creating the character Peter Pan. Barrie was made a Baronet in 1913 for his literary accomplishments. Peter Pan first appeared in a serial called The Little White Bird in 1901. In 1904 the play Peter Pan, or The Boy Who Wouldn't Grow Up was first produced. Alice Sit-By-The-Fire is a humorous play, which will delight the reader.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One would like to peep covertly into Amy's diary (octavo, with the word 'Amy' in gold letters wandering across the soft brown leather covers, as if it was a long word and, in Amy's opinion, rather a dear). To take such a liberty, and allow the reader to look over our shoulders, as they often invite you to do in novels (which, however, are much more coquettish things than plays) would be very helpful to us; we should learn at once what sort of girl Amy is, and why to-day finds her washing her hair. We should also get proof or otherwise, that we are interpreting her aright; for it is our desire not to record our feelings about Amy, but merely Amy's feelings about herself; not to tell what we think happened, but what Amy thought happened. The book, to be sure, is padlocked, but we happen to know where it is kept. (In the lower drawer of that hand-painted escritoire.) Sometimes in the night Amy, waking up, wonders whether she did lock her diary, and steals downstairs in white to make sure. On these occasions she undoubtedly lingers among the pages, re-reading the peculiarly delightful bit she wrote yesterday; so we could peep over her shoulder, while the reader peeps over ours. Then why don't we do it? Is it because this would be a form of eavesdropping, and that we cannot be sure our hands are clean enough to turn the pages of a young girl's thoughts? It cannot be that, because the novelists do it. It is because in a play we must tell nothing that is not revealed by the spoken words; you must find out all you want to know from them; there is no weather even in plays nowadays except in melodrama; the novelist can have sixteen chapters about the hero's grandparents, but we cannot even say he had any unless he says it himself. There can be no rummaging in the past for us to show what sort of people our characters are; we are allowed only to present them as they toe the mark; then the handkerchief falls, and off they go.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sir James Matthew Barrie, 1st Baronet, OM, was born in Kirriemuir, Angus the ninth of ten children on May 9th, 1860. From early formative experiences, Barrie knew that he wished to follow a career as an author. His family wished otherwise and sought to persuade him to choose a profession, such as the ministry. The compromise was that he would attend university to study literature at the University of Edinburgh. He graduated with an M.A. on April 21st, 1882. His first job was as a staff journalist for the Nottingham Journal. The London editor of the St. James's Gazette "liked that Scotch thing" in Barrie’s short stories about his mother’s early life. They also served as the basis for his first novels. Barrie though was increasingly drawn to working in the theatre. His first play, a biography of Richard Savage, was only performed once and critically panned. Undaunted he immediately followed this with Ibsen's Ghost in 1891, a parody of Ibsen's plays Hedda Gabler and Ghosts. Barrie's third play, Walker, London, in 1892 led to an introduction to his future wife, a young actress by the name of Mary Ansell. The two became friends, and she helped his family to care for him when he fell very ill in 1893 and 1894. Barrie proposed and they were married, in Kirriemuir, on July 9th, 1894. By some accounts the relationship was unconsummated and indeed the couple had no children. The story of Peter Pan had begun to formulate when Barrie became acquainted with the Llewelyn Davis family in 1897, meeting George, Jack and baby Peter with their nanny in London's Kensington Gardens. In 1901 and 1902, Barrie had back-to-back theatre successes with Quality Street and The Admirable Crichton. The character of "Peter Pan" first appeared in The Little White Bird in 1902. This most famous and enduring of his works; Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on December 27th, 1904. Peter Pan would overshadow everything written during his career. He continued to write for the rest of his life contributing many other fine and important works. Sir James Matthew Barrie, 1st Baronet, OM, died of pneumonia on June 19th,1937 and was buried at Kirriemuir next to his parents and two of his siblings.

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FACSIMILE: Reproduction Alice Sit-by-the-fire [FACSIMILE] Originally published by New York : Scribner in 1919. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text. 156 pages.