Other editions of book The True Story Book

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> The True Story Book<editor> Andrew Lang<illustrated by> Lockhart Bogle, Lucien Davis, Henry Justice Ford, Charles H. M. Kerr, Lancelot Speed<publisher> Longmans, Green, and Co., 1894<subjects> History

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from The True Story Book The adventures of Prince Charlie are already known, in part, to boys and girls who have read the Tales of a Grand father, for pleasure and not as a school book. But here Mrs. Mccunn has treated of them at greater length and more minutely. The source, here, is in these seven brown octavo volumes, all written in the closest hand, which are a treasure of the Advocates' Library in Edinburgh. The author is Mr. Forbes, a bishop of the persecuted Episcopalian Church in Scotland. Mr. Forbes collected his information very carefully, closely comparing the narratives of the various actors in the story. Into the boards of his volumes are fastened a scrap of the Prince's tartan waistcoat, a rag from his sprigged calico dress, a bit of his brogues - a twopenny treasure that has been wept and prayed over by the faithful. Nobody, in a book for children, would have the heart to tell the tale of the Prince's later years, of a moody, heart-broken, degraded exile. But, in the hills and the isles, bating a little wilfulness and fool hardiness, and the affair Of the broken punch-bowl, Prince Charles is a model for princes and all men, brave, gay, much enduring, good-humoured, kind, royally courteous, and con siderate, even beyond what may be gathered from this part of the book, while the loyalty of the Highlanders (as in the case of Mackinnon, flogged nearly to death) was proof against tor ture as well as against gold. It is the Sobieski strain, not the Stuart, that we here admire in Prince Charles it is a piety, a loyalty, a goodness like Gordon's that we revere in old Lord Pitsligo in another story. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

The True Story Book is the fifth in the series of Fairy Books by Andrew Lang. Contains 24 true stories, mainly drawn from European history, including: A Boy among the Red Indians; Casanova's Escape; Adventures on the Findhorn; Captain Snelgrave and the Pirates; Prince Charlie's Wanderings; The Story of Kaspar Hauser; The Tale of Isandhlwana and Rorke's Drift; The Worthy Enterprise of John Foxe; The Adventure of John Rawlins; The Escape of Cæsar Borgia from the Castle of Medina del Campo; The Conquest of Montezuma's Empire, and more.

The Langs' Fairy Books are a series of 25 collections of true and fictional stories for children published between 1889 and 1913. The best known books of the series are the 12 collections of fairy tales also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book.Andrew Lang (1844–1912) was a Scots poet, novelist, and literary critic. He initially edited the series and wrote prefaces for its entire run, while his wife, the translator and author Leonora Blanche Alleyne, known to friends and family as Nora, assumed editorial control of the series in the 1890s . She and other translators did a large portion of the translating and retelling of the actual stories, as acknowledged in the prefaces. Four of the volumes from 1908 to 1912 were published by "Mrs. Lang".According to Anita Silvey, "The irony of Lang's life and work is that although he wrote for a profession—literary criticism; fiction; poems; books and articles on anthropology, mythology, history, and travel ... he is best recognized for the works he did not write."..........................Andrew Lang, FBA (31 March 1844 – 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him.BiographyLang was born in Selkirk. He was the eldest of the eight children born to John Lang, the town clerk of Selkirk, and his wife Jane Plenderleath Sellar, who was the daughter of Patrick Sellar, factor to the first duke of Sutherland. On 17 April 1875, he married Leonora Blanche Alleyne, youngest daughter of C. T. Alleyne of Clifton and Barbados. She was (or should have been) variously credited as author, collaborator, or translator of Lang's Color/Rainbow Fairy Books which he edited.He was educated at Selkirk Grammar School, Loretto, and at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford, where he took a first class in the final classical schools in 1868, becoming a fellow and subsequently honorary fellow of Merton College. He soon made a reputation as one of the most able and versatile writers of the day as a journalist, poet, critic, and historian. In 1906, he was elected FBA.He died of angina pectoris at the Tor-na-Coille Hotel in Banchory, Banchory, survived by his wife. He was buried in the cathedral precincts at St Andrews, where a monument can be visited in the south-east corner of the 19th century section.