Other editions of book The Man Who Knew Too Much

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. The Man Who Knew Too Much (1922) is a book of detective stories by English writer G. K. Chesterton, published by Cassell and Company in 1922.Stories Include:"The Face in the Target""The Vanishing Prince""The Soul of the Schoolboy""The Bottomless Well""The Hole in the Wall""The Fad of the Fisherman""The Fool of the Family""The Vengeance of the Statue"Horne Fisher, "The Man Who Knew Too Much", is the main protagonist of the first eight stories. In the final story, "The Vengeance of the Statue", Fisher notes: "The Prime Minister is my father's friend. The Foreign Minister married my sister. The Chancellor of the Exchequer is my first cousin." Because of these intimate relationships with the leading political figures in the land, Fisher knows too much about the private politics behind the public politics of the day. This knowledge is a burden to him in the eight stories, because he is able to uncover the injustices and corruptions of the murders in each story, but in most cases the real killer gets away with the killing because to bring him openly to justice would create a greater chaos: starting a war, reinciting Irish rebellions or removing public faith in the government.

The Man Who Knew Too Much by AUTHORHow is this book unique? Illustrations IncludedFree AudiobookThe Man Who Knew Too Much is a compilation of eight detective stories by the English philosopher and prolific writer Gilbert Keith Chesterton. The protagonist of these stories is the man of the title, Horne Fisher, an upper-class detective whose investigative gifts often put him in uncomfortable situations where he has to take difficult decisions. In stories like “The Face in the Target” and “The Vengeance of the Statue,” which are all told by a third-person narrator, Fisher uses his deductive faculties and theatrical representations to absolve the innocent and incriminate the guilty. Most of the crimes dealt with in these stories are about mysterious murders. Yet, Fisher has also to solve other cases related to theft as well as to disputes over money and estates. Due to his friendly or family relationships with influential statesmen, Fisher often finds himself with “too much” knowledge about the way things are run in the country. This paradoxically valuable and embarrassing knowledge forces him many a time to let the murderer get away with his crime in order to avoid something more dangerous to happen to the country such as war or rebellion.

“Modern intelligence won’t accept anything on authority. But it will accept anything without authority. That’s exactly what has happened here.” — Horne Fisher in The Man Who Knew Too Much From the creator of the Father Brown mysteries come nine short stories, eight of which trace the activities of Horne Fisher, “the man who knew too much,” and his trusted friend Harold March, a political journalist. Horne is a socialite who uses his keen mind and powerful gifts of deduction to investigate crimes committed on the sprawling country estates of the aristocracy. The other story, “The Trees of Pride,” revolves around the fictional character Squire Vane. Much loved for their wit and sense of wonder, these stories offer a fascinating portrait of upper-crust society in pre-World War I England. Highly regarded as a biting social commentator, Chesterton fully displays his humorous and insightful comparisons through his colorful and poetic prose.

How is this book unique?Unabridged (100% Original content)Formatted for e-readerFont adjustments & biography includedIllustratedThe Man Who Knew Too Much is a compilation of eight detective stories by the English philosopher and prolific writer Gilbert Keith Chesterton. The protagonist of these stories is the man of the title, Horne Fisher, an upper-class detective whose investigative gifts often put him in uncomfortable situations where he has to take difficult decisions. In stories like “The Face in the Target” and “The Vengeance of the Statue,” which are all told by a third-person narrator, Fisher uses his deductive faculties and theatrical representations to absolve the innocent and incriminate the guilty. Most of the crimes dealt with in these stories are about mysterious murders. Yet, Fisher has also to solve other cases related to theft as well as to disputes over money and estates. Due to his friendly or family relationships with influential statesmen, Fisher often finds himself with “too much” knowledge about the way things are run in the country. This paradoxically valuable and embarrassing knowledge forces him many a time to let the murderer get away with his crime in order to avoid something more dangerous to happen to the country such as war or rebellion.

This contains the first 8 of the 12 stories in the published book The Man Who Knew Too Much and Other Stories. In these 8 detective thrillers, the main protagonist is Horne Fisher. (The omitted four are individual stories with separate heroes/detectives.)Due to close relationships with the leading political figures in the land, Fisher knows too much about the private politics behind the public politics of the day. This knowledge is a burden to him because he is able to uncover the injustices and corruptions of the murders in each story, but in most cases the real killer gets away with the killing because to bring him openly to justice would create a greater chaos: starting a war, reinciting Irish rebellions, or removing public faith in the government.A film of the same title was made in 1934 and remade in 1956, both directed by Alfred Hitchcock, but the films had nothing at all in common (except the title) with these short stories. Hitchcock decided to use the title simply because he had the rights for some of the stories.

This contains the first 8 of the 12 stories in the published book The Man Who Knew Too Much and Other Stories. In these 8 detective thrillers, the main protagonist is Horne Fisher. (The omitted four are individual stories with separate heroes/detectives.) Due to close relationships with the leading political figures in the land, Fisher knows too much about the private politics behind the public politics of the day. This knowledge is a burden to him because he is able to uncover the injustices and corruptions of the murders in each story, but in most cases the real killer gets away with the killing because to bring him openly to justice would create a greater chaos: starting a war, reinciting Irish rebellions, or removing public faith in the government. A film of the same title was made in 1934 and remade in 1956, both directed by Alfred Hitchcock, but the films had nothing at all in common (except the title) with these short stories. Hitchcock decided to use the title simply because he had the rights for some of the stories.

G.K. Chesterton was an English writer often referred to as "the prince of paradox." Chesterton wrote on a variety of different subjects including mystery fiction, religion, and literary critiques. Chesterton is best known for creating the priest-detective Father Brown and the popular book Orthodoxy. The Man Who Knew Too Much is a collection of eight short stories.

About The Man Who Knew Too Much by Gilbert Keith ChestertonHow is this book unique?E-reader & tablet formatted, Font Adjustments100% Original contentUnabridged EditionAuthor Biography InsideIllustrations includedThe Man Who Knew Too Much is a compilation of eight detective stories by the English philosopher and prolific writer Gilbert Keith Chesterton. The protagonist of these stories is the man of the title, Horne Fisher, an upper-class detective whose investigative gifts often put him in uncomfortable situations where he has to take difficult decisions. In stories like “The Face in the Target” and “The Vengeance of the Statue,” which are all told by a third-person narrator, Fisher uses his deductive faculties and theatrical representations to absolve the innocent and incriminate the guilty. Most of the crimes dealt with in these stories are about mysterious murders. Yet, Fisher has also to solve other cases related to theft as well as to disputes over money and estates. Due to his friendly or family relationships with influential statesmen, Fisher often finds himself with “too much” knowledge about the way things are run in the country. This paradoxically valuable and embarrassing knowledge forces him many a time to let the murderer get away with his crime in order to avoid something more dangerous to happen to the country such as war or rebellion.