Books with title William Again

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Most children are familiar with the legend of William Tell, the Swiss hero who successfully shot a cross bolt through an apple placed on his son's head gaining his and his son's life from the evil Austrian, Gessler. William Tell Told Again by P.G. Wodehouse gives the legend new life. In this book the tale of Tell is retold, with variations. So much doubt has been cast on William Tell's doings-some going to the length of saying that he never existed--that the publishers feel that this book should be a valuable contribution to the history of the great archer, as showing what it was that he really did. This is the classic story of William Tell - Swiss patriot and great apple-shooter - as seen through the eyes of English humorist P.G. Wodehouse. No Swiss were (permanently) injured in the telling of this story; however, results differed for Austrian tyrants.

Sir Pelham Grenville Wodehouse, KBE (1881-1975) was a comic writer who has enjoyed enormous popular success for more than seventy years. Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. Wodehouse was admired both by contemporaries like Rudyard Kipling as well as by modern writers like Terry Pratchett. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes. His other works include: A Prefect's Uncle (1903), Tales of St. Austin's (1903), The Gold Bat (1904), The Head of Kay's (1905), Love Among the Chickens (1906), The White Feather (1907), Mike (1909), Psmith, Journalist (1909), Psmith in the City (1910), The Little Nugget (1913), Something New (1915), The Man with Two Left Feet, and Other Stories (1917), Piccadilly Jim (1917), A Damsel in Distress (1919), Indiscretions of Archie (1921) and The Clicking of Cuthbert (1922).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Friesshardt and Leuthold lay on the ground beside the pole, feeling very sore and bruised, and thought that perhaps, on the whole, they had better stay there. There was no knowing what the crowd might do after this, if they began to fight again. So they lay on the ground and made no attempt to interfere with the popular rejoicings. What they wanted, as Arnold of Sewa might have said if he had been there, was a few moments' complete rest. Leuthold's helmet had been hammered with sticks until it was over his eyes and all out of shape, and Friesshardt's was very little better.