Books with title Trouble Is My Business.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases in Trouble is My Business, LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble of your business . . .The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned.Praise for Raymond Chandler:'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul AusterRaymond Chandler was born in Chicago in 1888 and moved to England with his family when he was twelve. He attended Dulwich College, Alma Mater to some of the twentieth century's most renowned writers. Returning to America in 1912, he settled in California, worked in a number of jobs, and later married. It was during the Depression era that he seriously turned his hand to writing and his first published story appeared in the pulp magazine Black Mask in 1933, followed six years later by his first novel. The Big Sleep introduced the world to Philip Marlowe, the often imitated but never-bettered hard-boiled private investigator. It is in Marlowe's long shadow that every fictional detective must stand - and under the influence of Raymond Chandler's addictive prose that every crime author must write.

Trouble is My Business is a collection of four riveting novellas from Raymond Chandler. In the first of the four cases LA PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who’s ‘got her hooks into a rich man’s pup’. Before too long Marlowe’s up to his neck in corpses and cops and he’s taken pity on the girl. There’s nothing like making trouble of your business . . . The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won’t let go until the last page is turned

Raymond Thornton Chandler (July 23, 1888 – March 26, 1959) was a novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime (an eighth, in progress at the time of his death, was completed by Robert B. Parker). All but Playback have been made into motion pictures, some more than once. In the year before his death, he was elected president of the Mystery Writers of America. He died on March 26, 1959, in La Jolla, California.[1]. Chandler had an immense stylistic influence on American popular literature. He is considered to be a founder of the hard-boiled school of detective fiction, along with Dashiell Hammett, James M. Cain and other Black Mask writers. The protagonist of his novels, Philip Marlowe, like Hammett's Sam Spade, is considered by some to be synonymous with "private detective." Both were played in films by Humphrey Bogart, whom many consider to be the quintessential Marlowe.Some of Chandler's novels are important literary works, and three have been regarded as masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye was praised in an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery". Chandler's reputation has grown in recent years.[2]Critics and writers, including W. H. Auden, Evelyn Waugh and Ian Fleming, greatly admired Chandler's prose.[8] In a radio discussion with Chandler, Fleming said that Chandler offered "some of the finest dialogue written in any prose today".[23] Contemporary mystery writer Paul Levine has described Chandler's style as the "literary equivalent of a quick punch to the gut."[24] Chandler's swift-moving, hardboiled style was inspired mostly by Dashiell Hammett, but his sharp and lyrical similes are original: "The muzzle of the Luger looked like the mouth of the Second Street tunnel"; "He had a heart as big as one of Mae West's hips"; "Dead men are heavier than broken hearts"; "I went back to the seasteps and moved down them as cautiously as a cat on a wet floor." Chandler's writing redefined the private eye fiction genre, led to the coining of the adjective "Chandleresque," and inevitably became the subject of parody and pastiche. Yet the detective Philip Marlowe is not a stereotypical tough guy, but a complex, sometimes sentimental man with few friends, who attended university, who speaks some Spanish and sometimes admires Mexicans, and who is a student of chess and classical music. He is a man who refuses a prospective client’s fee for a job he considers unethical.The high regard in which Chandler is generally held today is in contrast to the critical sniping that stung the author during his lifetime. In a March 1942 letter to Blanche Knopf, published in Selected Letters of Raymond Chandler, he wrote, "The thing that rather gets me down is that when I write something that is tough and fast and full of mayhem and murder, I get panned for being tough and fast and full of mayhem and murder, and then when I try to tone down a bit and develop the mental and emotional side of a situation, I get panned for leaving out what I was panned for putting in the first time."Although his work enjoys general acclaim today, Chandler has been criticized for certain aspects of his writing. The Washington Post reviewer Patrick Anderson described his plots as "rambling at best and incoherent at worst" and criticized Chandler's treatment of black, female, and homosexual