Books with title The Tragedy of Doctor Faustus

The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later.[1] The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad. The Admiral's Men performed Doctor Faustus 25 times in the three years between October 1594 and October 1597. On 22 November 1602, the diary of Philip Henslowe recorded a £4 payment to Samuel Rowley and William Bird for additions to the play, which suggests a revival soon after that date.[2] The powerful effect of the early productions is indicated by the legends that quickly accrued around them. In Histriomastix, his 1632 polemic against the drama, William Prynne records the tale that actual devils once appeared on the stage during a performance of Faustus, "to the great amazement of both the actors and spectators". Some people were allegedly driven mad, "distracted with that fearful sight". John Aubrey recorded a related legend, that Edward Alleyn, lead actor of The Admiral's Men, devoted his later years to charitable endeavours, like the founding of Dulwich College, in direct response to this incident. In the prologue, The Chorus introduces the reader to Faustus and his story. He is described as being "base of stock"; however, his intelligence and scholarship eventually earns him the degree of a Doctor at the University of Wittenburg. During this opening, the reader also gets a first clue to the source of Faustus's downfall. Faustus's tale is likened to that of Icarus, who flew too close to the sun and fell to his death when the sun melted his waxen wings. This is a hint to Faustus's end as well as bringing to the reader's attention the idea of hubris (excessive pride), which is represented in the Icarus story and ultimately Faustus'. Faustus comments that he has mastered every subject he has studied. He depreciates Logic as merely being a tool for arguing; Medicine as being unvalued unless it allowed raising the dead and immortality; Law as being mercenary and beneath him; and Divinity as useless because he feels that all humans commit sin, and thus to have sins punishable by death complicates the logic of Divinity. He dismisses it as "What doctrine call you this? Que sera, sera" (What will be, shall be). Faustus instructs his servant Wagner to summon Valdes and Cornelius, a famous witchcrafter and magician, respectively. Two angels, called the Good Angel and the Bad Angel, appear to Faustus and dispense their own perspectives of his interest in magic and necromancy. Though Faustus seems momentarily dissuaded, he is apparently won over by the Bad Angel, proclaiming, "How am I glutted with conceit of this?" ("conceit" meaning the possibilities magic offers to him). Valdes and Cornnelius declare that if Faustus devotes himself to magic, great things are indeed possible with someone of Faustus' learning and intelligence. Faustus' absence is noted by two scholars who are less accomplished than Faustus himself. They request that Wagner reveal Faustus' present location, a request which Wagner at first haughtily denies, then bombastically reveals. The two scholars worry about Faustus being corrupted by the art of Magic and leave to inform the rector of the university.

The Tragical History of Doctos Faustus by Christopher Marlow. Worldwide literature classic, among top 100 literary novels of all time. A must read for everybody.In the 1980s, Italo Calvino (the most-translated contemporary Italian writer at the time of his death) said in his essay "Why Read the Classics?" that "a classic is a book that has never finished saying what it has to say", without any doubt this book can be considered a Classic This book is also a Bestseller because as Steinberg defined: "a bestseller as a book for which demand, within a short time of that book's initial publication, vastly exceeds what is then considered to be big sales".

One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564–1593) recognized in the story of Faust's temptation and fall the elements of tragedy.

The text of the edition is based primarily on the 1604 text with some readings from the 1616 version. Edited by Paul H. Kocher, this edition of The Tragical History of Dr. Faustus for performance and study features an introduction with a detailed discussion of the date, authorship, and textual questions regarding the play as well as its sources and interpretation. Also included are a list of principal dates in the life of Christopher Marlowe and a selected bibliography.

The Tragical History of Doctor Faustus' is an Elizabethan tragedy by Christopher Marlowe; based on German stories about the title character Faust. It was first performed sometime between 1588 and Marlowe's death in 1593. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance; "to the great amazement of both the actors and spectators"; a sight that was said to have driven some spectators mad.

based on the German story Faust, in which a man sells his soul to the devil for power, experience, pleasure and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe's death and at least twelve years after the first performance of the play. It is the most controversial Elizabethan play outside of Shakespeare, with few critics coming to any agreement as to the date or the nature of the text.

The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is a play by Christopher Marlowe, based on the German story Faust, in which a man sells his soul to the devil for power, experience, pleasure and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe's death and at least 10 years after the first performance of the play. It is the most controversial Elizabethan play outside of Shakespeare, with few critics coming to any agreement as to the date or the nature of the text

The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust. It was written sometime between 1589 and 1592, and might have been performed between 1592 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them-that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

"The Tragical History of Doctor Faustus" book has a beautiful glossy cover and a blank page for the dedication. The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them - that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.