Books with title The Private Papers of Henry Ryecroft

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The Private Papers of Henry Ryecroft is a semi-fictional autobiographical work by George Gissing in which the author casts himself as the editor of the diary of a deceased acquaintance, selecting essays for posthumous publication. Observing "how suitable many of the reflections were to the month with which they were dated", he explains that he "hit upon the thought of dividing the little book into four chapters, named after the seasons".

The Private Papers of Henry Ryecroft is a semi-fictional autobiographical work by George Gissing in which the author casts himself as the editor of the diary of a deceased acquaintance, selecting essays for posthumous publication. Observing "how suitable many of the reflections were to the month with which they were dated", he explains that he "hit upon the thought of dividing the little book into four chapters, named after the seasons".

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The Private Papers of Henry Ryecroft is a semi-fictional autobiographical work by George Gissing in which the author casts himself as the editor of the diary of a deceased acquaintance, selecting essays for posthumous publication. Observing "how suitable many of the reflections were to the month with which they were dated", he explains that he "hit upon the thought of dividing the little book into four chapters, named after the seasons".

George Gissing was an English novelist, who wrote twenty-three novels between 1880 and 1903. Although his early works are naturalistic, he developed into one of the the most accomplished realists of the late-Victorian era. Born in Wakefield, Yorkshire, to lower-middle class parents, Gissing went on to win a scholarship to Owens College, the present day University of Manchester. A brilliant student, he excelled at university, winning many coveted prizes, including the Shakespeare prize in 1875. Between 1891 and 1897 (his so-called middle period) he produced his best works, which include New Grub Street, Born in Exile, The Odd Women, In the Year of Jubilee, and The Whirlpool. The middle years of the decade saw his reputation reach new heights: by some critics he is counted alongside George Meredith and Thomas Hardy as one of the best three novelists of his day. He also enjoyed new friendships with fellow writers such as Henry James, and H.G. Wells, and came into contact with many other up and coming writers such as Joseph Conrad and Stephen Crane.

Excerpt from The Private Papers of Henry RyecroftAnd as through all the seeming inequities of for tunes he preserved the sense Of personal accounta bility, so he never permitted the stress of poverty or the exigence of hackwork to rob him of his great literary heritage. His coat he might pawn for a dinner, but his few chosen classics - Shakespeare, Milton, Gibbon, Homer, Virgil, Cicero - went with him from cellar to garret, his inalienable friends. His love Of books - real books - was like that Of the Old Renaissance scholars, for whom, indeed, he had a profound reverence, and whose laborious pursuit Of erudition he would have chosen for himself as a happy career: The zeal of learning is never out of date; the example - were there no more - burns be fore one as a sacred fire, forever unquenchable. A scholar in that sense he could not be, but Ryecroft's tale Of the dinner sacrificed for a copy Of Heyne's Tibullus in an Old shop is as full Of the true ro mance of bookishness as any Of the letters in which Charles Lamb gloats over his more easily acquired folios.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.