Books with title The Man Who Knew Too Much

The fourth entry in the irresistible New York Times bestselling mystery series featuring canine narrator Chet and his human companion Bernie—“the coolest human/pooch duo this side of Wallace and Gromit” (Kirkus Reviews).Combining suspense and intrigue with a wonderfully humorous take on the link between man and beast, Spencer Quinn’s exceptional mystery series has captured widespread praise since its New York Times bestselling debut, Dog on It. The Dog Who Knew Too Much marks the duo’s triumphant return in a tale that’s full of surprises.Bernie is invited to give the keynote speech at the Great Western Private Eye Convention, but it’s Chet that the bigshot P.I. in charge has secret plans for. Meanwhile Chet and Bernie are hired to find a kid who has gone missing from a wilderness camp in the high country. The boy’s mother thinks the boy’s father—her ex—has snatched the boy, but Chet makes a find that sends the case in a new and dangerous direction. As if that weren’t enough, matters get complicated at home when a stray puppy that looks suspiciously like Chet shows up. Affairs of the heart collide with a job that’s never been tougher, requiring our two intrepid sleuths to depend on each other as never before. The Dog Who Knew Too Much is classic Spencer Quinn, offering page-turning entertainment that’s not just for dog-lovers.

The Man Who Knew Too Much is a collection of short stories by British writer Gilbert K. Chesterton, featuring his detective Horne Fisher. From the upper-classes himself, Fisher has a unique insight into political power--a position which complicates his investigations when they approach the higher levels of corrupt government. Chesterton's witty, paradoxical work, published in 1922, gives an interesting view of the pre-Great War era.

Mattie Larimore used to be the good son-compared to his brother, Carter, at least. But that was before Mattie stole a train, got caught, and was sent to Munchem Academy, the world's greatest reform school. Or is it? Because the kids at Munchem don't seem very, well . . . reformed. Mostly, they seem terrifying, and the whole place is just a little off. Mattie has to get out. Fast.But it may not be fast enough. Headmaster Rooney is tired of dealing with problem students. His solution, however, may prove to be too radical. When Carter is suddenly next in line for Rooney's master plan, Mattie and the renegade siblings, Eliot and Caroline, must band together to save him and the rest of Munchem's students before all is lost. Suddenly, Mattie-the good son-must find his inner hero and fight back. And that's how the world's greatest thief got his start.

“Modern intelligence won’t accept anything on authority. But it will accept anything without authority. That’s exactly what has happened here.” — Horne Fisher in The Man Who Knew Too Much From the creator of the Father Brown mysteries come nine short stories, eight of which trace the activities of Horne Fisher, “the man who knew too much,” and his trusted friend Harold March, a political journalist. Horne is a socialite who uses his keen mind and powerful gifts of deduction to investigate crimes committed on the sprawling country estates of the aristocracy. The other story, “The Trees of Pride,” revolves around the fictional character Squire Vane. Much loved for their wit and sense of wonder, these stories offer a fascinating portrait of upper-crust society in pre-World War I England. Highly regarded as a biting social commentator, Chesterton fully displays his humorous and insightful comparisons through his colorful and poetic prose.

This contains the first 8 of the 12 stories in the published book The Man Who Knew Too Much and Other Stories. In these 8 detective thrillers, the main protagonist is Horne Fisher. (The omitted four are individual stories with separate heroes/detectives.)Due to close relationships with the leading political figures in the land, Fisher knows too much about the private politics behind the public politics of the day. This knowledge is a burden to him because he is able to uncover the injustices and corruptions of the murders in each story, but in most cases the real killer gets away with the killing because to bring him openly to justice would create a greater chaos: starting a war, reinciting Irish rebellions, or removing public faith in the government.A film of the same title was made in 1934 and remade in 1956, both directed by Alfred Hitchcock, but the films had nothing at all in common (except the title) with these short stories. Hitchcock decided to use the title simply because he had the rights for some of the stories.

Gilbert Keith Chesterton, KC (29 May 1874 – 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.

This contains the first 8 of the 12 stories in the published book The Man Who Knew Too Much and Other Stories. In these 8 detective thrillers, the main protagonist is Horne Fisher. (The omitted four are individual stories with separate heroes/detectives.) Due to close relationships with the leading political figures in the land, Fisher knows too much about the private politics behind the public politics of the day. This knowledge is a burden to him because he is able to uncover the injustices and corruptions of the murders in each story, but in most cases the real killer gets away with the killing because to bring him openly to justice would create a greater chaos: starting a war, reinciting Irish rebellions, or removing public faith in the government. A film of the same title was made in 1934 and remade in 1956, both directed by Alfred Hitchcock, but the films had nothing at all in common (except the title) with these short stories. Hitchcock decided to use the title simply because he had the rights for some of the stories.

Mattie Larimore used to be the good son-compared to his brother, Carter, at least. But that was before Mattie stole a train, got caught, and was sent to Munchem Academy, the world's greatest reform school. Or is it? Because the kids at Munchem don't seem very, well . . . reformed. Mostly, they seem terrifying, and the whole place is just a little off. Mattie has to get out. Fast.But it may not be fast enough. Headmaster Rooney is tired of dealing with problem students. His solution, however, may prove to be too radical. When Carter is suddenly next in line for Rooney's master plan, Mattie and the renegade siblings, Eliot and Caroline, must band together to save him and the rest of Munchem's students before all is lost. Suddenly, Mattie-the good son-must find his inner hero and fight back. And that's how the world's greatest thief got his start.

The adventure of Brian Parker's dreams has just become a nightmare. While on a school trip to Europe, Brian hopes for just a taste of the glamour and excitement from his favorite spy novels. Yet he gets way more than he bargained for when he stumbles across a wounded spy in a Lucerne alley. The man's dying words catapult Brian into a desperate chase across the continent. America's latest super weapon is at stake, and everyone from a rogue CIA officer to a sadistic criminal mastermind is after it—and Brian. New enemies emerge at every turn, but he soon finds a welcome ally in Larissa, a beautiful French girl who loves the Ramones and is handy with a blast of pepper spray. Brian faces a deadly path, but reading all those spy novels has taught him a few tricks of the trade. They just might save his life.