Books with title The Canterbury Tales

One spring day, the Narrator of The Canterbury Tales rents a room at the Tabard Inn before he recommences his journey to Canterbury. That evening, a group of people arrive at the inn, all of whom are also going to Canterbury to receive the blessings of "the holy blissful martyr," St. Thomas à Becket. Calling themselves "pilgrims" because of their destination, they accept the Narrator into their company. The Narrator describes his newfound traveling companions.The Host at the inn, Harry Bailey, suggests that, to make the trip to Canterbury pass more pleasantly, each member of the party tell two tales on the journey to Canterbury and two more tales on the journey back. The person who tells the best story will be rewarded with a sumptuous dinner paid for by the other members of the party. The Host decides to accompany the pilgrims to Canterbury and serve as the judge of the tales. (non illustrated)

The Canterbury Tales was Chaucer's magnum opus. He uses the tales and the descriptions of the characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Structurally, the collection resembles The Decameron, which Chaucer may have come across during his first diplomatic mission to Italy in 1372. The tales are told as part of a story-telling contest by a group of pilgrims as they travel together.

Begun as an ambitious project by the versatile English courtier, diplomat, philosopher, and author Geoffrey Chaucer in the 14th century, "The Canterbury Tales" follows a group of people on their pilgrimage to the Cathedral of Saint Thomas á Becket. The Prologue introduces all of the pilgrims in great detail, and through these descriptions Chaucer provides the entire spectrum of social classes and professions of his time. When the group stops at an inn and the innkeeper introduces a competition for a free dinner, the pilgrims begin telling each other stories that reflect their stations, genders, purity, corruption, humor, tragedy, cynicism, and innocence. From the noble Knight and his Squire to the spunky Wife of Bath, from the antagonistic Miller and Reeve to the Prioress, Nun, and Pardoner, Chaucer reveals for modern readers a wonderfully vivid picture of medieval life in an impressive array of literary styles that uphold his reputation as the Father of English Literature.

It would be impossible to overstate the influence of Geoffrey Chaucer’s The Canterbury Tales. A work with one metaphorical foot planted in the Florentine Renaissance literary tradition of Boccaccio’s Decameron and the other in works ranging from John Bunyan, Voltaire, and Mark Twain to the popular entertainments of our own time, The Canterbury Tales stands astride the cultures of Great Britain and America, and much of Europe, like a benign colossus. Beyond its importance as a cultural touchstone and literary work of unvarnished genius, Chaucer’s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny–an undisputed classic that has held a special appeal for generations of readers. Chaucer has gathered twenty-nine of literature’s most indelible archetypes–from the exalted Knight to the bawdy Wife to the besotted Miller to the humble Plowman–in a vivid group portrait that captures the full spectrum of late-medieval English society and both informs and expands our discourse on the human condition.Presented in these pages in a new unabridged translation by the esteemed poet, translator, and scholar Burton Raffel–whose translation of Beowulf has sold more than a million copies–this Modern Library edition also features an Introduction by the well-known and widely influential medievalist and author John Miles Foley that discusses Chaucer’s work as well as to his life and times.Despite the brilliance of Geoffrey Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Burton Raffel’s magnificent new translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader.

The General Prologue The Knight's Tale The Miller's tale The Reeve's Tale The Cook's Tale The Man of Law's Tale The Wife of Bath's Tale The Friar's Tale The Sompnour's Tale The Clerk's Tale The Merchant's Tale The Squire's Tale The Franklin's Tale The Doctor's Tale The Pardoner's Tale The Shipman's Tale The Prioress's Tale Chaucer's Tale of Sir Thopas Chaucer's Tale of Meliboeus The Monk's Tale The Nun's Priest's Tale The Second Nun's Tale The Canon's Yeoman's Tale The Manciple's Tale The Parson's Tale Preces de Chauceres ...

Based on the definitive Riverside Chaucer, this edition of The Canterbury Tales contains the complete text of all 24 Tales, thoroughly updated scholarship from the past 20 years, and extensive editorial support. This volume is ideal for instructors who want to assign only the Tales and have no need for the complete Chaucer. An overview briefly outlines the basic plot and main idea of each Tale, while a section on language and versification helps students with pronunciation. Explanatory notes provide information on sources, problematic passages, and critical interpretations. Additional pedagogy includes a glossary, a section on Chaucer's life, an index, a general bibliography, and a list of abbreviations.

'Whoever best acquits himself, and tellsThe most amusing and instructive tale,Shall have a dinner, paid for by us all...'In Chaucer's most ambitious poem, The Canterbury Tales (c. 1387), a group of pilgrims assembles in an inn just outside London and agree to entertain each other on the way to Canterbury by telling stories. The pilgrims come from all ranks of society, from the crusading Knight and burly Miller to the worldly Monk and lusty Wife of Bath. Their tales are as various as the tellers, including romance, bawdy comedy, beast fable, learned debate, parable, and Eastern adventure. Theresulting collection gives us a set of characters so vivid that they have often been taken as portraits from real life, and a series of stories as hilarious in their comedy as they are affecting in their tragedy. Even after 600 years, their account of the human condition seems both fresh and true.This new edition of David Wright's acclaimed translation includes a new critical introduction and invaluable notes by a leading Chaucer scholar.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Author Peter Ackroyd has won the Somerset Maugham Award, the Whitbread Novel of the Year, and the Guardian Fiction Prize, and was shortlisted for the Booker Prize. Based on Geoffrey Chaucer's immortal work, this retelling of The Canterbury Tales follows a party of travelers as they tell stories amongst themselves about love and chivalry, saints and legends, travel and adventure. Through allegory, satire, and humor, the tales help pass the time during their journey.

One spring day, the Narrator of The Canterbury Tales rents a room at the Tabard Inn before he recommences his journey to Canterbury. That evening, a group of people arrive at the inn, all of whom are also going to Canterbury to receive the blessings of "the holy blissful martyr," St. Thomas à Becket. Calling themselves "pilgrims" because of their destination, they accept the Narrator into their company. The Narrator describes his newfound traveling companions.The Host at the inn, Harry Bailey, suggests that, to make the trip to Canterbury pass more pleasantly, each member of the party tell two tales on the journey to Canterbury and two more tales on the journey back. The person who tells the best story will be rewarded with a sumptuous dinner paid for by the other members of the party. The Host decides to accompany the pilgrims to Canterbury and serve as the judge of the tales. (non illustrated)

The Canterbury Tales is a collection of stories written in Middle English by Geoffrey Chaucer at the end of the 14th century. The tales (mostly in verse, although some are in prose) are told as part of a story-telling contest by a group of pilgrims as they travel together on a journey from Southwark to the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.Following a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, the Canterbury Tales was Chaucer's magnum opus. He uses the tales and the descriptions of the characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Structurally, the collection resembles The Decameron, which Chaucer may have come across during his first diplomatic mission to Italy in 1372.

They set off on an April morning with the rain dripping from the branches. Even with the rain, they were glad to be on their way--priests, nuns, tradesmen, men from the city, all pilgrims on the road to Canterbury. To pass the long journey they told each other stories: of magic and trickery, of animals with blazing eyes, of people with their pants on fire, of two thousand men battling before smoking walls, stories of love and death and the devil. There were written down by Geoffrey Chaucer, and he called them The Canterbury Tales. Geraldine McCaughrean retells The Canterbury Tales for children in a lively and humorous style which captures the original flair of Chaucer himself. She introduces us to the characters who told these tales: the shy, battle-hardened Knight, the Summoner whose breath smells of onions, the angry Miller with his read beard, and the Widow of Bath who likes a happy ending. The stories and the characters are vividly brought to life by Victor Ambrus, with pictures of wild chases, exciting battles, and the April countryside through which the pilgrims travel.