Books with title The Book Of Tea

The Book of Tea by Okakura Kakuzō (1906) is a long essay linking the role of tea (teaism) to the aesthetic and cultural aspects of Japanese life. Addressed to a western audience, it was originally written in English and is one of the great English tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzō argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyū and his contribution to the Japanese tea ceremony. According to Tomonobu Imamichi, Heidegger's concept of Dasein in Sein und Zeit was inspired – although Heidegger remained silent on this – by Okakura Kakuzō's concept of das-in-der-Welt-sein (being-in-the-worldness) expressed in The Book of Tea to describe Zhuangzi's philosophy, which Imamichi's teacher had offered to Heidegger in 1919, after having followed lessons with him the year before.

This exploration of the Japanese tea ceremony is “a fascinating exposition of Japanese culture and the country’s relationship to the west” (The Guardian). Written in 1906 by “a pivotal figure in trying to make sense out of the clash between Western innovation in Japan and Oriental tradition . . . [The Book of Tea] “presents a unified concept of life, art and nature [and explores] topics related to tea appreciation, including Zen, flower arranging and Taoism” (The Japan Times). The Book of Tea captivated poets including T. S. Eliot and Ezra Pound, and illustrates how the philosophy of Teaism raises tea above the status of mere beverage to cultural touchstone, melding ethics and religion, simplicity and egalitarianism, nature and humanity. It is a way of life and a path toward enlightenment that has stood the test of time over centuries.

The Book of Tea by Okakura Kakuzō was written in 1906. Essentially it is a long essay linking the role of tea (teaism) to the aesthetic and cultural aspects of Japanese life. Okakura had been taught English from a very young age so was very adept at writing in English to a Western audience. In The book of Tea, one of the great English tea classics, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzō argues that this tea-induced simplicity affected art and architecture. It’s a fascinating cultural gem.

The Book of Tea (1906) is a long essay linking the role of chado (teaism) to the aesthetic and cultural aspects of Japanese life. Addressed to a western audience, it was originally written in English and is one of the great English tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. In the book, Kakuzo states that Teaism, in itself, is one of the profound universal remedies that two parties could sit down to. Kakuzo went on to mention that tea has been the subject of many historical events, such as peace treaties and the like. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyu and his contribution to the Japanese tea ceremony. According to Tomonobu Imamichi, Heidegger's concept of Dasein in Sein und Zeit was inspired – although Heidegger remained silent on this – by Okakura Kakuzo’s concept of das-in-der-Welt-sein (being-in-the-worldness) expressed in The Book of Tea to describe Zhuangzi's philosophy, which Imamichi’s professor Ito Kichinosuke had offered to Heidegger in 1919, after having followed private lessons with him the year before: ‘Ito Kichinosuke, one of my teachers at university, studied in Germany in 1918 immediately after the First World War and hired Heidegger as a private tutor. Before moving back to Japan at the end of his studies, Professor Ito handed Heidegger a copy of Das Buch vom Tee, the German translation of Okakura Kakuzo’s The Book of Tea, as a token of his appreciation. That was in 1919. Sein und Zeit (Being and Time) was published in 1927, and made Heidegger famous. Mr. Ito was surprised and indignant that Heidegger used Zhuangzi’s concept without giving him credit. Years later in 1945, Professor Ito reminisced with me and, speaking in his Shonai dialect, said, ‘Heidegger did a lot for me, but I should’ve laid into him for stealing’. There are other indications that Heidegger was inspired by Eastern writings, but let’s leave this topic here. I have heard many stories of this kind from Professor Ito and checked their veracity. I recounted this story at a recep- tion held after a series of lectures I gave in 1968 at the University of Heidelberg at the invitation of Hans-Georg Gadamer. Japanese exchange students attended these lectures, and I explained that there were many other elements of classical Eastern thought in Heidegger’s philosophy and gave some examples. I must have said too much and may even have said that Heidegger was a plagiarist (Plagiator). Gadamer was Heidegger’s favorite student, and we ended up not speaking to each other for 4 or 5 years because he was so angry with me’.

This modern classic invites the reader to discover a unique tradition that has come to symbolize the wisdom, beauty, and the elegant simplicity of Asian culture. The author celebrates the Way of Tea from its ancient origins in Chinese Taoism to its culmination in the Zen discipline known as the Japanese tea ceremony—an enchanting practice bringing together such arts as architecture, pottery, and flower arranging to create an experience that delights the senses, calms the mind, and refreshes the spirit. Tea was first used as a medicine and an alchemical elixir by the ancient Chinese Taoists, who praised its spiritual powers. Buddhist monks made drinking tea part of a tradition honoring the founder of Zen; this ritual was later refined in the performance of the Japanese tea ceremony as a meditative practice. The Book of Tea describes the rich aesthetic of Asian culture through the history, philosophy, and practice of brewing and drinking tea. This edition contains an introduction by Sam Hamill that provides historical insight into the significance of the tea ceremony within Zen Buddhism.

The Book of Tea by Okakura Kakuzo (1906) is a long essay linking the role of tea (teaism) to the aesthetic and cultural aspects of Japanese life. Addressed to a western audience, it was originally written in English and is one of the great English tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyū and his contribution to the Japanese tea ceremony.

"The Book of Tea by Okakura Kakuzo shows how Tea has affected nearly every aspect of Japanese culture, thought, and life. The book is accessible to Western audiences because, though Kakuzo was born and raised Japanese, he was trained from a young age to speak English. In this book he explains tea in the context of Zen and Taoism as well as the secular aspects of Tea and Japanese life. This book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that this tea-induced simplicity affected Japanese art and architecture. A clear guide to living a simple and fulfilling life."

"The Book of Tea" by Kakuzo Okakura. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Book of Tea was written by Okakura Kakuzo in the early 20th century. It was first published in 1906, and has since been republished many times. – In the book, Kakuzo introduces the term Teaism and how Tea has affected nearly every aspect of Japanese culture, thought, and life. The book is noted to be accessibile to Western audiences because though Kakuzo was born and raised Japanese, he was trained from a young age to speak English; and would speak it all his life, becoming proficient at communicating his thoughts in the Western Mind. In his book he elucidates such topics as Zen and Taoism, but also the secular aspects of Tea and Japanese life. The book emphasises how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyu and his contribution to the Japanese Tea Ceremony.

The Book of Tea: Illustrated, by Okakura Kakuzo (1919). A Japanese Harmony of Art Culture & The Simple Life. - Containing many illustrations in black and white. This little book is illuminating in its revelation of the old world of Japanese thought and culture, with its reaction on Japanese daily life. The author, the late Okakura Kakuzo, was one of the leaders in the movement which a generation ago set itself to stem the western invasion, spreading like a malaria over every field of intellectual activity and threatening to submerge entirely the ancient beautiful Japanese civilisation. The illustrations are chosen from our own National collections, and in the appendix will be found further details as to the Tea Ceremony and its various accessories.The Book of Tea has served for more than a century as one of the most perceptive introductions to Asian life and thought in English. Publication of the book was a pioneering effort in the cultural bridge-building between East and West. Kakuzo Okakura perceived chanoyu-literally, "the way of tea"-as a form of spiritual culture, a discipline that transforms itself into the Art of Life. In writing of chanoyu, his concern was the broad current of Asian culture flowing eastward from India, and its potential contribution to the culture of all humankind. Buddhism, Taoism, Zen, and Chinese and Japanese aesthetics are discussed, giving voice to traditional Asian values and ideals that had been little recognized in the West. Thus, he sought to convey the spirit of chanoyu as a crystallization of the cultural life of the East.Tea began as a medicine and grew into a beverage. In China, in the eighth century, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of aestheticism --Teaism.

"Tea is a work of art, and needs a master hand to bring out it's noblest qualities. There is no single recipe for making the perfect tea, just as there are no rules for producing a Titian or a Sesson. Each preparation of the leaves has its individuality, its special affinity with water and heat, its own method of telling a story. The truly beautiful must always be in it." Written in English by a Japanese scholar, Kakuzo Okakura, "The Book of Tea" combines an explanation of origins and practice of tea drinking, the Japanese Tea Ceremony, as well as Taoist and Zen Buddhist philosophies, flower arrangement, and art appreciation. Contained on two audio CDs, disc one also contains a computer readable/printable pdf file of complete text.