Books with title Stolen Treasure

One of the best swashbuckling adventures ever written: As for Captain Morgan, he went about his work with the utmost coolness and deliberation imaginable, unbuttoning the waistcoat and the shirt of the man he had murdered with fingers that neither twitched nor shook. There were a gold cross and a bunch of silver medals hung by a whip-cord about the neck of the dead man. This Captain Morgan broke away with a snap, reaching the jingling baubles to Harry, who took them in his nerveless hand and fingers that he could hardly close upon what they held.

Howard Pyle had many admirers among his contemporaries, including Vincent Van Gogh, who once said that Pyle’s work “struck me dumb with admiration.” Considering the famous painter was talking about artwork, the extent of Pyle’s ability and quality was clear. In addition to teaching illustration courses at Drexel Institute of Art, Science, and Industry, Pyle put his talents to use, primarily illustrating children’s books. He is best remembered today for his work on The Merry Adventures of Robin Hood, which remains in print, and he also did a four-volume set of King Arthur tales. Though he also wrote his own novels, he continued to be in popular demand for illustrations, and he was employed by periodicals like Harper’s Weekly.

Howard Pyle (1853-1911) was an American illustrator and writer, primarily of books for young audiences. In 1894 he began teaching illustration at the Drexel Institute of Art, Science and Industry, and after 1900 he founded his own school of art and illustration (later called the Brandywine School). His 1883 classic The Merry Adventures of Robin Hood remains in print to this day, and his other books, frequently with medieval European settings, include a four-volume set on King Arthur that cemented his reputation. He wrote an original work, Otto of the Silver Hand, in 1888. He also illustrated historical and adventure stories for periodicals such as Harper's Weekly and St. Nicholas Magazine. Pyle wrote and illustrated a number of books himself. He compiled a number of pirate legends into his volume, Howard Pyle's Book of Pirates (1921). His other works include: Pepper and Salt; or, Seasoning for Young Folk (1886), Men of Iron (1892), Twilight Land (1895), The Story of the Champions of the Round Table (1905), Stolen Treasure (1907) and The Ruby of Kishmoor (1908).

Although this narration has more particularly to do with the taking of the Spanish Vice-Admiral in the harbor of Puerto Bello, and of the rescue therefrom of Le Sieur Simon, his wife and daughter (the adventure of which was successfully achieved by Captain Morgan, the famous buccaneer), we shall, nevertheless, premise something of the earlier history of Master Harry Mostyn, whom you may, if you please, consider as the hero of the several circumstances recounted in these pages.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from Stolen TreasureAt this time there was a deal of talk in those parts of the Americas concerning Captain Mor gan, and the prodigious successes he was having pirating against the Spaniards.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

One of the best swashbuckling adventures ever written: As for Captain Morgan, he went about his work with the utmost coolness and deliberation imaginable, unbuttoning the waistcoat and the shirt of the man he had murdered with fingers that neither twitched nor shook. There were a gold cross and a bunch of silver medals hung by a whip-cord about the neck of the dead man. This Captain Morgan broke away with a snap, reaching the jingling baubles to Harry, who took them in his nerveless hand and fingers that he could hardly close upon what they held.

One of the best swashbuckling adventures ever written: As for Captain Morgan, he went about his work with the utmost coolness and deliberation imaginable, unbuttoning the waistcoat and the shirt of the man he had murdered with fingers that neither twitched nor shook. There were a gold cross and a bunch of silver medals hung by a whip-cord about the neck of the dead man. This Captain Morgan broke away with a snap, reaching the jingling baubles to Harry, who took them in his nerveless hand and fingers that he could hardly close upon what they held. Howard Pyle was an American illustrator and writer, primarily of books for young audiences. In 1894 he began teaching illustration at the Drexel Institute of Art, Science and Industry, and after 1900 founded his own school of art and illustration called the Howard Pyle School of Illustration Art. He wrote an original work, Otto of the Silver Hand, in 1888 and also illustrated historical and adventure stories for periodicals such as Harper's Weekly and St. Nicholas Magazine. Pyle travelled to Florence, Italy to study mural painting in 1910, and died there in 1911 of sudden kidney infection.