Books with title Sea and Sardinia

This is a reproduction of a book published before 1923. This book may have occasional imperfections <br /> such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, <br /> or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, <br /> have elected to bring it back into print as part of our continuing commitment to the preservation of printed works <br /> worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. <br /> <br/><br/> <br /> ++++<br/> <br /> The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: <br /> <br/>++++ <br /> <br/><br/>&lt;title&gt; Sea And Sardinia<br/><br/>&lt;author&gt; David Herbert Lawrence<br/><br/>&lt;publisher&gt; T. Seltzer, 1921<br/><br/>&lt;subjects&gt; Sardinia (Italy)

SEA AND SARDINIA by D.H. LAWRENCE A new edition of the travel book that D.H. Lawrence wrote about his journeys in Italy in the 1910s. Sea and Sardinia (1916) is one of Lawrence's lyrical travel works, also seen in Twilight In Italy. From chapter one: Here in Sicily it is so pleasant: the sunny Ionian sea, the changing jewel of Calabria, like a fire-opal moved in the light; Italy and the panorama of Christmas clouds, night with the dog-star laying a long, luminous gleam across the sea, as if baying at us, Orion marching above... Illustrated. 240 pages. www.crmoon.com

Written after the First World War when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia and back in January 1921. It reveals his response to a new landscape and people and his ability to transmute the spirit of place into literary art. Like his other travel writings the book is also a shrewd inquiry into the political and social values of an era which saw the rise of communism and fascism. On one level an indictment of contemporary materialism, Sea and Sardinia is nevertheless an optimistic book, celebrating the creativity of the human spirit and seeking in the fundamental laws which governed human nature in the past fresh inspiration for the present. This 1997 edition restores censored passages and corrects corrupt textual readings to reveal for the first time the book Lawrence himself called 'a marvel of veracity'.

David Herbert LAWRENCE (1885-1930), was born at Eastwood, Nottinghamshire, one of five children of a miner and an ex-schoolteacher. He was often ill as a child and grew up in considerable poverty. He attended Nottingham High School for three years, but at 15 was forced to give up his education and take a job for a short time as a clerk in a surgical goods factory and then became a pupil teacher. In 1906, having worked to save the necessary, he took up a scholarship at Nottingham University College to study for a teacher´s certificate. He was already writing poetry and short stories and he now began his first novel “The White Peacock” (1911), which was followed by “The Trespasser” (1912). He taught for two years at an elementary school in Croydon but after the death of his mother he became seriously ill and was advised to give up teaching. His first major novel, “Sons and Lovers” (1913) is a faithful autobiographical account of these early years. His next novel, “The Rainbow” (1915), was seized by the police and declared obscene. At the Villa Mirenda, near Florence, he finished “Lady Chatterley´s Lover” (1928), his last novel and the one that was to cause more furore than any other. He died in Vence on 2 March 1930.

Comes over one an absolute necessity to move. And what is more, to move in some particular direction. A double necessity then: to get on the move, and to know whither. Why can't one sit still? Here in Sicily it is so pleasant: the sunny Ionian sea, the changing jewel of Calabria, like a fire-opal moved in the light; Italy and the panorama of Christmas clouds, night with the dog-star laying a long, luminous gleam across the sea, as if baying at us, Orion marching above; how the dog-star Sirius looks at one, looks at one! he is the hound of heaven, green, glamorous and fierce!—and then oh regal evening star, hung westward flaring over the jagged dark precipices of tall Sicily: then Etna, that wicked witch, resting her thick white snow under heaven, and slowly, slowly rolling her orange-coloured smoke.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Written after the First World War when he was living in Sicily, Sea and Sardinia records Lawrence’s journey to Sardinia and back in January 1921. It reveals his delighted response to a new landscape and people, and his ability to transmute the spirit of place into literary art. Like his other travel writings, the book is also a shrewd enquiry into the political and social values of an era which saw the rise of communism and fascism. On one level an indictment of contemporary materialism, Sea and Sardinia is nevertheless an optimistic book, celebrating the creativity of the human spirit and seeking in the fundamental laws of human nature fresh inspiration for the present.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Written after the First World War when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia and back in January 1921. It reveals his response to a new landscape and people and his ability to transmute the spirit of place into literary art. Like his other travel writings the book is also a shrewd inquiry into the political and social values of an era which saw the rise of communism and fascism.

Excerpt from Sea and SardiniaWhere does one go? There is Girgenti by the south. There is Tunis at hand. Girgenti, and the sulphur spirit and the Greek guarding temples, to make one madder? Never. Neither Syracuse and the madness of its great quarries. Tunis? Africa? Not yet, Not yet. Not the Arabs, not yet. Naples, Rome, Florence? N 0 good at all. Where then?About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.