Books with title Owls After Dark

After Dark by Wilkie Collins. After Dark is a collection of six short stories by Wilkie Collins, first published in 1856. It was the author's first collection of short stories. Five of the stories were previously published in Household Words, a magazine edited by Charles Dickens. William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). The last is considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction.

After Dark LEAVES FROM LEAH’S DIARY. 26th February, 1827.—The doctor has just called for the third time to examine my husband’s eyes. Thank God, there is no fear at present of my poor William losing his sight, provided he can be prevailed on to attend rigidly to the medical instructions for preserving it. These instructions, which forbid him to exercise his profession for the next six months at least, are, in our case, very hard to follow. They will but too probably sentence us to poverty, perhaps to actual want; but they must be borne resignedly, and even thankfully, seeing that my husband’s forced cessation from work will save him from the dreadful affliction of loss of sight. I think I can answer for my own cheerfulness and endurance, now that we know the worst. Can I answer for our children also? Surely I can, when there are only two of them. It is a sad confession to make, but now, for the first time since my marriage, I feel thankful that we have no more. 17th.—A dread came over me last night, after I had comforted William as well as I could about the future, and had heard him fall off to sleep, that the doctor had not told us the worst. Medical men do sometimes deceive their patients, from what has always seemed to me to be misdirected kindness of heart. The mere suspicion that I had been trifled with on the subject of my husband’s illness, caused me such uneasiness, that I made an excuse to get out, and went in secret to the doctor. Fortunately, I found him at home, and in three words I confessed to him the object of my visit. He smiled, and said I might make myself easy; he had told us the worst. “And that worst,” I said, to make certain, “is, that for the next six months my husband must allow his eyes to have the most perfect repose?” “Exactly,” the doctor answered. “Mind, I don’t say t

What eighteen year old Mac Thorne doesn't know will probably kill her. In exactly eight months, five days, three hours and thirteen minutes, Mac has to choose what she'll be for the rest of her life. She has no choice but to pick. As a Changeling, it's her birthright. To Mac, it's a birthchore. Like going to school with humans, interacting with humans, and pretending to be human during the pesky daylight hours. Once darkness descends, Mac can change into any supernatural form that exists-which makes her as happy as she can be. That is, until Winn Thomas, the biggest geek in her senior class, figures out there's more to what hides in the dark than most are willing to acknowledge. In this first of the 19th Year Trilogy, Winn might know more about Mac than even she does, and that knowledge could end their lives, unless Mac ensures the powers-that-be have no choice but to keep him around.

After Dark, by Wilkie Collins, presents a series of detective stories supposed to be told to a portrait-painter by his sitters; the framework tells us how he came to think of publishing the stories thus collected; the introductions describe the circumstances under which the tales were told. These portions have a delicate every-day interest. The tales are stories of adventure, well varied, and often striking in the incidents, or with thrilling situations; and are as pleasant reading as a novel reader could desire.

A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore.At its center are two sisters: Yuri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber–mysteriously tied to the businessman plagued by the mark of his crime – will either restore or annihilate her.After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency – the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight, and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.“Eyes mark the shape of the city. Through the eyes of a high-flying night bird, we take in the scene from midair. In our broad sweep, the city looks like a single gigantic creature–or more, like a single collective entity created by many intertwining organisms. Countless arteries stretch to the ends of its elusive body, circulating a continuous supply of fresh blood cells, sending out new data and collecting the old, sending out new consumables and collecting the old, sending out new contradictions and collecting the old. To the rhythm of its pulsing, all parts of the body flicker and flare up and squirm. Midnight is approaching, and while the peak of activity has indeed passed, the basal metabolism that maintains life continues undiminished, producing the basso continuo of the city’s moan, a monotonous sound that neither rises nor falls but is pregnant with foreboding.”—from After Dark

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