Books with title Master Humphrey's Clock, Volume 2

Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens’ upbringing was a mixture of happy times and sad: when he recalled his father being sent to debtor’s prison in his memoirs, his tears actually left marks on the page. Nevertheless, Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. By the time he died at the relatively young age of 58 from a stroke, he was already Europe’s most famous writer. His obituary noted that Dickens was a “sympathizer with the poor, the suffering, and the oppressed.” Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons.This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author’s words.Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

Excerpt from Master Humphrey's Clock, Vol. 2AN author, says Fielding, in his introduction to Tom Jones,' ought to consider himself, not as a gentleman who gives a private or eleemosynary treat, but rather as one who keeps a public ordinary, at which all persons are welcome for their money. Men who pay for what they eat, will insist on gratifying their palates, however nice and whimsical these may prove and if everything is not agreeable to their taste, will challenge a right to censure to abuse.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens’ upbringing was a mixture of happy times and sad: when he recalled his father being sent to debtor’s prison in his memoirs, his tears actually left marks on the page. Nevertheless, Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. By the time he died at the relatively young age of 58 from a stroke, he was already Europe’s most famous writer. His obituary noted that Dickens was a “sympathizer with the poor, the suffering, and the oppressed.” Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. Many of Dickens’ novels were written with the concept of social reform in mind, and Dickens’ work was often praised for its realism, comic genius and unique personalities. At the same time, however, Dickens’ ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched.

Excerpt from Master Humphrey's Clock, Vol. 1When the author commenced this Work, he proposed to himself three objects.First. To establish a periodical, which should enable him to present, under one general head, and not as separate and distinct publications, certain fictions which he had it in contemplation to write.Secondly. To produce these Tales in weekly numbers hoping that to shorten the intervals of communication between himself and his readers, would be to knit more closely the pleasant relations they had held, for Forty Months.Thirdly. In the execution of this weekly task, to have as much regard as its exigencies would permit, to each story as a whole, and to the possibility of its publication at some distant day, apart from the machinery in which it had its origin.The characters of Master Humphrey and his three friends, and the little fancy of the clock, were the result of these considerations. When he sought to interest his readers in those who talked, and read, and listened, he revived Mr. Pickwick and his humble friends; not with any intention of reopening an exhausted and abandoned mine, but to connect them in the thoughts of those whose favourites they had been, with the tranquil enjoyments of Master Humphrey.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

When we consider Dickens's life and work, in comparison with that of the two great poets we have been studying, the contrast is startling. While Tennyson and Browning were being educated for the life of literature, and shielded most tenderly from the hardships of the world, Dickens, a poor, obscure, and suffering child, was helping to support a shiftless family by pasting labels on blacking bottles, sleeping under a counter like a homeless cat, and once a week timidly approaching the big prison where his father was confined for debt. In 1836 his Pickwick was published, and life was changed as if a magician had waved his wand over him. While the two great poets were slowly struggling for recognition, Dickens, with plenty of money and too much fame, was the acknowledged literary hero of England, the idol of immense audiences which gathered to applaud him wherever he appeared. And there is also this striking contrast between the novelist and the poets,--that while the whole tendency of the age was toward realism, away from the extremes of the romanticists and from the oddities and absurdities of the early novel writers, it was precisely by emphasizing oddities and absurdities, by making caricatures rather than characters, that Dickens first achieved his popularity.

Master Humphrey's Clock was a weekly periodical edited and written entirely by Charles. It began with a frame story in which Master Humphrey tells about himself and his small circle of friends, and their penchant for telling stories. Several short stories were included, followed by the novels The Old Curiosity Shop and Barnaby Rudge. Master Humphrey appears as the first-person narrator in the first three chapters of The Old Curiosity Shop but then disappears.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.