Books with title Cane

“Cane . . . exerted a powerful influence over the Harlem Renaissance”—The New York TimesCane is a collection of short stories, poems, and dramas, written by Harlem Renaissance author Jean Toomer in 1923. The stories focus around African-American culture in both the North and the South during times when racism and Jim Crow laws still abounded. Vignettes of the lives of various African-American characters tell what it was like to live both in the rural areas of Georgia and the urban streets of the northern cities. The book was heralded as an influential part of the Harlem Renaissance and, at the time, influenced artists of every background. Authors, dramatists, and even jazz musicians could find influence and inspiration in the pages of Cane’s work. Both Zora Neale Hurston and Langston Hughes themselves visited Sparta, Georgia, after reading Toomer’s work. Unfortunately, the white public did not react well to Cane, and the sales dropped. The book did not become revered as the classic work it is today until the Civil Rights Movement in the 1960s. Now you can read this new edition of what is considered one of the best works of the Harlem Renaissance.

Originally published in 1923, Cane is a literary masterpiece of the Harlem Renaissance. The growing interest in African-American literature that began in the 1960's led to the rediscovery of earlier African-American writers, one of whom is Jean Toomer, author of Cane. It is an innovative literary work―part drama, part poetry, part fiction. "Backgrounds" contains generous excerpts from Jean Toomer's correspondence with fellow writers Sherwood Anderson, Waldo Frank, and Allen Tate, and with his publisher, Horace Liveright. Darwin T. Turner's "Introduction" (to the 1975 Liveright edition of Cane), reprinted here, presents the historical and literary backgrounds of the work, as well as additional biographical information on Toomer. "Criticism", both contemporary and recent, on Cane and Toomer is wide-ranging and includes essays by W. E. B. Du Bois, Gorham B. Munson, Robert Bone, Patricia Watkins, Lucinda H. MacKethan, Nellie Y. McKay, and Darwin T. Turner.

First published in 1923, Jean Toomer's Cane is an innovative literary work powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American modernism and the Harlem Renaissance, and examine his shifting claims about his own race and his pioneering critique of race as a scientific or biological concept.