Books with title A Roman Singer

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The novel is set in Rome. Crawford was born in Italy and spent a fair amount of time there, including, most immediately before writing this novel, studying Sanskrit at the University of Rome from 1876-78. He wrote A Roman Singer in early 1883, and moved back to Italy that same year. The story revolves around the love of an Italian tenor for the daughter of a Prussian officer.

I Cornelio Grandi who tell you these things have a story of my own of which some of you are not ignorant. You know for one thing that I was not always poor nor always a professor of philosophy nor a scribbler of pedantic articles for a living. Many of you can remember why I was driven to sell my patrimony the dear castello in the Sabines with the good corn-land and the vineyards in the valley and the olives too.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

I, Cornelio Grandi, who tell you these things, have a story of my own, of which some of you are not ignorant. You know, for one thing, that I was not always poor, nor always a professor of philosophy, nor a scribbler of pedantic articles for a living. Many of you can remember why I was driven to sell my patrimony, the dear castello in the Sabines, with the good corn-land and the vineyards in the valley, and the olives, too.

I, Cornelio Grandi, who tell you these things, have a story of my own, of which some of you are not ignorant. You know, for one thing, that I was not always poor, nor always a professor of philosophy, nor a scribbler of pedantic articles for a living. Many of you can remember why I was driven to sell my patrimony, the dear castello in the Sabines, with the good corn-land and the vineyards in the valley, and the olives, too. For I am not old yet; at least, Mariuccia is older, as I often tell her. These are queer times. It was not any fault of mine. But now that Nino is growing to be a famous man in the world, and people are saying good things and bad about him, and many say that he did wrong in this matter, I think it best to tell you all the whole truth and what I think of it. For Nino is just like a son to me; I brought him up from a little child, and taught him Latin, and would have made a philosopher of him. What could I do? He had so much voice that he did not know what to do with it.