Books in Ulverscroft large print series. [Western] series

A wheelchair-bound Poirot returns to Styles, the venue of his first investigation, where he knows another murder is going to take place...The house guests at Styles seemed perfectly pleasant to Captain Hastings; there was his own daughter Judith, an inoffensive ornithologist called Norton, dashing Mr Allerton, brittle Miss Cole, Doctor Franklin and his fragile wife Barbara , Nurse Craven, Colonel Luttrell and his charming wife, Daisy, and the charismatic Boyd-Carrington.So Hastings was shocked to learn from Hercule Poirot's declaration that one of them was a five-times murderer. True, the ageing detective was crippled with arthritis, but had his deductive instincts finally deserted him?...

Intelligent, practical Mary Challoner knew wicked Dominic Alastair, Marquis of Vidal, wouldn't marry her sister, despite her mother's matchmaking schemes. So Mary coolly prepared to protect her sister by deceiving Vidal. But she certainly hadn't expected the infuriated nobleman to kidnap her! Reluctantly awakening to his responsibility—and realizing just how serious Mary was about her virtue—Vidal proposed marriage.But after all the carefully laid wedding plots he'd dodged, Vidal had never expected to be refused by a chit! Baffled, bewitched and frustratingly tempted, Vidal swore that Mary would be his wife. Even if it was the last thing either of them ever did

Tom Doan joins the buffalo hunters going into the Southwest’s inhospitable Staked Plain. Seeing huge herds there, he thinks of getting rich off their hides. He proves efficient as a skinner, and what follows is almost a literal baptism in sweat and blood. Fighting the Comanches and Kiowas, some unscrupulous white hunters, and his own conscience, he ages fast—all the faster in facing obstacles to love’s consummation with Milly. She, like Tom, is in constant danger from every side. Finally, they can be united in mind and body only if he agrees to her one condition.The Thundering Herd, originally published in 1925, is Zane Grey’s great lament for the passing of the buffalo. Grounded in the author’s sense of western history, it shows in no uncertain terms how white men were debased by the wanton destruction of the herds.

In the sixth instalment of The Performers family saga, Amy and Fenton, grandchildren of Lilith, arrive as orphans in the London of the 1860s determined to find fame and fortune on the stage. Amy's deeper quest to find her forbears and present relations brings her into a family conflict that has smouldered for forty years. It also brings her a passionate attachment to a man whose connections with both families lie in faraway places.