Books published by publisher University of South Carolina Press

The Shark's Tooth is a poetic tale of imagination and conservation in which a young girl visiting her grandparents' beach house finds friendship with the ocean's creatures. Sharks' teeth are given to her by her new aquatic friends as gifts, symbolic of her connections to nature and the sea. As the little girl grows up and moves away to the city, she loses her kinship to the natural world. When she returns to the beach house as an adult, she is convinced that her childhood memories were only acts of make-believe―until she receives a sign that her ocean adventures may have been real after all.The Shark's Tooth is the first children's book written by New York Times best-selling author Ron Rash. Cecile L. K. Martin's colorful cut-paper illustrations complement the story, and novelist and children's author Mary Alice Monroe provides an engaging afterword on the story's empowering message of creativity and conservation.

Harry Potter and Beyond explores J. K. Rowling's beloved best-selling series and its virtuoso reimagining of British literary traditions. Weaving together elements of fantasy, the school-story novel, detective fiction, allegory, and bildungsroman, the Harry Potter novels evade simplistic categorization as children's or fantasy literature. Because the Potter series both breaks new ground and adheres to longstanding narrative formulas, readers can enhance their enjoyment of these epic adventures by better understanding their place in literary history.Along with the seven foundational novels of the Harry Potter series, Harry Potter and Beyond assesses the extraordinary range of supplementary material concerning the young wizard and his allies, including the films of the books, the subsequent film series of Fantastic Beasts and Where to Find Them, the theatrical spectacle Harry Potter and the Cursed Child, and a range of other Potter-inspired narratives. Beyond the world of Potter, Pugh surveys Rowling's literary fiction The Casual Vacancy and her detective series featuring Cormoran Strike, written under the pseudonym Robert Galbraith. Through this comprehensive overview of Rowling's body of work, Pugh reveals the vast web of connections between yesteryear's stories and Rowling's vivid creations.

Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the complexities of these new relationships with an eye toward exploring how museums can grapple with centuries of unresolved trauma as they tell the stories of Native peoples. She investigates how museums can honor an Indigenous worldview and way of knowing, challenge stereotypical representations, and speak the hard truths of colonization within exhibition spaces to address the persistent legacies of historical unresolved grief in Native communities.Lonetree focuses on the representation of Native Americans in exhibitions at the Smithsonian's National Museum of the American Indian, the Mille Lacs Indian Museum in Minnesota, and the Ziibiwing Center of Anishinabe Culture and Lifeways in Michigan. Drawing on her experiences as an Indigenous scholar and museum professional, Lonetree analyzes exhibition texts and images, records of exhibition development, and interviews with staff members. She addresses historical and contemporary museum practices and charts possible paths for the future curation and presentation of Native lifeways.

First published in 1945 to international acclaim and winner of the Southern Authors Award, Three O'Clock Dinner is Josephine Pinckney's best-selling novel about an ill-fated marriage on the eve of World War II. This powerful tale written by a consummate Charleston insider and set in the historic city resonates with universal appeal.Daring to touch on topics that had been taboo, Three O'Clock Dinner reveals how the modern world has intruded in a most unwelcome way upon the Redcliffes, a Charleston family long on pedigree but short on cash. Mortified when their son "Tat" elopes with the henna-haired daughter of the Hessenwinkles, an especially galling bourgeois clan, the Redcliffes are determined to respond with civility. They invite their son, his new wife, and her family for Sunday dinner, served at the traditional time of three in the afternoon. Tension builds across an expanse of white damask. After mint julep aperitifs, dinner claret, and Madeira toasts, a chance remark ignites the novel's climax amid a flurry of raised voices, hurt feelings, and broken china. Their new daughter-in-law's revelation further shatters the Redcliffe's well-ordered society but opens a door to forgiveness and redemption.Barbara L. Bellow's introduction places the novel in its historical context, illuminates the history of its publication and treatment in the hands of Hollywood producers, and provides an in-depth critical analysis.

As early-twentieth-century Chicago swelled with an influx of at least 250,000 new black urban migrants, the city became a center of consumer capitalism, flourishing with professional sports, beauty shops, film production companies, recording studios, and other black cultural and communal institutions. Davarian Baldwin argues that this mass consumer marketplace generated a vibrant intellectual life and planted seeds of political dissent against the dehumanizing effects of white capitalism. Pushing the traditional boundaries of the Harlem Renaissance to new frontiers, Baldwin identifies a fresh model of urban culture rich with politics, ingenuity, and entrepreneurship. Baldwin explores an abundant archive of cultural formations where an array of white observers, black cultural producers, critics, activists, reformers, and black migrant consumers converged in what he terms a "marketplace intellectual life" Here the thoughts and lives of Madam C. J. Walker, Oscar Micheaux, Andrew "Rube" Foster, Elder Lucy Smith, Jack Johnson, and Thomas Dorsey emerge as individual expressions of a much wider spectrum of black political and intellectual possibilities. By placing consumer-based amusements alongside the more formal arenas of church and academe, Baldwin suggests important new directions for both the historical study and the constructive future of ideas and politics in American life.

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where they declared their loyalty to the U.S. government. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century.Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory.In a new afterword, Bynum updates readers on recent scholarship, current issues of race and Southern heritage, and the coming movie that make this Civil War story essential reading. The Free State of Jones film, starring Matthew McConaughey, Gugu Mbatha-Raw, and Keri Russell, will be released in May 2016.

The Battle of Eutaw Springs took place on September 8, 1781, and was among the last in the War of Independence. It was brutal in its combat and reprisals, with Continental and Whig militia fighting British regulars and Loyalist regiments. Although its outcome was seemingly inconclusive, the battle, fought near present-day Eutawville, South Carolina, contained all the elements that defined the war in the South. In Eutaw Springs: The Final Battle of the American Revolution's Southern Campaign, Robert M. Dunkerly and Irene B. Boland tell the story of this lesser known and under-studied battle of the Revolutionary War's Southern Campaign. Shrouded in myth and misconception, the battle has also been overshadowed by the surrender of Yorktown.Eutaw Springs represented lost opportunities for both armies. The American forces were desperate for a victory in 1781, and Gen. Nathanael Greene finally had the ground of his own choosing. British forces under Col. Alexander Stewart were equally determined to keep a solid grip on the territory they still held in the South Carolina lowcountry.In one of the bloodiest battles of the war, both armies sustained heavy casualties with each side losing nearly 20 percent of its soldiers. Neither side won the hard-fought battle, and controversies plagued both sides in the aftermath. Dunkerly and Boland analyze the engagement and its significance within the context of the war's closing months, study the area's geology and setting, and recount the action using primary sources, aided by recent archaeology.

2014 James Beard Foundation Book Award, Reference and ScholarshipHonor Book for Nonfiction, Black Caucus of the American Library AssociationIn this insightful and eclectic history, Adrian Miller delves into the influences, ingredients, and innovations that make up the soul food tradition. Focusing each chapter on the culinary and social history of one dish--such as fried chicken, chitlins, yams, greens, and "red drinks--Miller uncovers how it got on the soul food plate and what it means for African American culture and identity.Miller argues that the story is more complex and surprising than commonly thought. Four centuries in the making, and fusing European, Native American, and West African cuisines, soul food--in all its fried, pork-infused, and sugary glory--is but one aspect of African American culinary heritage. Miller discusses how soul food has become incorporated into American culture and explores its connections to identity politics, bad health raps, and healthier alternatives. This refreshing look at one of America's most celebrated, mythologized, and maligned cuisines is enriched by spirited sidebars, photographs, and twenty-two recipes.

New Voyages to Carolina offers a bold new approach for understanding and telling North Carolina's history. Recognizing the need for such a fresh approach and reflecting a generation of recent scholarship, eighteen distinguished authors have sculpted a broad, inclusive narrative of the state's evolution over more than four centuries. The volume provides new lenses and provocative possibilities for reimagining the state's past. Transcending traditional markers of wars and elections, the contributors map out a new chronology encompassing geological realities; the unappreciated presence of Indians, blacks, and women; religious and cultural influences; and abiding preferences for industrial development within the limits of "progressive" politics. While challenging traditional story lines, the authors frame a candid tale of the state's development. Contributors: Dorothea V. Ames, East Carolina UniversityKarl E. Campbell, Appalachian State UniversityJames C. Cobb, University of GeorgiaPeter A. Coclanis, University of North Carolina at Chapel HillStephen Feeley, McDaniel CollegeJerry Gershenhorn, North Carolina Central UniversityGlenda Elizabeth Gilmore, Yale UniversityPatrick Huber, Missouri University of Science and TechnologyCharles F. Irons, Elon UniversityDavid Moore, Warren Wilson CollegeMichael Leroy Oberg, State University of New York, College at GeneseoStanley R. Riggs, East Carolina UniversityRichard D. Starnes, Western Carolina UniversityCarole Watterson Troxler, Elon UniversityBradford J. Wood, Eastern Kentucky UniversityKarin Zipf, East Carolina University

Claiming Freedom is a noteworthy and dynamic analysis of the transition African Americans experienced as they emerged from Civil War slavery, struggled through emancipation, and then forged on to become landowners during the Reconstruction and post-Reconstruction period in the Georgia lowcountry. Karen Cook Bell's work is a bold study of the political and social strife of these individuals as they strived for and claimed freedom during the nineteenth century.Bell begins by examining the meaning of freedom through the delineation of acts of self-emancipation prior to the Civil War. Consistent with the autonomy that they experienced as slaves, the emancipated African Americans from the rice region understood citizenship and rights in economic terms and sought them not simply as individuals for the sake of individualism, but as a community for the sake of a shared destiny. Bell also examines the role of women and gender issues, topics she believes are understudied but essential to understanding all facets of the emancipation experience. It is well established that women were intricately involved in rice production, a culture steeped in African traditions, but the influence that culture had on their autonomy within the community has yet to be determined.A former archivist at the National Archives and Records Administration, Bell has wielded her expertise in correlating federal, state, and local records to expand the story of the all-black town of 1898 Burroughs, Georgia, into one that holds true for all the American South. By humanizing the African American experience, Bell demonstrates how men and women leveraged their community networks with resources that enabled them to purchase land and establish a social, political, and economic foundation in the rural and urban post-war era.

A fistful of bones and a mysterious treasure hunt--not quite what twelve-year-old Chicagoan Delta Wells is expecting when she arrives on Hilton Head Island, South Carolina, to visit her grandparents for the summer! But when Pops tells her that his beloved Island History Museum may be demolished to make room for a golf resort, Delta visits the museum property and discovers a skeleton hidden in the marsh. The bones and a long-secret message from the past send Delta and her younger brother, Jax, on a race to unearth the island's secrets, save their grandfather's museum, and help complete a mission someone started more than 150 years ago.From the Civil War ruins of Hilton Head, to the site of the H. L. Hunley submarine in Charleston and the University of South Carolina's historic Horseshoe in Columbia, Delta and Jax's vacation is an exciting and educational adventure through history.

Speaking at a 1913 National Geographic Society gala, Hiram Bingham III, the American explorer celebrated for finding the "lost city" of the Andes two years earlier, suggested that Machu Picchu "is an awful name, but it is well worth remembering." Millions of travelers have since followed Bingham's advice. When Bingham first encountered Machu Picchu, the site was an obscure ruin. Now designated a UNESCO World Heritage Site, Machu Picchu is the focus of Peru's tourism economy. Mark Rice's history of Machu Picchu in the twentieth century—from its "discovery" to today's travel boom—reveals how Machu Picchu was transformed into both a global travel destination and a powerful symbol of the Peruvian nation.Rice shows how the growth of tourism at Machu Picchu swayed Peruvian leaders to celebrate Andean culture as compatible with their vision of a modernizing nation. Encompassing debates about nationalism, Indigenous peoples' experiences, and cultural policy—as well as development and globalization—the book explores the contradictions and ironies of Machu Picchu's transformation. On a broader level, it calls attention to the importance of tourism in the creation of national identity in Peru and Latin America as a whole.