Books published by publisher Univ of Minnesota Pr

Key Change: New Musicals for Young Audiences presents four groundbreaking musicals developed by Children’s Theatre Company, widely regarded as the leading theatre of its kind in North America. These works embody singular styles and sounds, yet all represent the robust spirit of unique people finding their way in the world. They are all sure to entertain, including the Broadway hit A Year with Frog and Toad. The quirky Tale of a West Texas Marsupial Girl, by Lisa D’Amour, with music by Sxip Shirey, is set in a town unprepared to accept a girl born with a pouch. But eventually, with the help of her friend Sue, everyone comes to understand just how wonderful Marsupial Girl is. Madeline and the Gypsies—adapted by Barry Kornhauser from the popular book by Ludwig Bemelmans, with music by Michael Koerner—gives little Madeline and her friend Pepito a taste of circus life after they get lost at a carnival and Gypsies carry them away. In Buccaneers! (written by Liz Duffy Adams, with music by Ellen Maddow) a girl leads the young pirates who capture her toward a better life through her wits and tenacity. A Year with Frog and Toad chronicles the unlikely friendship of silly Toad and responsible Frog that endures all seasons. Based on the classic books by Arnold Lobel, adapted by Willie Reale, with music by Robert Reale, it made its mark on Broadway and was nominated for three Tony Awards, including Best Musical.Each of these musicals guarantees a distinctive, delightful theatrical experience. Now teachers and children far and wide can read them in one volume and produce them in their own schools, theatres, and communities.

For fifteen-year-old Matti Ojala and his family, Finnish immigrants in Minnesota in 1900, starting a new life in America is both a hardship and an opportunity. After a tragic mining accident kills their beloved uncle, the family turns away from on the iron mines to pursue the dream of owning a homestead in the wilderness. This means constant hard work and new challenges for the entire family. But will it also allow Matti, the in-between child, the chance to escape from his older brother’s shadow and gain the approval of his father, which he so desperately desires?

Few authors have had such a dramatic effect as Bertolt Brecht. His work has helped to shape a generation of writers, theatergoers, and thinkers. His plays are studied worldwide as texts that changed the face of theater.The Caucasian Chalk Circle is a parable inspired by the Chinese play Chalk Circle. Written at the close of World War II, the story is set in the Caucasus Mountains of Georgia. It retells the tale of King Solomon and a child claimed by and fought over by two mothers. But this chalk circle is metaphorically drawn around a society misdirected in its priorities. Brecht's statements about class are cloaked in the innocence of a fable that whispers insistently to the audience.No translations of Brecht's work are as reliable and compelling as Eric Bentley's. These versions are widely viewed as the standard renderings of Brecht's work, ensuring that future generations of readers will come in close contact with the work of a playwright who introduced a new way of thinking about the theater.

"Nothing at All" is the name of an orphaned puppy living with his two brothers until two children come to adopt them. Unfortunately, Nothing at All is left behind - not out of cruelty, but because he is invisible!He is horribly lonely until he meets a bird, Jackdaw, who says that he knows how to make the puppy visible. Nothing at All doesn't think much of the bird at first, but follows the instructions anyway, and after a little time, hard work, and a lot of dizziness, the puppy becomes visible and joins his brothers in their new family.

Trolls! They are huge and ugly and very, very dangerous. But luckily, their brains are no bigger than a walnut, so even small children can trick them. First, though, you need to know their weaknesses—and that’s where these stories come in. It is helpful to know what a little girl can do when she finds out that trolls hate loud noises. Or how two brothers might make an entire family of horrible trolls burst and turn to stone. Or what a clever little gnome boy does when he discovers that trolls are ever so easily distracted. Helpful, but also great fun, and it doesn’t hurt to be reminded of all the tricks children already know when it comes to overcoming trolls—or other fearsome beings and things. Patience, kindness, courage, and quick thinking—what works against trolls are the best things about being human. Taken from a wide range of historical and international sources, Seven Ways to Trick a Troll will delight and entertain imaginations of all ages.

“[An] exceptionally interesting and intimate oral history . . . Against a background of motels and all-night cafés and strikes, the high relief in which the characters stand out is truly fascinating. Jacques Levy’s biography of Chavez has unforgettable descriptive passages and fine photographs.” —The NationMexican-American civil rights and labor activist Cesar Chavez (1927–1993), comes to life in this vivid portrait of the charismatic and influential fighter who boycotted supermarkets and took on corporations, the government, and the powerful Teamsters Union. Jacques E. Levy gained unprecedented access to Chavez and the United Farm Workers Union in writing this account of one of the most successful labor movements in history which can also serve as a guidebook for social and political change. “[The] definitive work. The book’s major contribution lies in its portrait of the man himself—deeply religious in an almost mystical fashion; a dedicated battler, but not a dedicated hater; a leader who not only will not ask, but will not allow his followers to make the sacrifices he has made.” —Publishers Weekly“One of the heroic figures of our time.” —Senator Robert F. KennedyJacques E. Levy (1927–2004), a prize-winning journalist, spent six years with Cesar Chavez researching and writing this book.Fred Ross Jr. is a spokesperson for the Service Employees’ International Union and the son of Fred Ross, Chavez’s mentor.Jacqueline Levy is the daughter of Jacques E. Levy and a high school science teacher in Sonoma County, California.

An irresistible read-aloud picture book, in which a little odd-duck-out discovers her unique strengths When these ducks go to the pond, it is Bim, Bam, Bop . . . and Oona, always last. They’re all ducks, but Bim, Bam, and Bop are runners, and Oona’s a waddler. “Last is a blot on my life,” she says to her frog friend, Roy. “I don’t feel as big as a duck should feel.” But she’s good with gizmos, Roy reminds her. So Oona tinkers with things, scraps, and strings, and eventually creates just the right gadget to get her to the pond first.Spunky Oona will inspire and delight all who see her final triumphant creation. With its fun read-aloud words (from Brrrrrring to OOO-hoolie-hoo!), her story is wonderful to hear. Its charming illustrations invite readers to imagine our own new gizmos, and her victory reminds us to look for our own special gifts. A tale about being true to yourself, building confidence, and finding friendship, Bim, Bam, Bop . . . and Oona is sure to bring smiles to readers and listeners of all ages.

In 1901, the Northern Pacific was an unlikely prize: a twice-bankrupt construction of the federal government, it was a two-bit railroad (literally—five years back, its stock traded for twenty-five cents a share). But it was also a key to connecting eastern markets through Chicago to the rising West. Two titans of American railroads set their sights on it: James J. Hill, head of the Great Northern and largest individual shareholder of the Northern Pacific, and Edward Harriman, head of the Union Pacific and the Southern Pacific. The subsequent contest was unprecedented in the history of American enterprise, pitting not only Hill against Harriman but also Big Oil against Big Steel and J. P. Morgan against the Rockefellers, with a supporting cast of enough wealthy investors to fill the ballroom of the Waldorf Astoria. The story, told here in full for the first time, transports us to the New York Stock Exchange during the unfolding of the earliest modern-day stock market panic. Harriman vs. Hill re-creates the drama of four tumultuous days in May 1901, when the common stock of the Northern Pacific rocketed from one hundred ten dollars a share to one thousand in a mere seventeen hours of trading—the result of an inadvertent “corner” caused by the opposing forces. Panic followed and then, in short order, a calamity for the “shorts,” a compromise, the near-collapse of Wall Street brokerages and banks, the most precipitous decline ever in American stock values, and the fastest recovery. Larry Haeg brings to life the ensuing stalemate and truce, which led to the forming of a holding company, briefly the biggest railroad combine in American history, and the U.S. Supreme Court ruling against the deal, launching the reputation of Justice Oliver Wendell Holmes as the “great dissenter” and President Theodore Roosevelt as the “trust buster.” The forces of competition and combination, unfettered growth, government regulation, and corporate ambition—all the elements of American business at its best and worst—come into play in the account of this epic battle, whose effects echo through our economy to this day.

Few inventions evoke such nostalgia, such deeply personal and vivid memories as radio-from Amos 'n' Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. Listening In is the first in-depth history of how radio culture and content have kneaded and expanded the American psyche.But Listening In is more than a history. It is also a reconsideration of what listening to radio has done to American culture in the twentieth century and how it has brought a completely new auditory dimension to our lives. Susan Douglas explores how listening has altered our day-to-day experiences and our own generational identities, cultivating different modes of listening in different eras; how radio has shaped our views of race, gender roles, ethnic barriers, family dynamics, leadership, and the generation gap. With her trademark wit, Douglas has created an eminently readable cultural history of radio."Douglas's wonderful book offers a sophisticated history of radio listening." -Journal of American HistorySusan J. Douglas is professor of communication studies at the University of Michigan, Ann Arbor, and author of Where the Girls Are: Growing Up Female with the Mass Media.

“[An] exceptionally interesting and intimate oral history . . . Against a background of motels and all-night cafés and strikes, the high relief in which the characters stand out is truly fascinating. Jacques Levy’s biography of Chavez has unforgettable descriptive passages and fine photographs.” —The Nation Mexican-American civil rights and labor activist Cesar Chavez (1927–1993), comes to life in this vivid portrait of the charismatic and influential fighter who boycotted supermarkets and took on corporations, the government, and the powerful Teamsters Union. Jacques E. Levy gained unprecedented access to Chavez and the United Farm Workers Union in writing this account of one of the most successful labor movements in history which can also serve as a guidebook for social and political change. “[The] definitive work. The book’s major contribution lies in its portrait of the man himself—deeply religious in an almost mystical fashion; a dedicated battler, but not a dedicated hater; a leader who not only will not ask, but will not allow his followers to make the sacrifices he has made.” —Publishers Weekly “One of the heroic figures of our time.” —Senator Robert F. Kennedy Jacques E. Levy (1927–2004), a prize-winning journalist, spent six years with Cesar Chavez researching and writing this book. Fred Ross Jr. is a spokesperson for the Service Employees’ International Union and the son of Fred Ross, Chavez’s mentor. Jacqueline Levy is the daughter of Jacques E. Levy and a high school science teacher in Sonoma County, California.

Ancient records of canoes are found from the Pacific Northwest to the coast of Maine, in Minnesota and Mexico, in the Southeast and across the Caribbean. And if a native of those distant times might encounter a canoe of our day—whether birch bark or dugout or a modern marvel made of carbon fiber—its silhouette would be instantly recognizable. This is the story of that singular American artifact, so little changed over time: of canoes, old and new, the people who made them, and the labors and adventures they shared. With features of technology, industry, art, and survival, the canoe carries us deep into the natural and cultural history of North America.In the foreword by Pulitzer Prize–winner John McPhee, we dip into the experience of canoeing, from the thrilling challenges of childhood camp expeditions to the moving reflections of long-time paddlers. The pages that follow are filled with historical photographs and artwork, authors Neuzil and Sims describe the dugout and birch bark craft from their first known appearance through the exploration of Canada by fur traders, to the recreational movements that promoted all-wood and wood-and-canvas canoes. Modern materials such as aluminum, fiberglass, and plastic expanded participation and connected canoeists with emerging environmental movements. Finally, Canoes lets us hear the voices of past paddlers like Alexander Mackenzie, the first European to cross North America, using birch bark and dugout canoes a decade before Lewis and Clark went overland, Henry Thoreau, Eric Sevareid, Edwin Tappan Adney, and others. Their stories are a tribute to the First Peoples who, 500 or 1,000 or even 5,000 years ago, built a craft designed to such perfection that it has plied the waters fundamentally unchanged ever since.