Books published by publisher J. M. Dent - Everyman's Librar

No-one in the grip of Mary Shelley's FRANKENSTEIN, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the adaptations, imitations and outright plagiarisms which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), Mary Shelley produced English Romanticism's finest prose fiction.

A gripping vision of our society radically overturned by a theocratic revolution, The Handmaid's Tale has become one of the most powerful and most widely read novels of our time. Margaret Atwood is “the patron saint of feminist dystopian fiction” (New York Times).Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules.Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid's Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant.

It has been said that Victor Hugo has a street named after him in virtually every town in France. A major reason for the singular celebrity of this most popular and versatile of the great French writers is Les Misérables (1862). In this story of the trials of the peasant Jean Valjean—a man unjustly imprisoned, baffled by destiny, and hounded by his nemesis, the magnificently realized, ambiguously malevolent police detective Javert—Hugo achieves the sort of rare imaginative resonance that allows a work of art to transcend its genre.Les Misérables is at once a tense thriller that contains one of the most compelling chase scenes in all literature, an epic portrayal of the nineteenth-century French citizenry, and a vital drama—highly particularized and poetic in its rendition but universal in its implications—of the redemption of one human being.

When we first met him in Rabbit, Run (1960), the book that established John Updike as a major novelist, Harry (Rabbit) Angstrom is playing basketball with some boys in an alley in Pennsylvania during the tail end of the Eisenhower era, reliving for a moment his past as a star high school athlete. Athleticism of a different sort is on display throughout these four magnificent novels—the athleticism of an imagination possessed of the ability to lay bare, with a seemingly effortless animal grace, the enchantments and disenchantments of life. Updike revisited his hero toward the end of each of the following decades in the second half of this American century; and in each of the subsequent novels, as Rabbit, his wife, Janice, his son, Nelson, and the people around them grow, these characters take on the lineaments of our common existence. In prose that is one of the glories of contemporary literature, Updike has chronicled the frustrations and ambiguous triumphs, the longuers, the loves and frenzies, the betrayals and reconciliations of our era. He has given us our representative American story. This Rabbit Angstrom volume is composed of the following novels: Rabbit, Run; Rabbit Redux; Rabbit is Rich; and Rabbit at Rest.

One of America’s best-loved novels by PBS’s The Great American Read and a highly touted Hulu series starring George Clooney, Christopher Abbott, Kyle Chandler, and Hugh Laurie.One of the funniest books ever written, Joseph Heller's masterpiece about a bomber squadron in the Second World War's Italian theater features a gallery of magnificently strange characters seething with comic energy. The malingering hero, Yossarian, is endlessly inventive in his schemes to save his skin from the horrible chances of war, and his story is studded with incidents and devices (including the Glorious Loyalty Oath Crusade and the hilariously sinister bureaucratic rule that gives the book its title) that propel the narrative in a headlong satiric rush. But the reason Catch-22's satire never weakens and its jokes never date stems not from the comedy itself but from the savage, unerring, Swiftian indignation out of which that comedy springs. This fractured anti-epic, with all its aggrieved humanity, has given us the most enduring image we have of modern warfare. This hardcover Everyman's Library edition includes an introduction by Malcolm Bradbury, a chronology of the author's life and times, and a select bibliography. It is printed on acid-free paper, with sewn bindings, full-cloth covers, foil stamping, and a silk ribbon marker.

The Roman emperor Marcus Aurelius Antoninus (a.d. 121—180) embodied in his person that deeply cherished, ideal figure of antiquity, the philosopher-king. His Meditations are not only one of the most important expressions of the Stoic philosophy of his time but also an enduringly inspiring guide to living a good and just life. Written in moments snatched from military campaigns and the rigors of politics, these ethical and spiritual reflections reveal a mind of exceptional clarity and originality, and a spirit attuned to both the particulars of human destiny and the vast patterns that underlie it.

In The Idiot, the saintly Prince Myshkin returns to Russia from a Swiss sanatorium and finds himself a stranger in a society obsessed with wealth, power, and sexual conquest. He soon becomes entangled in a love triangle with a notorious kept woman, Nastasya, and a beautiful young girl, Aglaya. Extortion and scandal escalate to murder, as Dostoevsky’s “positively beautiful man” clashes with the emptiness of a society that cannot accommodate his innocence and moral idealism. The Idiot is both a powerful indictment of that society and a rich and gripping masterpiece. From award-winning translators, a masterful new translation–never before published–of the novel in which Fyodor Dostoevsky set out to portray a truly beautiful soul.

Louisa May Alcott's beloved tale about Meg, Jo, Beth, and Amy is presented in a beautiful Everyman's Library Children's Classics edition. The story of the four sisters' dreams, quarrels, and romances are brought to vivid life in this edition that features full cloth binding in bold, bright colors; silk ribbon marker and headband; two-color illustrated endpapers and illustrations throughout. A brief biography of Alcott is also included.