Other editions of book Le Morte d'Arthur Volume 2

The legend of King Arthur can be found in English stories and folktales as early as the sixth century. The greatest and most complete version, however, did not appear until the fifteenth century (1485), with Sir Thomas Malory's "Le Morte d'Arthur". To create the epic tale, Malory drew from many sources, most notably thirteenth-century French prose romances. He supplemented these French sources with English Arthurian materials.Malory's sources, dating from 1225-1230, are largely a selection of courtly romances about Launcelot. These stories purport to be historical accounts of King Arthur and his knights and of their quest for the Holy Grail. In addition to the French sources, Malory added material from a fourteenth century English alliterative poem, the Morte Arthur. Although it is probable that a real Arthur did exist (it is a common name), there is little actual historical basis for the stories, which are largely legend and folklore. Many scholars have attempted to prove the veracity of the work, but the attraction of Malory's work has always been the text itself, with its emphasis on courtly love, honour, virtue and devotion, magic and miracles. "Le Morte d'Arthur" was immediately popular with readers and critics and has remained so.The authorship of "Le Morte d’ Arthur" is controversial, because more than one “Thomas Malory” exists who could have written the work. Many believe the author was most probably the unusual Sir Thomas Malory of Newbold Revel. It was during his imprisonment that Malory composed, translated, and adapted his great rendering of the Arthurian material. "Le Morte d’Arthur" tells the story of King Arthur and the Knights of the Round Table. The tale begins with Arthur’s birth, his education, and his rise to the throne. It also recounts the tragic love story of Sir Lancelot and Guinevere, the destruction of the Round Table and Arthur’s mysterious disappearance or death.

The legend of King Arthur can be found in English stories and folktales as early as the sixth century. The greatest and most complete version, however, did not appear until the fifteenth century (1485), with Sir Thomas Malory's "Le Morte d'Arthur". To create the epic tale, Malory drew from many sources, most notably thirteenth-century French prose romances. He supplemented these French sources with English Arthurian materials.Malory's sources, dating from 1225-1230, are largely a selection of courtly romances about Launcelot. These stories purport to be historical accounts of King Arthur and his knights and of their quest for the Holy Grail. In addition to the French sources, Malory added material from a fourteenth century English alliterative poem, the Morte Arthur. Although it is probable that a real Arthur did exist (it is a common name), there is little actual historical basis for the stories, which are largely legend and folklore. Many scholars have attempted to prove the veracity of the work, but the attraction of Malory's work has always been the text itself, with its emphasis on courtly love, honour, virtue and devotion, magic and miracles. "Le Morte d'Arthur" was immediately popular with readers and critics and has remained so.The authorship of "Le Morte d’ Arthur" is controversial, because more than one “Thomas Malory” exists who could have written the work. Many believe the author was most probably the unusual Sir Thomas Malory of Newbold Revel. It was during his imprisonment that Malory composed, translated, and adapted his great rendering of the Arthurian material. "Le Morte d’Arthur" tells the story of King Arthur and the Knights of the Round Table. The tale begins with Arthur’s birth, his education, and his rise to the throne. It also recounts the tragic love story of Sir Lancelot and Guinevere, the destruction of the Round Table and Arthur’s mysterious disappearance or death.

First published in 1485, during England's War of the Roses, "Le Morte d'Arthur" or "The Death of Arthur" combines all of the known legends of King Arthur into one creative text. Beginning with the birth of Arthur and telling the tale of his rise to become the head of the Knights of the Round Table and the husband of Guinevere, we also learn of Lancelot, Arthur's most venerated knight. Many of the other knights' stories are told with varying degrees of respect for the code of chivalry they are to abide by, including the quest for the Holy Grail. The decline of the Round Table is brought about by opposing forces within, of which the adulterous affair of Guinevere and Lancelot plays a destructive role. Treachery reveals this forbidden passion to Arthur, and his revenge leads to his death. This comprehensive telling of Arthurian legend reflects both medieval chivalry and the fractious social unrest characteristic of Malory's time, of which he was literally a prisoner, in a work that is both monumental and enduring.

This book is an illustrated version of the original Le Morte d'Arthur by Sir Thomas Malory. “Then King Arthur and King Ban and King Bors, with their good and trusty knights, set on them so fiercely that they made them overthrow their pavilions on their heads, but the eleven kings, by manly prowess of arms, took a fair champaign, but there was slain that morrowtide ten thousand good men's bodies. And so they had afore them a strong passage, yet were they fifty thousand of hardy men. Then it drew toward day. Now shall ye do by mine advice, said Merlin unto the three kings: I would that King Ban and King Bors, with their fellowship of ten thousand men, were put in a wood here beside, in an ambushment, and keep them privy, and that they be laid or the light of the day come, and that they stir not till ye and your knights have fought with them long. And when it is daylight, dress your battle even afore them and the passage, that they may see all your host, for then will they be the more hardy, when they see you but about twenty thousand men, and cause them to be the gladder to suffer you and your host to come over the passage. All the three kings and the whole barons said that Merlin said passingly well, and it was done anon as Merlin had devised.”

Le Morte d'Arthur is an exciting, magical interpretation of the legend of King ArthurThe next elegant edition in the Knickerbocker Classic series, Le Morte d'Arthur is unabridged and complete. Originally published in 1485 by William Caxton, Sir Thomas Malory's Le Morte d'Arthur remains the most exciting and magical interpretation of the legend of King Arthur and the Knights of the Round Table.For Arthurian fans worldwide, this stunning gift edition has a cloth binding, ribbon marker, and is packaged neatly in an elegant slipcase. Featuring a new introduction and the elegant illustrations by Aubrey Beardsley (1872â?"1898), this volume of Le Morte d'Arthur is an indispensible classic for every home library.

"‘*Le Morte D'arthur*' by *Sir Thomas Malory*Le Morte d'Arthur (originally spelled Le Morte Darthur, Middle French for “the death of Arthur”) is a reworking of traditional tales by Sir Thomas Malory about the legendary King Arthur, Guinevere, Lancelot, and the Knights of the Round Table. Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). He called the full work The hoole booke of kyng Arthur & of his noble knyghtes of the rounde table, but Caxton instead titled it with Malory's name for the final section of the cycle. Modernized editions update the late Middle English spelling, update some pronouns, and repunctuate and reparagraph the text. "