Other editions of book The Troll Garden

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.This collection of Willa Cather stories—her first book of fiction and the capstone of her early career—is as relevant today as at the time of its initial publication. As different and individually distinguished as the seven stories may be, they share as their subject the role and status of the artist in American society.

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.This collection of Willa Cather stories—her first book of fiction and the capstone of her early career—is as relevant today as at the time of its initial publication. As different and individually distinguished as the seven stories may be, they share as their subject the role and status of the artist in American society.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1905]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 270. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.

"As the train neared Tarrytown, Imogen Willard began to wonder why she had consented to be one of Flavia's house party at all. She had not felt enthusiastic about it since leaving the city, and was experiencing a prolonged ebb of pur-pose, a current of chilling indecision, under which she vainly sought for the motive which had in-duced her to accept Flavia's invitation."

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.

In the stories that comprise The Troll Garden, her first book, Willa Cather evokes the devastated, romantic dreams that haunt her characters. Artists, inveterate sentimentalists, hungering beauties, and demon-ridden ascetics find themselves torn between the need to confess and keep secret their private aspirations. Involved with the hope that destroys the spirit, their lives reflect both the impoverished materialism and the deadly idealism of the Plains country, of the fashionable East, and of London at the turn of the century.

This collection of Willa Cather stories - her first book of fiction and the capstone of her early career - is as relevant today as at the time of its initial publication. As different and individually distinguished as the seven stories may be, they share as their subject the role and status of the artist in American society. The passions, ambitions, and pretensions, the cant and the pathos of the art world, artists, pseudo-artists, aficionados, and dilettantes - all are amply represented here in the midst of their foibles, grand affairs, and failures, drawn with great style and subtlety by a writer gathering her formidable powers. With the psychological precision of her early master Henry James and the practical wisdom and wit of her contemporary Edith Wharton, Cather shows us innocents seduced, sophisticates undone, marriages sundered, idealism compromised, and the rare soul uplifted by art.

The Troll Garden is a collection of short stories by Willa Cather, published in 1905.This collection contains the following seven stories:"Flavia and Her Artists""The Sculptor's Funeral""A Death in the Desert""The Garden Lodge""The Marriage of Phaedra""A Wagner Matinee""Paul's Case"Four of these stories--"The Sculptor's Funeral," "A Death in the Desert," "A Wagner Matinee," and "Paul's Case"—were revised and included in Cather's next collection of short fiction Youth and the Bright Medusa, published in 1920.

The Troll Garden is a collection of short stories by Willa Cather, published in 1905. Contents This collection contains the following seven stories: "Flavia and Her Artists" "The Sculptor's Funeral" "A Death in the Desert" "The Garden Lodge" "The Marriage of Phaedra" "A Wagner Matinee" "Paul's Case" Four of these stories--"The Sculptor's Funeral," "A Death in the Desert," "A Wagner Matinee," and "Paul's Case"—were revised and included in Cather's next collection of short fiction Youth and the Bright Medusa, published in 1920.

The Troll Garden is a collection of short stories by Willa Cather, published in 1905. At age 9 Cather moved with her family from Virginia to frontier Nebraska, where from age 10 she lived in the village of Red Cloud. There she grew up among the immigrants from Europe—Swedes, Bohemians, Russians, and Germans—who were breaking the land on the Great Plains.Meet extraordinary women who dared to bring gender equality and other issues to the forefront. From overcoming oppression, to breaking rules, to reimagining the world or waging a rebellion, these women of history have a story to tell.At the University of Nebraska she showed a marked talent for journalism and story writing, and on graduating in 1895 she obtained a position in Pittsburgh, Pennsylvania, on a family magazine. Later she worked as copy editor and music and drama editor of the Pittsburgh Leader. She turned to teaching in 1901 and in 1903 published her first book of verses, April Twilights. In 1905, after the publication of her first collection of short stories, The Troll Garden, she was appointed managing editor of McClure’s, the New York muckraking monthly. After building up its declining circulation, she left in 1912 to devote herself wholly to writing novels.Cather’s first novel, Alexander’s Bridge (1912), was a factitious story of cosmopolitan life. Under the influence of Sarah Orne Jewett’s regionalism, however, she turned to her familiar Nebraska material. With O Pioneers! (1913) and My Ántonia (1918), which has frequently been adjudged her finest achievement, she found her characteristic themes—the spirit and courage of the frontier she had known in her youth. One of Ours (1922), which won the Pulitzer Prize, and A Lost Lady (1923) mourned the passing of the pioneer spirit.In her earlier Song of the Lark (1915), as well as in the tales assembled in Youth and the Bright Medusa (1920), including the much-anthologized “Paul’s Case,” and Lucy Gayheart (1935), Cather reflected the other side of her experience—the struggle of a talent to emerge from the constricting life of the prairies and the stifling effects of small-town life.